Check out this Interview for the Featured Fiber Artist

I am honored to be  the first Featured Fiber Artist  at the Santa Cruz Art League’s (SCAL)virtual interviews. This posting represents my  memory of the interview as well as combined with the notes I made beforehand. Val Miranda, executive director of the Santa Cruz Art League narrated . During a technical glitch, I lost sound. Val engaged with the audience at that time.

We Are the Story
Let Us Breathe, Ann Baldwin May

Val Miranda: Ann Baldwin May,art quilter As Execuive Director of the Santa Cruz Art League I am pleased to have you as our first Featured Fiber Artist.please inroduce yourself. How did you come to art?

Ann: Thank you, Val. I am very honored to be the first Featured Fiber Artist at the Santa Cruz Art League.My sewing career reaches back to high school where I took 2 years of sewing. The focus was on clothes construction.  In the 1970s I started quilting. My focus was bed quilts.

Exploring other Avenues of Creative Expression

Around 2008-09, I began exploring other avenues of creative expression. So I moved towards art quilts. I took a class on fabric layering from Meri Vahl. During this time I created several large art quilts combining my love of Mexican folk dance with my quilting. These 3D colorful skirts and costumes stand out as Mexican outfits.

My First Juried Art Show

In 2010, I entered my first juried art show. It was the Pajaros show in Watsonville in conjuction with the Birding Conference put on by the Pajaro Valley Arts Council. My work was included on the brochere. The following year, Great Blue Heron at Dusk won an award at another show. So I was encouraged to continue.

In 2016, I opened my studio at the Santa Cruz Art Center downtown,Then I applied to Open Studios for the first time. So for Open Studios and First Fridays, I take over the lobby and fill it with my  art.

I am all about Color! Texture! and Movement! I make Nature art quilts; like  underwater fantasies, trees and landscapes. Abstract and Mexican inspired fabric collages.

Traditional Quilts versus Art Quilts

Val- Can you tell us a little bit about the difference between traditional quilts and art quilts?

Ann-Most people are familiar with bed quilts. A quilt is made up of three layers sewn together; the back , the batting inside and the top. Being able to wash a quilts is foremost for a bed quilt. 100% cotton is always used for washability and durability.

An art quilt often uses tradional quilting techniques to make wall art. When one is not concerned with washing a quilt, a wider range of fabrics can be used. There is also a wide variety of art quilters and the techniques they use. Many art quilters do not have experience with making bed quilts or even sewing. Some dye their fabrics, paint on their fabrics or print their own designs on fabrics. I don’t do any of those techniques.

FABMO offers an Incredible Variety of Materials

For me there is such an incredible variety of printed fabrics and materials.I choose to use those to create my art. I am a big fan of FABMO, the non profit now based in Sunnyvale. Volunteers go weekly to the San Francisco Design Center. They collect all kinds of materials to keep them out of the landfill. They make these materials available to the public for a donation. PreCOVID they were coming to Santa Cruz about 5 times a year to Harvey West Park. They are having several selection days in Sunnyvale. But I haven’t been to their new location. sign up for their newsletter at https://www.fabmo.org/

Val- That is interesting that art quilters use such a variety of materials. Are you familiar with Consuelo Underwood’s work at teacher at San Jose Statet University. I know her work to be very engaging.

Ann- No, I don’t know her. I wanted to give a shout out to Susan Else. She lives in Santa Cruz. She creates 3D figures out of fabric often with whimiscal themes. More recently she has been adding electricity and lights to her pieces. One of her pieces is of a merry go round with the animals riding the people.

The Piece in the Member Show

Val- Could you tell us a little bit about the piece that you have currently in the Member Show?

Ann- My piece in the Member Show is Let Us Breathe! Physically the art quilt is in Minneapolis. Digitally it is in the Art League show. Several weird random events happened concerning this art quilt.It’s all good.

The Murder of George Floyd

Around  Memorial Day when we all witnessed the murder of George Floyd, I was horrified. as many others.The artist  buzz on the internet questioned how this would affect one’s art. At first I was too stunned to do anything. Later I thought about what I could create within my own style to address the issue of racial injustice.

So I made an abstract type of art quilt for the background, incorporating African designs to support my view. Then I created a cutout silouette of man and a woman. I dressed them in African fabrics. I made red white and blue hearts to place on their chests. My thoughts were for them honoring thier cultural roots. Including their love for America while America was not returning their love.

