I create wall art with fabric. They may be abstract, landscapes or seascapes. I have been doing this for over 10 years. Yet why is it so difficult to call myself an artist. It becomes easier when I am writing it on a show application.Why don’t I feel eel good about calling myself an artist?
What is the image of being an artist? The label artist comes with many postive and negative expectations. On the positive side, artists are flamboyant. They do the unexpected. Following society’s rules are not for them. One might say that they were the first rock stars. This lifestyle can be attractive to some.
For example, Big Eyes, the 2014 movie was about a man who was in love with the image of being an artist. He preferred the idea of being an artist rather than actually creating art. He also found that it was an easy way to con people too.
However, these are not the reasons that I make art. I make art because I have to. My one artistic skill is working with fabric and yarn. I know how to sew and quilt. Drawing and painting are not my strengths.
Between Showers 25″ x 20″ 63cm x 51cm
A Negative Stereotype
On the negative side, the general impression of artists is that they are moody and difficult to get along with.Their spontaneity makes them completely unpredictable. Their lives are disorganized to the point of total confusion. I ran into former colleague who used to paint. I asked her if she was still painting. She said, “No. I am happy now. Only unhappy tormented people paint.” Sadly, this person had something to give the world as a painter. Hopefully, this stereotype is changing. While society needs artists, artists also need to people that are approachable and reasonable to work with.
The Pressure
After college graduation when I was beginning to make my way in the world, I would tell people. I am a writer. When they asked what do you write? We would answer, I write checks. Somehow this deflected the weight of trying to live up to an image and responsibility of being a producing writer.
Furthermore the same pressure weighs on artist’s too. If I call myself an artist then I must be making art. I must be putting on shows. Art should be flying out the window. It should be my full time job.
People with art degrees feel even more pressure. They studied and worked hard to learn about art. However, a common complaint is that the schools teach them to make art. But they don’t teach them how to take their art to the next level and to sell their art. This pressure weighs heavy on some people.
In spite of these stereotypes, all humans can and need to create beauty. We do it in different ways. Cooking food, gardening dressing and decorating our houses. and in many ways.
Light in the Forest 42″ x 40″ 106cm x 102cm
Growing into a new Profession
It takes a while to grow in to any new profession. We work hard to get qualified. Then we try and find a position in our field. Yet it often takes time before we feel the title fits who we are.. Who truly felt comfortable their first year or years in a new position? Looking back probably not many of us. With my first born I felt like a mother for the first time not when she was born. It was weeks later when I was able to calm her down when she was fussing in her crib. We need to give ourselves time to grow into our new positions. Adding layers of expectations and stress is not helpful. Now after 10 years saying that I am an artist is becoming easier.
Here are some examples where good advice went bad. Or in other words the advice did not work out for me.
Anna’s Irish Tulips, a king sized bed quilt
Several years ago I completed that queen sized bed quilt. Charming tulips with leaves popping out from the sides alternated plain cream colored blocks. In the empty blocks I hand quilted flowers. I made a scalloped hem knowing that this would truly be a family heirloom. Needlessto say, I was extremely proud of my work. After all,I had been quilting for years. This was the culmination of all my work.
Good Advice Gone Bad
While I was proud of my work, the appraiser gave the quilt a very low appraisal for a queen size bed quilt with some handstitching. In 2005, $350 was a low appraisal. Disappointment reigned. Yet over the years, what a lot of money I saved. I have a large inventory. What if I had had all of them appraised?
Forest Fires of 2020
Most importantly, our county did suffer horrible forest fires in 2020. Many people did lose their homes. Our home was close to the fires. No mandatory evacuation was ordered. Nevertheless I self evacuated myself to a friend’s house in south county for four days. I moved precious items to my studio downtown where they would be safe. None of them were quilts. Some of my quilts were already in my studio.
A few years ago I began to have success. Consequently, I wanted my quilts to be photographed professionally. So I asked a well known quilt artist for a local recommendation. She told of a man who had photographed quilts for a museum. Meanwhile,I called him up. His prices were based on the size of the quilt. They were in my price range. Therefore, I made an appointment to drop the quilts off at his studio 25 miles away.
As it turned out, the photographs were terrible. The colors were not even correct. Isn’t that our least requirement that the colors to be right? So I took my own photos. The results satisfied me.