A Call for Entry

Then I saw a call for entry from Dr. Carolyn Mazlotti who I had heard speak at a conference before. The call was for Rascism:In the Face of Hate We Resist. I hesitated applying. My thoughts were that this was a moment for black artists to shine. Then I thought of the saying, White Silence Eguals Violence.  So I decided to enter the show to show my support for the BLM.To my surprise and joy,my piece was accepted.

I was instructed to send my art immediately to Ohio where Dr.Mazlotti lives.As you can imagine Dr.Mazlotti worked quickly to organize this show. She explained that there would be 7 venues and that she was writing a book about the shows. However, when I sent my quilt off, I had no knowledge of where the venues would be.

The Fires Began

Then the lightening stuck and the fires began. I live near UCSC. So when UCSC was evaculated I was extremely worried that we would be next. When my friend from Watsonville offered me a room in her house, I jumped at the opportunity.I ended up staying there for 4 days. After the second lightening storm passed over SC, I returned home.

A Bit of Disorientation

Luckily, everything at home was fine. However the whole experience was disorienting.  It was during that first disoriented week back that I heard from Heidi, a friend from high school who lived in Minneapolis. Her text included a photo of my art quilt. She said that it was in a Swedish magazine.What? I was totally confused. I had no idea how these very different parts of my life had come together. Heidi graciously sent me the newsletter. The random pieces began to fall into place.

We Are The Story
Announcement in Posten,the newsletter of the American Swedish Institute.

The First Venue for the BLM Show

The Swedish American Institute in Minneapolis is the first venue for the show. The title of the show morphed into We are the Story. The newsletter chose my art for their article promoting the show. My name was printed prominently. If it hadn’t been, Heidi would not have known that it was my art.

I also learned that Heidi is half Swedish and formerly worked at the institute. Therefore , she was on their mailing list. The number of random events really surprised me. Without one of them, I wouldn’t have learned about any of it. Finally, all of the different parts of my life came together to make sense.

My Process

My process changes depending on which portfolio I decide to make.My nature quilts are the most popular with the public, landscapes, underwater fantasies and trees. I use a table to create these works of art.

Nature Quilts

I lay a piece of backing fabic on a table. Then I cover it with batting, the soft material that goes inside of a quilt. Then on top I create a scene. When I am finished, I cover the scene with tulle netting. I free motion quilt the three layers together. Free motion quilting involves lowering the feed dogs on the machine. This lets the sewer control the movement of the quilt.

Abstract Pieces are made on a Design Wall

green yellow bits on design wall,Featured Fiber Artist
green yellow bits on design wall, an abstract piece in the making

My abstract pieces are made on a design wall .  I use a huge piece of flannel covering the wall. Fabric adheres to the  flannel. I choose 3-4 colors that I want to use. Then I search for the complimentary hues, the light and darker shades of that color. I look for decorative threads or details in that color wave to include to add texture.

Sometimes I couch or zigzag yarns to create fabric that I cut apart to use. Then I put them up rather randomly on the design wall. I balance the fabrics or details that stand out more. Sometimes I choose to do curved line piecing to create movement.  I begin sewing pieces together. I keep checking that the piece is balanced for color and texture.

Mexican Inspired Collages or Art Quilts

Mexican inspired collages or art quilts start with me choosing the fabrics that go together or that I want to use. I gather my materials with no plan in  mind.  So I consider color and what I want to use. I often have to work backwards. Finishing the plain top and then adding 3D objects or found objects.

But sometimes I need to plan where  the objects will be placed. I have to wait until after quilting the top to add the 3D found objects. Quilting over thick or hard objects creates problems for the sewing machine.  If I add a bright ribbon, I then it can be added while quilting so I don’t duplicate sewing. So lots of forethought goes into these pieces.

 A woman with a shopping bag Mexican inspired art quilt,Featured Fiber Artist
Market Day

I have written detailed step by step instructions on these processes on my webstite if anyone is interested.

https://annbaldwinmayartquilts.com/2019/11/mexican-dance-fabric-collages/

https://annbaldwinmayartquilts.com/2019/11/mexican-dance-fabric-collages/

The Future

Val-What do have in store for the future? This is the answer I should have given.

About a year ago , I took Janet Siverglate’s class in assemblage. I have been mulling ideas around since then. I have a piece just about finished using wooden sewing spools and some whimsical items.

Val- I have only been at the Art League for four years now. I am aware that they was a Fiber Show a few years back. Maybe that is something that we can consider doing again in the future.

Another fiber show would be great!

http://www.consuelojunderwood.com/

http://www.susanelse.com/

https://scal.org/

https://www.etsy.com/shop/annbmayartquilts/

Need a pick me up? View Art here.