What did I learn? Of course,each person may come to their own conclusions. My thoughts are to trust myself. Furthermore,digital cameras have improved so much in recent years. Therefore, I can take my own photos. First of all, I am proud of the family heirloom that I created. Above all,listen to yourself. Believe in yourself. Keep going. Do not be deterred by negative comments. Most importantly, it is what happens to you but how you react to it.
Seeing critically is looking to see what one likes or doesn’t like about something. How would one make it better or more attractive? Don’t we all do this while getting dressed? However, it could also pertain to a piece of art, an room arrangement or a garden as well as others.
What would you add?
An Exercise to Practice Seeing Critically
Lately, I have found my art process spilling over into other aspects of my life. Basically my process is to do something and then try and make it better. What can I do to make the art more interesting? How can I kick it up a notch? I find myself looking at others work and doing the same thing. What parts do I like and which parts would I change? I am not being critical as in criticize but as in finding the merits and the faults of something.
I see this as seeing and thinking critically about the work. The thoughts are only for myself. I wouldn’t dare say anything to the artist. That is not my intent. It is merely a practicing looking with a critical eye.
The Learning Curve of Art
I am reminded of an exercise that a photography teacher had us do. We were to go about our lives without our cameras and look for photos to take only with our eyes. The students practiced forming low risk pictures. We would notice the world around us. Frame a shot, pretend to take a photo and continue on our way. It was a way of focussing. It was also in the days of dark rooms and fairly expensive film. However, the exercise is still a valid one to focus one’s eye to the beauty around us.
Maybe this is a common art teacher technique. Never having much art training , I don’t know. My one year of drawing and painting was back in the days of Do Your Thing. If you know what your own thing is then that is great. But I had no idea of what my thing was.
I took the photography class because I had noticed that people with a good camera could get into events more easily. People thought that you were with the press.
Trying new ventures is a good idea. However to attain a particular skill level, one must practice. Somehow that never occurred with me.We are all in different places along the learning curve of art.
How would you use this pieces?
Artful Gardens
Many people take pride in their artful gardens, large or small. As I walk by a neighborhood garden, I find myself observing critically. How are the plants arranged. Are the shapes, colors, sizes of the plantings in harmony? Are they placed in a balanced way? Or are they clumped together with no interest? Between the drought, gophers and deer,we are sometimes lucky to have anything growing this late summer.Critisizing in not my intent. However, looking for artful placement of colorful plants is.
Art on Social Media -Seeing Critically
These days many people are posting their art on social media. Each person is on their personal pathway to becoming or improving as an artist. I would never make a critical comment about that person’s art. But it is an opportunity to practice seeing critically. What parts I think work and how I might change it if it were my piece?
In conclusion, becoming an artist takes practice. Part of that progress is to see critically many different art forms or even parts of life.Try it! It is free and easy. However, it is best to keep your opinions to yourself!
How do you develop your art passion? Recently on two separate occasions I was explaining my art to another person. They both lamented that they couldn’t sew. Sewing was so hard. Yet,one person was definitely of the age of a person who had to take sewing at school. The other one was was much younger. However, she also mentioned that sewing was an impossibly hard task to do.
Where does One’s passion start?
As mentioned I can’t pinpoint when my passion for sewing started. No, my mother was not a strong seamstress. No, my grandparents were not nearby to teach me nor did they sew. Yet, I do remember begging my mother to sign me up for sewing lessons the summer after sixth grade. I don’t remember begging my parents for anything else. Okay, I did write a persuasive argument for why I needed to have a car. Does that even count? My begging usually focussed on not having to do something. I have a vague memory of trying to get out of a piano recital that I hadn’t practiced for. Music is not a strong point of mine.
My First Sewing Classes
So my mother signed me up to take sewing classes at the local Singer Sewing Store downtown. The classes were a disaster.The teacher expected to help ladies finish their projects. Her expertice did not involve teaching the basics to twelve year olds. How to do lay out a pattern on fabric and cut it out was not in her plan. Public school teachers to the rescue! Luckily, 8th grade sewing did just that. I was on my way. Little did I know that it would develop into a lifelong passion.
Developing an Art Passion
This was the late 1960s. Girls and women were still expected to know how to sew. Yet, my older sister didn’t like it. She said she didn’t have the patience. Did I think that I was a patient person? No. I liked fashion as much as any teenaged girl did. My outfits certainly didn’t push the fashion envelope. I was not an avant garde dresser.