Pajaro Valley Arts Show 2020

People, Places & Poetry

Finally,the theme of this year’s show is “people, places and poetry”. The artists were asked to create a passionate expression of people and places that they have experienced in life. We asked our members to create fresh new and original artwork to make this truly a unique member’s exhibit.

In conclusion,PVA thanks our curators, laura laura and Lyn MacDonald

(If you are interested in purchasing any of the beautiful artwork in the show with a listed price, please contact our Gallery Coordinator at brianna@pvarts.org

https://annbaldwinmayartquilts.com/2021/02/visual-arts-network-santa-cruz-county/

Group1 Pajaro Valley Arts Show

Found Torso by Jeff Arnett, $450, Sculpture 14" x 9" x 3",Pajaro Valley Arts Show
Found Torso by Jeff Arnett, $450, Sculpture 14″ x 9″ x 3″
Winter of Rain by Jeff Arnett,Pajaro Valley Arts Show
Winter of Rain by Jeff Arnett
Silence by John Babcock, $2400, Pigmented paper, bamboo, wood & brass 47" x 24" x 3",Pajaro Valley Arts Show
Silence by John Babcock, $2400, Pigmented paper, bamboo, wood & brass 47″ x 24″ x 3″
“A special eye is always on you”. Billy Collin’s “All Eyes” by Michael Bashista, $300, Marble Sculpture, 12" x 5,Pajaro Valley Arts Show" x 4"
“A special eye is always on you”. Billy Collin’s “All Eyes” by Michael Bashista, $300, Marble Sculpture, 12″ x 5,
Green Dew Drops by Jean Sheckler Beebe, $475, Acrylic on Panel with Woodfried Ceramic Cup, 17.5" x 23.75" x 5"
Green Dew Drops by Jean Sheckler Beebe, $475, Acrylic on Panel with Woodfried Ceramic Cup, 17.5″ x 23.75
Poem to accompany Green Dew Drops by Jean Beebe
Poem to accompany Green Dew Drops by Jean Beebe
Blanketed Boulders by Mike Beebe, $600, Acrylic on Panel with Woodfried Ceramic Cup, 17.5" x 23.75" x 5"
Blanketed Boulders by Mike Beebe, $600, Acrylic on Panel with Woodfried Ceramic Cup, 17.5″ x 23.75″ x 5″
Poem to accompany Blanketed Boulders by Mike Beebe
Poem to accompany Blanketed Boulders by Mike Beebe
Family - Bound By Memories by Eva Bernstein, $300, Monotype, 15" x 15"
Family – Bound By Memories by Eva Bernstein, $300, Monotype, 15″ x 15″
When We Were... by Sarah Bianco, $2100, Mixed Media on Canvas, 60" x 72",Pajaro Valley Arts Show
When We Were… by Sarah Bianco, $2100, Mixed Media on Canvas, 60″ x 72″
Watsonville at Home by Jeri Bodemar, Color Photograph Poster, 36" x 24"
Watsonville at Home by Jeri Bodemar, Color Photograph Poster, 36″ x 24″
 

Group 2 Pajaro Valley Arts Show

Reborn in Starlight by Brad Burkhart, $850, High-fried Clay Relief, 14" x 22" x 3"
Reborn in Starlight by Brad Burkhart, $850, High-fried Clay Relief, 14″ x 22″ x 3″
Sundown by Brad Burkhart with comments Pajaro Valley Arts Show
Sundown by Brad Burkhart with comments
Spring Showers by Ruth Carroll, $1300, Oil on Linen, 18" x 24"
Spring Showers by Ruth Carroll, $1300, Oil on Linen, 18″ x 24″
Woody at the Lighthouse by Larry Cohen, $250, Digital, 11" x 14" Pajaro Valley Arts Show
Woody at the Lighthouse by Larry Cohen, $250, Digital, 11″ x 14″
Covid Reflections by Kati D'Amore, $500, Oil on Linen, 16" x 20"
Covid Reflections by Kati D’Amore, $500, Oil on Linen, 16″ x 20″
Blue by Karen Druker, $575, Mixed Media, 28" x 22"
Blue by Karen Druker, $575, Mixed Media, 28″ x 22″
Happy Haint Studio Spirit (Belle) by Laura Laura, $500, Assemblage, 38" x 24"
Happy Haint Studio Spirit (Belle) by Laura Laura, $500, Assemblage, 38″ x 24″
Face of the Vase by David Fleming, $1150, Oil on Canvas, 30" x 24"
Face of the Vase by David Fleming, $1150, Oil on Canvas, 30″ x 24″
Cassandra: Face on the Vase by Jeanne Lance (to accompany David Fleming artwork)
Cassandra: Face on the Vase by Jeanne Lance (to accompany David Fleming artwork)
Magdelena by Judy Gittelsohn, $2500, Golden Acrylic on Linen, 24" x 18"
Magdelena by Judy Gittelsohn, $2500, Golden Acrylic on Linen, 24″ x 18″