Developing a Skill Set
But without knowing it, I was developing a skill set. I was learning about selecting fabrics. With practice,I learned what pattern envelopes said, what they meant, and what they didn’t say. Moreover, I developed opinions about what they should have said. I also knew I wanted to take an elective class of sewing in high school.I ended up taking the advanced class too. Who knows?Bound buttons may come back in style.
Imagine this top fluffy for the one I made
Back to the fuzzy yellow knitted top. I do remember planning my ensembles with texture and variations in mind. I studied my ensembles for high school. What combinations of outfits did I already have? What materials or colors were they in? How could I make something that would add a difference for my wardrobe? How could I add texture and interest to the clothes I wore?
Inspired by a Tam and Scarf
Yet at this point,sewing was my hobby. Graduating a four year college was my family’s expectation for me. I had no problems with that. I did get accepted to UC,Irvine, my first choice. My back up school was Cal Poly San Luis Obispo. SLO is famous for their home economics department. I often wonder how my life would have turned out differently if I had gone there. The closest thing to home economics at UC,Irvine was chemistry lab.
Schooling and Career
So I got a degree in History, worked on my Spanish, Master in Teaching and became an elementary school teacher. I worked passionately with second language learners for 36 years. No regrets.
Over the years I kept sewing. I made clothes for myself and my family. I learned to quilt and I kept quilting. Most of the quilts were for family members and donation quilts for charities. I learned different techniques like applique and paper piecing. I stopped counting my bed quilts at 300!
Poppin’ Back, 2021
Art Quilts
Much later I switched to art quilts. I have over 400 art quilts,large and small listed on my inventory. I learned different techniques including free motion quilting.I started entering juried art shows.Pieces sold. Practice makes perfect.Sometimes it feels good to realize that I actually know something and can comfortably do it. Do I still try new things? Yes.
Art in College
I took a year of studio art, drawing and painting in college. The teaching style in the late 1960s was totally hands off. The student was free to do their own thing. The teacher said in a positive comment that I did funny little pictures. Looking back, I realize part of my problem is that I didn’t practice. I didn’t put in the hours to become good at it. I didn’t have the passion to keep at it to develop my skills. Malcolm Gladwell https://www.gladwellbooks.com/in his book, Outliers said it takes10,000 times to get really good at something. That sounds like a lot unless one loves doing it, has fun and is passionate about continuing.
In Conclusion
Passion! Dedication! is the answer.So much so that you will choose to stick to something even when you get frustrated. Yet you keep going and over time you get better and better. Maybe you will even reach an advanced skill level. At age of ten, I knew, I wanted sewing lessons. I didn’t know why. I still don’t. But sewing and the related field of quilting has stayed with me pretty much my whole life. So much so that I can only laugh when some artist says how hard it is for them. Isn’t it great that we all have different skills and talents! Find your passion and stick to it.
What is quilting? Quilting can be several things. A basic definition is the sewing together of two or three layers of fabric either for a practical purpose or a solely artistic purpose. What if a person cuts up fabric and sews it back together to make the top of a bed covering? Yes is the answer.
Who is a Quilter?
Are you a quilter if you only sew or piece the top together and then have another person do the quilting? Yes. When I started, I only did that part. I worried that I could not call myself a quilter when I really only pieced the top together. Another person quilted the three layers, the top, the batting and the back, together. It turns out that I was wrong. Even back then,I was a quilter.
Acceptance of Many
The quilting world and the art quilt world both accept people as quilters whether or not they actually sew the three layers together. Some have the luxury of sending their tops to a person with a long arm machine or another person to complete that part of the process. Let’s just make sure that they are given credit for their contribution.Words are funny that way, confusing at times and not even close to the reality. No wonder there is so much misunderstanding in the world.
Poppin’ Back, 23″ x 22″
How to Complete
I recently completed two abstract art pieces. Poppin’Back used bright yellows, purples,magentas contrasting with white pieces of fabric. The fabrics were cotton. When it was time to sew the three layers together, I didn’t stop to think. I forged ahead, quilting the usual way I often do, moving the quilt from side to side to create wavy lines . This creates another level of movement that I adds to the art piece.
Smilin’ 33″ x 24″
The Second Piece
The second piece,Smilin’ was completely made from dipioni silk in bright contrasting colors with curved line piecing.I loved the bright colors and shapes. What would quilting lines add to the stunning colors? I decided that they wouldn’t add much.