Group 3 Pajaro Valley Arts Show

People, Places, Poetry (to Christo) by Jane Gregorius, $300, Mixed Media, 18" x 18"
People, Places, Poetry (to Christo) by Jane Gregorius, $300, Mixed Media, 18″ x 18″
Le Printemps (Springtime) by Michele Hausman, $1800, Oil on Linen, 18" x 24"
Le Printemps (Springtime) by Michele Hausman, $1800, Oil on Linen, 18″ x 24″
Soil Song by Michele Hausman Pajaro Valley Arts Show
Soil Song by Michele Hausman
Flying to Freedom VI by Anita Heckman, $250, Linocut, 12" x 12" (Framed: 19" x 19")
Flying to Freedom VI by Anita Heckman, $250, Linocut, 12″ x 12″ (Framed: 19″ x 19″)
The Poet by Hedwig Heerschop, $750, Color Photograph, 20" x 24"
The Poet by Hedwig Heerschop, $750, Color Photograph, 20″ x 24″
The English Langue by Derek Walcott (to accompany artwork The Poet by Hedwig Heerschop)
The English Langue by Derek Walcott (to accompany artwork The Poet by Hedwig Heerschop)
Lavender Field by Joan Hellenthal, $600, Pastel, 16" x 18" Pajaro Valley Arts Show
Lavender Field by Joan Hellenthal, $600, Pastel, 16″ x 18″
Thinking of Miles by Anouk Johanna, Water- soluble Colored Pencil, NFS
Thinking of Miles by Anouk Johanna, Water- soluble Colored Pencil, NFS
The Beauty of a Spring Day at Pleasure Point by Bill Kennann, $750, Oil on Canvas, 14" x 18"
The Beauty of a Spring Day at Pleasure Point by Bill Kennann, $750, Oil on Canvas, 14″ x 18″
Dickey Bird by Peter Koronakos, $135, Assemblage, 7" x 3" x 10" Pajaro Valley Arts Show
Dickey Bird by Peter Koronakos, $135, Assemblage, 7″ x 3″ x 10″
"VOTE" Your Vote is Your Vote by Lucien Kubo, $650, Mixed Media/Assemblage, 16" x 16"
“VOTE” Your Vote is Your Vote by Lucien Kubo, $650, Mixed Media/Assemblage, 16″ x 16″
A Conversation by the Sea by Barbara Lawrence, $3000, Oil on Canvas, 30" x 30"
A Conversation by the Sea by Barbara Lawrence, $3000, Oil on Canvas, 30″ x 30″
 

Group 4 Pajaro Valley Arts Show

Art and Allergies by Carol Worthington Levy, $800, Acrylic on Clay Board, 20" x 16"
Art and Allergies by Carol Worthington Levy, $800, Acrylic on Clay Board, 20″ x 16″
Hope For the World by Gaby Litsky, $150, Textile-Quilt, 23.5" x 19.5"
Hope For the World by Gaby Litsky, $150, Textile-Quilt, 23.5″ x 19.5″
Cuba by Lyn MacDonald, $500, Oil Paint on Cast Paper & Mixed Media, 25" x 22"
Cuba by Lyn MacDonald, $500, Oil Paint on Cast Paper & Mixed Media, 25″ x 22″
Running Mates by Helen Mackinlay, $100, Lino Etching with Monotype, 11" x 14" Framed
Running Mates by Helen Mackinlay, $100, Lino Etching with Monotype, 11″ x 14″ Framed
My Garden, A Never Ending Inspiration by Martine Mahoudeau, $325, 9" x 12"
My Garden, A Never Ending Inspiration by Martine Mahoudeau, $325, 9″ x 12″
Art of the Splash by Francine Marshall, $1499, Oil on Canvas, 24" x 30"
Art of the Splash by Francine Marshall, $1499, Oil on Canvas, 24″ x 30″
Alien Landscape by Marty McGillivray, $150 (unframed), Photography, 12.5" x 18.5"
Alien Landscape by Marty McGillivray, $150 (unframed), Photography, 12.5″ x 18.5″
California Gold by Marlene Mirassou, $250, Archival Digital Photograph with Handmade Redwood Frame, 36" x 16"
California Gold by Marlene Mirassou, $250, Archival Digital Photograph with Handmade Redwood Frame, 36″ x 16″
California Gold by Marlene Mirassou
California Gold by Marlene Mirassou
Going Viral - Black & White by Chris Miroyan, $750, Acrylic on Panel, 36" x 24"
Going Viral – Black & White by Chris Miroyan, $750, Acrylic on Panel, 36″ x 24″
The Border Crossed Us by Ann Baldwin May, 32" x 26"
The Border Crossed Us by Ann Baldwin May, 32″ x 26″,$3200.