Yet, the 3 layers layers of fabric needed to be attached. Stitching in the Ditch which means quilting in the seams solved the issue for me. Many art quilters would expertly sew 1/4″ lines to fill spaces. Giving myself permission to do something differently,I listened to what I felt the piece needed. I am happy with the final product.
Conclusion
Consider what is quilting brings to an art piece? Does it add an important element like movement or color to the piece? Is it necessary? Each art piece is unique. It deserves its own consideration on how to quilt it. These are decisions that only the artist can make. It is one of the artistic decisions that the artists must make. My plan is to pay attention and listen to the art more in the future.
See more art quilts at the Studio Art Quilt Associates’ website. https://www.saqa.com/
Beginning steps to creating art suggests some new ways of thinking about making our world beautiful. Creating comes naturally to humans. We are innately artists. We try to make our world beautiful. Some of us draw; while some of us paint. Others create beautiful food and table settings for our loved ones to enjoy. Others create beauty in their gardens.
Unfortunately, many of us do not feel that we are artistic. I certainly didn’t for many years. Yet, each of us can create beauty in our unique way. Here are some suggestions for beginning steps to creating a more beautiful everything or whatever you choose.
Beginning Steps to Creating Beauty
Part of my career as an elementary school teacher was spent at an arts infused school. We brought in special artists to teach across the arts curriculum from drawing, painting to theatre and dance. I had been at this school before this program started.
When the program began, the whole school adjusted its focus. I witnessed sn incredible shift in students’ attitudes. We told the children that we are going to try and make all of our work beautiful. We would not criticize the work of others. Trying to do one’s best was the important part. The attitude of the whole school changed for the better. It was so powerful to witness that change.
Think Differently.
Looking outside the box. Many times it is our own perspective that keeps us from seeing things in a new way. Often we acquire materials or fabric with a particular idea in mind. Then it is difficult to get rid of that idea or to envision a new use for the item.
Do these look like coffee beans?
When I got this green fabric, it reminded me of coffee beans. That is the image that stuck in my head. I wasn’t sure how to use the fabric. It sat on the shelf for a long time. Then I began to think differently about it. How could I use it a different way? I decided to use the ovals as bit of motion in the truck of a tree. What little bits of color could I highlight to pull those colors to the forefront and diminish the greenish colors ? A peachy orange shade would do the trick. As my county recovered from the largest forest fire ever, my art quilts reflect that new growth.
Rebirth of a Forest,art quilt,29″ x 22″
Turn the Fabric Around
Another way to look at a piece of material or fabric in a new way, is to turn it around. If it has definitite figures on it ,what will they look like from another direction? New and unrecognizable is what I would be going for. When an abstract artist finishes a work, they often turn the art upside down and sideways to see if it might look better from a different angle. The original fabric for the trees and branches in Skyward was a black,white and gray fabric that had greyhound dogs on it. The movement of the fabric caught my eye before I noticed that there were actual dogs on it.
GreyhoundsSkyward, an art quilt
Imagining Shapes
While working on my nature quilts, I cut out shapes for trees, branches, fish, rocks, or waves. I look at the fabric to see if the shapes on the fabric tell me what it would like to be in my piece. Does a swervy line imply a wave? Maybe a mountrain will appear from the shapes on the fabric? If no shape strikes me on the fabric, then I create my own mountain or a river. The idea is not to find a piece of fabric that has a river on it. But to create a river from lines that the original fabric artist had not thought about..
Visualization
As I am creating, I try to visualize what the piece is lacking. What color or shape needs to be in a particular spot? This often guides me to a hue or textile choice. This is a newly acquired skill for me. I surprised myself when I realized visualization was happening. You can make it happen for you too.
Activities to Practice Beginning Steps to Creating
Here are a couple of powerful skills that can be practiced with no materials at all. Look at pieces of art in the real or virtual world. There certainly are many examples available on social media. Ask yourself, do you like this work? What do you like about it ? How would you make it better? If it were your piece to change, how would you modify it?
Keys to my Heart, 9″ x 7″
Another practice activity is to think of how many different non traditional ways an item could be used. I recently acquired a box of antique keys. I am venturing forward into assemblage, putting repurposed items together in unusual ways. What could the keys be used for? The possibilities are endless; a nose? hair? or other body parts or just purely decoration? While I searched the internet for inspiration, I came up empty. Left to my own devices,I have sprinkled this post with the ideas that I came up with.
Face with a Key Nose
In Conclusion
Start with baby steps. Create small bits beauty in your life. Practice helps. I took an assemblage class over two years ago. It took me this long for the ideas to perculate through my brain. Be kind to yourself during the learning process. Trying in the first step. There are no mistakes just whether you as the artist likes it or not. If not, modify it. Dip into your humanity and make the world more beautiful.
Ann Baldwin May wrote Develop Your Art Style as a potential Zoom talk at a NorCal /Southern Nevada Regional Meeting of the International Art quilters organization,SAQA. Although this post’s original audience was art quilters, many of the points apply to all forms of artists. Especially artists who are just beginning to put themselves and their art out into the world.
Introduction
Ann Baldwin May developed her art style to become a quilt artist. Ms. May reinvented herself in retirement. Her art friends call her resilient, a prolific artist and a master at social media. She was accepted into the New York Art Center in Tribeca in 2019.
Splendid Fairy Wren, 30″ h x 25″ w, an abstract art quilt
Develop Your Art Style
How to develop your own art style? Do you want to make a career out of art ? Do you want to sell items that you make? Is your goal to be in a museum? These decisions are part of the process. An answer does not need to be made right away. Only one person can make these decisions. It is YOU. In the beginning,I would visit shows and see no art quilts that looked like mine. At first, I worried about this, but then I realized that it was a good thing. I had my own unique style. I focussed on developing it more.
Honing your Craft
Develop your skill set .This will be your bag of tricks that you will draw from.What skills are you good at? What skills do you like to use while making your art? Use these to develop your own style.
Classes are great but at some point one has to work on developing their own style.
Attend SAQA (Studio Art Quilt Associates) conferences. The workshops offer great advice for all steps of your career.
Celebrating Fall 33″h x 31″ w
Putting Yourself Out There
The 20th century model for art and many things was make or do great work. Then the world would come to you. The 21st century model is different. Each person needs to let the world know what they are doing. This can be difficult for some of us to do. However,I found this phrase helpful when I started out. Hi, I am shamelessly promoting my work. This phrase shows that it is uncomfortable yet it still needs to be done.
Let people know what you are doing. Share with your friends and the groups you are in. They will be a big support for you especially in the beginning.
Start a list of people who want to hear from you. Gather names and emails at each show you participate in. Use it to notify people of what you are doing. I do a monthly newsletter about where I am showing my art or what I am making.
What is your digital footprint? If someone sees your work and googles you, what will they see? What do you want to see when you google an artist? A website announces to the world that you are serious about your art. Online sale sites are growing. Besides sales, I have gotten commissions from my Etsy shop. I was also contacted by an editor for Art Quilting Studio to write articles for them. I was interviewed by a freelance writer for the Smithsonian Magazine due to my digital footprint.
Each Community is Unique.
Each community is unique. I happen to live in a community with a vibrant art scene. Santa Cruz, California is fifth in the nation of listing artists as their livelihood.There are opportunities to show your work at restaurants, coffee shops, quilts shows, county fairs, festivals,real estate offices,First Fridays events, Open Studios Art Tours. Your community is probably different. join together with others and form a group. Accept the opportunity to create your own events.
Educating the Public about what You Do
Take the opportunity to educate the public about art quilts. I usually say art quilting is a new form. It (SAQA) began in 1989 in Northern CA. Yvonne Porcella was actually born and raised in my county. Many people still don’t know about it.
Sea Turtles,23″ x 35″,an underwater fantasy art quilt
Further Steps
Create a laser statement, sometimes called a elevator talk. Explain what you do in a sentence or two. Most people know what quilts.But they are still unfamiliar with art quilts. I usually say art quilts use quilting technique to make wall art. My portfolios are Nature, Abstracts and Mexican inspired art quilts.
Reach beyond the art quilt world to the art world in general. Enter shows that accept fiber art.
Local press- If you are having shows or creating events the local press with search you out. Of course, you can also let them know.
Be professional. Be a person someone wants to work with. Leave your ego at the door.Be prompt, prepared at all steps.
About ten years I began my art path into the world. I gleaned these ideas presented here mainly from my own search to develop my own style. I find that they have worked for me. As one takes baby steps into the art world, people will comment on what they see or like. This feedback from the public will help you define your own style.You may have one but you may not truly recognize it. I offer these suggestions to help as you develop your own art style.
You may be interested in reading more about my style.