Group 5 Pajaro Valley Arts Show

Taipei Temple by Don Monkerud, $150, Photo, 16" x 20"
Taipei Temple by Don Monkerud, $150, Photo, 16″ x 20″
Reflecting in South County by Bruce Nicholson, $350, Multi, 15" x 18" (Framed)
Reflecting in South County by Bruce Nicholson, $350, Multi, 15″ x 18″ (Framed)
The End of All Our Exploring by Janis O'Driscoll, $80, Photopolymer Etching on Stonehenge with Eco-print Pieces on Washi Mounted on Wood Panel, 14" x 11"
The End of All Our Exploring by Janis O’Driscoll, $80, Photopolymer Etching on Stonehenge with Eco-print Pieces on Washi Mounted on Wood Panel, 14″ x 11″
Woman Emerging by Jeff Owen, $600, Sculpture - Stainless Steel, 35" x 18"
Woman Emerging by Jeff Owen, $600, Sculpture – Stainless Steel, 35″ x 18″
This Place by Rosy Penhallow, $550, Wood, Metal Coil, Gold Pigment, 18.5" x 6.75"
This Place by Rosy Penhallow, $550, Wood, Metal Coil, Gold Pigment, 18.5″ x 6.75″
Red Dot by Bela Ravikumar, $200 Digital Print Media, 15" x 11"
Red Dot by Bela Ravikumar, $200 Digital Print Media, 15″ x 11″
Eyes on Fire by Ronit Reznichky, $800, Acrylic on Canvas, 24" x 24"
Eyes on Fire by Ronit Reznichky, $800, Acrylic on Canvas, 24″ x 24″
Tribal III by Vivienne Riggio, $800, Wire, Plaster, Acrylic Paint, 28" x 15" x 15"
Tribal III by Vivienne Riggio, $800, Wire, Plaster, Acrylic Paint, 28″ x 15″ x 15″
Going Places by Rose Sellery, $1200, Mixed Media & Found Objects, 20.5" x 8.75" x 8.5"
Going Places by Rose Sellery, $1200, Mixed Media & Found Objects, 20.5″ x 8.75″ x 8.5″
Sunrise on Hope by Beth Shields, $1200, Oil on Canvas, 40" x 20"
Sunrise on Hope by Beth Shields, $1200, Oil on Canvas, 40″ x 20″

Group 6 Pajaro Valley Arts Show

Shelter In Place by Judy Stabile, $250, Mixed Media Collage, 12" x 16"
Shelter In Place by Judy Stabile, $250, Mixed Media Collage, 12″ x 16″
Midnight Glass by Madeleine Stober. $333, Acrylic, 48" x 18"
Midnight Glass by Madeleine Stober. $333, Acrylic, 48″ x 18″
Midnight Glass by Maddie Stober
Midnight Glass by Maddie Stober
At Gortyn, Crete by Lee Taiz, $400, Watercolor, 24" x 29"
At Gortyn, Crete by Lee Taiz, $400, Watercolor, 24″ x 29″
This Must Be The Place by Terry Teitelbaum, $96, Photo Print on Metal, 12" x 12"
This Must Be The Place by Terry Teitelbaum, $96, Photo Print on Metal, 12″ x 12″
Back To the Garden by Lynne Todaro, $850, Bronze, Nickel-Silver, Found Object, 10" x 14" x 8"
Back To the Garden by Lynne Todaro, $850, Bronze, Nickel-Silver, Found Object, 10″ x 14″ x 8″
Line Dance by Sally Vaughn, $295, Giclèe on Metal of an Original Tempera on Paper, 12.5" x 24"
Line Dance by Sally Vaughn, $295, Giclèe on Metal of an Original Tempera on Paper, 12.5″ x 24″
Looking Back by Lynda Watson, Pencil Drawings on Paper, Sterling Silver, Mixed Media, 14" x 6" NFS
Looking Back by Lynda Watson, Pencil Drawings on Paper, Sterling Silver, Mixed Media, 14″ x 6″ NFS
Harriet Tubman by Melissa West, $85 (unframed), Linoleum Block Print, 22" x 25"
Harriet Tubman by Melissa West, $85 (unframed), Linoleum Block Print, 22″ x 25″
Eureka Dunes 4 by Chad Williams, $300 (on metal unframed), Photo, 10" x 30" ($475 on single matt with black frame)
Eureka Dunes 4 by Chad Williams, $300 (on metal unframed), Photo, 10″ x 30″ ($475 on single matt with black frame)
Autumn Glory by Sylvia Winsby, $150, Pastel, 9" x 12"
Autumn Glory by Sylvia Winsby, $150, Pastel, 9″ x 12″
Art and Allergies by Carol Worthington-Levy
Art and Allergies by Carol Worthington-Levy

 

About Pajaro Valley Arts (PVA)

Our Mission: “Bringing the community together through the arts.”

Pajaro Valley Arts (PVA) has been successfully carrying out its mission of  “bringing the community together through the arts” since 1984. PVA fosters and promotes the arts in this community with professional visual art exhibits in partnership with guest curators, schools, city government, and local organizations. This organization encourages all art forms and helps connect the community to the artists and their work at no cost to the public. PVA believes every person deserves to have access to the arts and conducts year-round programming to fulfill this vision.

History and Accomplishments:

The Pajaro Valley Arts Council, known as Pajaro Valley Arts (PVA), was founded as a nonprofit 501(c)(3) organization in 1984 in Watsonville, California, to promote and foster cultural events in the Pajaro Valley and south Santa Cruz County.

Serving Santa Cruz, Monterey, and San Benito Counties, PVA creates access to high quality visual arts exhibits and promotes arts education to our community. The first class gallery and management office is housed in one of Watsonville’s premier historic dwellings, a 116 year-old structure provided rent-free by the City of Watsonville. We work collaboratively to develop and promote opportunities for public participation in and appreciation for the arts. PVA opened the its first gallery in 1986, and continues to present rotating visual art exhibitions in both the gallery and off-site locations.

Annual exhibits

We produce seven to eight exhibits each year in our gallery and off-site locations. Five annual exhibits highlight the schedule: Take Away’s: Art to Go, our winter fundraising exhibit; our year-long PVUSD Student Art Show in, in collaboration with the City of Watsonville and PVUSD at the Watsonville Civic Plaza; our thematic summer membership show; Sculpture Is, at Sierra Azul Nursery and Gardens; and Mi Casa es Tu Casa showcasing community collaborations celebrating the traditions of Day of the Dead. We support and encourage all art forms and strive to connect the community to artists and their work.

Working with other regional arts organizations

PVA maintains on-going relationships with the regional arts community through membership in the Associates of the Arts Council of Santa Cruz County, Santa Cruz County Alliance for Arts Education, and other local cultural organizations.

A combination of our staff, volunteers, and your support enables us to fulfill our mission. Please consider joining our organization as a member or volunteer.

https://pvarts.org/

https://pvarts.org/https://www.etsy.com/shop/annbmayartquilts/

Did You See a World of Fiber Art?

Tree Along Creek, art quilt

Currently,(2018)a World of Fiber Art at the Santa Cruz County Building is on view  at the Santa Cruz County Building on Ocean St. Above all, fifteen art quilts by Santa Cruz artist, Ann Baldwin May are currently on exhibit at the Santa Cruz County Building. In addition,the exhibit  is at the 701 Ocean St. facility in Santa Cruz. Furthermore, the show runs through July 27, 2018.

A World of Fiber Art at the Santa Cruz County Building

abstract art in blues, greens and oranges
Under the Savannah Shade using African fabrics 

From Bed quilts to Art Quilts

tree on Vacant Lot,Vacant Lot
Vacant Lot

Fabmo Materials

Firstly, May  gets  her material from the non profit group known as FabMo.http://fabmo.org It is an all volunteer run organization. Moreover,the group provides high-end materials to artists, teachers and others for creative reuse. A statement of the website, FabMo.org, reads: “These exquisite textiles, wallpapers, and tiles are from the design world.They are usually only available to you  through a designer. FabMo makes them available on a donation basis. Our work keeps about 70 tons a year of them from the landfill.”  PreCOVID FabMo also  typically came  Harvey West Clubhouse  about four or five times a year. In addition, special selection dates occur in Sunnyvale, California.