First of all,I love creating movement in my abstract art quilt pieces. A fiber artist friend asked me,“What are the essential elements you want your audience to know about your work? What do you want them to take away from seeing your art?” This friend versed in the deep discussions generated by involvement with the Artist Conference Network. I am grateful for those thought provoking questions. They helped me coalesce the ideas I had been mulling over.
Beach Umbrellas,an abstract art quilt, 37 ” x 37″ 94cm x 94cm curved line piecing creates moveSpring Break,an abstract art quilt, 32″ x 32″ 81cm x 81cm curved line piecing creates movement
Creating Movement in Abstract Art Quilts
How does one infuse movement into something that is inherently flat and static? Curved line piecing rather than just straight line sewing is one way to add movement in abstract art quilt pieces. At first, I attempted to make every seam a curved line. Then I realised that it proved too much of a good thing. The wobbly surface wasn’t the effect I wanted. Some straight lines are important for shape and balance. Another true life lesson learned: balance is important. Now I choose lines more carefully for visual impact to sew via curved line piecing. They may be wildly or more subtly shaped curves. https://annbaldwinmayartquilts.com/2019/07/creating-movement-in-art/
Activity on the Material
I choose the fabrics I use with movement in mind. I look for interesting curved lines that can create movement in my abstract art quilts. When I cut them up, they add interest and drama. They catch the eye and draw it in. One fabric of elongated greyhound dogs was rotated and sliced into the pieces. The shape of the animals disappeared yet the movement of the line remained. Other fabrics provide a pop of action to the piece. Creating the illusion of movement is an essential part in my abstract art quilts.
Beginning to zigzag yarns on grey, black, white linen background
In addition, movement is added through the quilting process. I begin by quilting straight lines in the middle of the piece making basically a large grid about 5” apart. Then the fun begins. I start quilting from corner to corner gently turning the fabric slightly side to side as I quilt. The thread line creates the movement. If the thread color contrasts with the fabric color, then the threads stand out. When the thread color matches the fabric, the thread may seem to disappear, yet the movement remains on a more subtle level. Many viewers look closer to try and understand how that can be.
Skyward, 25″ x 25″ 63cm x 63cm finished piece
Couching Decorative Threads
One technique I now consider quintessential part of my tool box is couching decorative threads. I sew multiple colored threads or yarns on to a strip of fabric. Then I cut them up into random lengths and use them as fabric. At first, the main purpose was to add texture to my pieces. Yet, the threads are often sewn in undulating parallel lines creating the slightest of distortion and movement. In Copper Cliffs both examples given can be seen, the fabric with irregular dots and the lines of decorative threads I cut apart.
Copper Cliffs, an art quilt,21 ” x 19″ 53 cm x 48 cm curvy lines of yarn create movement
I create my abstracts on a design wall. I take time to balance the colors and fabrics. Quiet spaces let one’s eyes rest. Looking at the piece with fresh eyes may take several days or longer before sewing the pieces together.
Gridlock II, an abstract art quilt, 36″ x 42″ 91 cm x 107 cm curved line piecing creates movementGridlock I ,an abstract art quilt black and white 33″ x 31″ 84cm x 79 cm
A Final Look
Abstract artists have the added benefit of being able to rotate the completed piece. They look to see if the art may be better from a different direction. It just might happen. Just because it was conceived and executed in one direction doesn’t mean that it cannot look better “upside down.”
Sandy Shore, an abstract art quilt 29″h x 25″w 74 cm x 64cm wacky, scribble quilting creates movement
A former colleague of mine made an unsolicited comment about my work, “It dances.” Her remark touched me on several levels. Years earlier she admitted that she had no interest in attending an art quilt show. So when I heard her comment, I felt that I had truly opened her eyes to a new art form.
Do you Squash your Art Quilts?
As you can tell, movement in an art quilt is important to me. Yet not all art quilters share my view. A trend in quilting art quilts seems to be creating as many stitching lines on a piece as possible. These lines tend to be straight lines with about ¼” spacing. They may turn at sharp corners. While attending a recent national art quilt shows, I noticed that almost 75% of the quilts had such quilting. I admit that such narrow line quilting may be effective for some pieces. The skill level is high for the artists that quilt that way. However, this style makes me cringe. Squashing and smashing the fabric into flat controlled pieces actually saddens me. Such tight stitching suffocates the fabric, preventing it from moving or breathing.