Award Winning Artist

In 2019,She entered her first art piece in Pajaro Valley Arts exhibit titled “Los Pájaros.” Her work was titled, “Great Blue Heron at Dusk.”
The following year it won a merit award at the Olive Hyde Gallery in Fremont,California. https://olivehydeartguild.org/ 

As a result, Ms. May was encouraged to continue her art quilt adventure.

Great Blue Heron at Dusk

Color! Texture! Movement!

Overall,May has  completed about 350 art quilts and counting.. Furthermore, her work has also been shown at the R. Blitzer Gallery in Santa Cruz, in Chicago, San Francisco, and at New York  Arts.

“Above all,I’m all color, texture and movement; that’s what I have to do,” Baldwin May said. “Furthermore,it takes me to another place. In other words, it feels very comfortable to build on skills that I already know, that I am confident in doing.”

https://www.etsy.com/shop/annbmayartquilts/

Open Studio Art Tour

 Once more, May will  take part in the annual Open Studio Art Tour in October,2018. Meanwhile, she does most of her work  at her studio in the Santa Cruz Art Center. In other words,for Open Studios her art  fills the  lobby at the Santa Cruz Art Center at 1001 Center St. She also participates in First Friday Art Walk.Similarly,this is  an informal, monthly art tour where artists and galleries open their doors to the public.

By: Tarmo Hannula  © 2018-Register-Pajaronian

SANTA CRUZ —

https://register-pajaronian.com/article/a-world-of-fiber-art

http://annbmayartquilts.etsy.com/

Artist Bio

Ann Baldwin May was born and raised in Palo Alto, California. Moreover,she began sewing in junior high. Later,she received her education from University of California, Irvine (History, BA Elementary Teaching Credential, Masters in Teaching Spanish) Meanwhile, her first quilting class was in 1975. After that,she basically never stopped making quilts.After she retired in 2012 After working 36 years as a bilingual teacher and Bilingual Resource Teacher, she retired. As a result, in 2012,she turned her attention to making art fulltime.

Purchased art

Over the years,Kaiser Permanente bought five art quilts.for their  facilities in Scotts Valley and Watsonville, California. Again she participates in the juried Santa Cruz County Open Studios Art Tour. Furthermore,her work is currently being shown at New York Arts in TRIBECA, New York City. https://newyorkart.com/

Contact info

Ann Baldwin May
Santa Cruz Art Center, 1001 Center St.#4 Santa Cruz, CA 95060
baldwinmay49@yahoo.com
831.345.1466
annbaldwinmayartquilts.com
Facebook- AnnBaldwinMayArtQuilts@annbaldwinmay
Instagram-annbaldwinmay

Finally,Some of Ann Baldwin May’s favorite artists.
https://annbaldwinmayartquilts.com/2018/07/marion-coleman-art-quilter/
https://annbaldwinmayartquilts.com/2018/04/robert-blitzer-painter-and-sculptor/
https://annbaldwinmayartquilts.com/2017/11/innovative-textile-artistscott-bodenner/

https://annbaldwinmayartquilts.com/2017/10/urban-quilter-amy-ahlstrom/

https://annbaldwinmayartquilts.com/2017/07/maria-shell-art-quilter/

https://annbaldwinmayartquilts.com/2017/05/maria-shell-alaskan-quilter/

https://annbaldwinmayartquilts.com/2017/06/art-quilter-cindy-grisdela/

In conclusion, read these.
https://annbaldwinmayartquilts.com/2017/05/alice-beasley-fiber-artist/
https://annbaldwinmayartquilts.com/2018/04/joe-the-quilter-joe-cunningham/

https://annbaldwinmayartquilts.com/2018/04/artwork-of-james-aschbacher/

https://annbaldwinmayartquilts.com/2018/04/james-aschbacher-muralist/

https://annbaldwinmayartquilts.com/2018/05/faith-ringgold-quilt-artist/

https://annbaldwinmayartquilts.com/2017/12/sandy-takashima-shaw-santa-cruz-artist/

https://annbaldwinmayartquilts.com/2018/03/museum-of-curious-perceptionsencore/

https://annbaldwinmayartquilts.com/2018/03/museum-of-curious-perceptions/

https://annbaldwinmayartquilts.com/2017/11/decorating-with-color-shannon-kaye

/https://annbaldwinmayartquilts.com/2017/03/francoise-grossen-selects/

https://annbaldwinmayartquilts.com/2017/04/beautiful-batiks/

Get to Know James Aschbacher muralist

As he retires from painting his striking Santa Cruz murals, James Aschbacher is re-inventing his art.

The Life of James Aschbacher

Sadly, after a  action-packed 66 years, artist and muralist James Carl Aschbacher passed away. His wife author Lisa Jensen, and several dear friends, were at his side. James was born October 9, 1951, in Evanston, IL.  For 16 years  he was co-proprietor of Atlantis Fantasyworld comic book store with Joe Ferrara. At age 40, with no previous artistic training, James gave up retail to pursue art full-time.

His first Magic is Magic.

Though he’s best known now as Santa Cruz’s most popular muralist, James Aschbacher once wrote a column for Magic Magazine.“I had a little stage show when I was 16,” he reveals. “My dad and I did magic acts—sawing the lady in half, that kind of thing. Even some Houdini tricks.” As he readies himself for another Open Studios season, transformation is still part of Aschbacher’s visual magic.

Murals

Over the past 15 years, James Aschbacher muralist painted with his wife, GT film critic Lisa Jensen, some with entire classes of fifth-graders from around the county—have sprung up everywhere, 18 in all. Working with private clients and city partners, Aschbacher has created wall-sized fantasies populated by his whimsical flying fish, twirling birds and cats, and fanciful folk with wild hair. Retiring this year from the mural game, citing back trouble, Aschbacher now devotes himself full time to painstakingly crafted, shaped, incised and painted artworks.

Atlantis Fantasy World

A Chicago native, Aschbacher came west in 1975 with a girlfriend who was attending UCSC. “I saw the palm trees and I loved it immediately.” He began supporting himself with a mail-order business in illustrated and vintage children’s books.  To expand his valuable collection of comics, he searched all over. “I went to flea markets,” he recalls. “And that’s where I met Joe Ferrara. We were both go-getters. In 1978 we opened Atlantis Fantasy World on Pacific Avenue.”

Aschbacher recalls the scene as “fun, weird, wild times. We handled some Star Trek stuff, and when Star Wars opened six months later, sci-fi came out of the closet. We were the first with TSR role-playing games like Dungeons and Dragons.”

He started Experimenting with Art.

After the Loma Prieta earthquake of 1989, Aschbacher retired from the comics scene. He started experimenting with art. “I had all these ideas, but no skill,” he says with a chuckle. “I never took an art class. Having grown up working in construction with his dad, Aschbacher was no stranger to woodshops. With cans of spray paint and hand-cut stencils, he began feeling his way into a style. “I did 200 paintings that way, spray paint through stencils on illustration board. I was obsessed,” he admits. “To work late into the night,I installed lights in the back yard.”“I learned on the job,” he says with a grin from an astonishingly neat work table at the studio end of his mid-county home.

Painting Fanciful Figures

The next breakthrough came when he started painting fanciful figures onto the stencils, each coated with hundreds of coats of sprayed color. “Lisa’s mom gave me paint brushes one Christmas, so I started carving in wood, then brushing paint into the carvings.” His familiar style was born. First a plywood base, then the painted board nailed onto the wood, and finally a border of encised and painted hieroglyphs. “Paul Klee’s quirky drawing gave me confidence that I didn’t have to have an academic style, I didn’t need perspective.”

The size of each painting was originally determined by the sizes of the recycled scrap board. Only later did he make large foundations for the highly popular pieces, available at the annual Church Street Art Fair, at Bargetto, on Pasta Mike sauces, etc.

Entering the Art Field

Aschbacher entered his first Open Studios in 1995. “I’ve been doing it for 25 years,” he notes. And it has been very very good to him.

“Then I started getting galleries,” he says, including Many Hands in Santa Cruz and two in Chicago. “Those were big for me, since my family was from that area.”

Color and Certain Symbols

As the years went by, Aschbacher’s palette got brighter. “I wasn’t brave enough at first.” Color is now a central feature of his style, along with the hieroglyphs. “Certain symbols—the circle, the cross, the star, the wave—are universal. And I like to alternate lines and solids. I’m a Libra, so I want balance.”

A devoted pizza and pasta chef, Aschbacher says he never tires of creating in his highly recognizable style. “It might bore other people, but not me, because I always love seeing how it will look.”

Do his smiling creatures reflect his own persona? “Absolutely. My mission is to make people smile.”

James was a board member for many yearsof the Santa Cruz Arts Council.

https://www.artscouncilsc.org/


LOCAL COLOR Now in his 25th year participating in Open Studios, James Aschbacher has had a great deal of success locally with his vibrant signature style. PHOTO: CHIP SCHEUER.

<1001centerstreetsantacruzca>