Best Parts about Making Abstract Quilts
I love making abstract art quilts. There are several reasons why. While placing pieces on the design wall, there is flexibility to easily add fabrics or change their locations. Furthermore, I can turn the fabric piece upside down or even side ways to choose the best spot. This also works if the fabric pieces have decorative threads on them. Do I want the lines to go vertically or horizontally? In addition, if I sew two fabrics together incorrectly, I just cut the fabric off easily and resew. No seam ripping is necessary. I welcome these hacks after experiences making traditional blocks where more accuracy is demanded.
Conclusion
In conclusion, I create movement in my abstract art pieces in several ways. I choose some pieces of fabric because they show movement as part of the design element. Couching decorative threads in not quite straight lines adds subtle movement. Pieces are sewn together with a curved line piecing technique. Finally the artist generates wavy lines all over the piece while quilting the three layers of fabric together. A basically flat piece of art is brought to life by these techniques.
Read about Other Resources
Read more about the Artist Conference Network. This artist driven organization supports artists as they move towards their artistic goals. Groups meet periodically to share and review each artist’s goals.
For the past ten years, I have worked to come into my own as an art quilter. It took that long to grow into the artist I am today. Growth happens when we least expect it. I started making art quilts about 12 years ago. I entered and was accepted into my first juried art show in 2010. The next year the same piece won an award. Subsequently, there was not turning back. I was off and running. This year,2019 I was accepted into New York Art to show in their gallery in TriBeCa in New York City.
At first,I would look at art quilts in galleries and shows. It was puzzling that none of them looked like mine. At first,I was worried. This struck me as worrisome. It took me a while to realize what that meant. After that, I realised that I had my own style. This became reassuring. No one has had my experiences, my life, but me. No one chooses the materials that I choose. That is why the quilts are different.
Underwater Fantasies
Living on the California coast, marine landscapes are popular.In the beginning when I started doing underwater seascapes, I was concerned about how make a fish’s face or mouth. Then I went to the Monterey Bay Aquarium. I saw examples of everything . For example, some fish mouths went up, some mouths went down ,some were big and some were small with everything in between. Subsequently,this freed me to create as I chose. Clearly,I don’t do scientific drawings. However,I do create whimsical seascapes I call underwater fantasies. This is who I want to be.
Sea Turtles,23″ x 35″
Wavy Quilting Lines
I have noticed that many art quilts that win awards at art quilt shows are heavily quilted with tight quilting lines, mostly straight lines ¼” apart. To me that kind of quilting just tries to control the fabric and squeeze all movement out of the quilt. Movement is one of my guiding influences . My quilting lines swerve and wave from corner to corner. It is what I do. It is my style.
Petite Neutrality, 11″ x 12″
Working from Photos-NOT
I do not like to work from photos. I do not want to create anything that can be copied with a camera. That’s just me. Yet many other art quilters do work from photos. They do create award winning pieces.
Once, I tried to make a landscape quilt using fabric with rocks and trees on it instead of just creating my own. It was not fun trying to find the exact fabric I needed. Just thinking about it gives me a headache. Now I prefer to work in the realm of impressionism. Yes, it will obviously be a landscape or a seascape. But I trust the viewers’ eyes and minds to interpret a scene as they see it.
The color of threads changes according to what fabric is near or next to them.The threads and fabric don’t need to match exactly. I love that quality. It frees the artist from certain restraints.More recently I have been making abstract art quilts by choosing three contrasting colors. Then I find the hues of those colors to increase the range of the colors. It is what I do. It is my style.
Creating Texture
To add texture, one might find some 3D decorative threads hanging freely down off of the top. One might see rows of couched decorative threads throughout the piece adding more texture. My nature pieces may include lots of threads used to create bushes or brush in the landscape.One might see straight or curving tucks to add texture and movement. It is what I do. It is my style as an art quilter.
Under the Shady Tree, 27″ x38″h
My Three Portfolios
I have three portfolios that speak to me; Nature quilts(trees, landscapes and underwater fantasies) Mexican inspired pieces ( often fabric collages) and abstract art quilts. I usually rotate between each portfolio making several pieces before moving on. In this way , each portfolio feels new as I haven’t done it for a while. Creating Color! Texture! Movement! in each piece remains consistent. It is satisfying to finally recognize who I am and what I do as an art quilter.The good news is I now know who I am as an art quilter. https://annbaldwinmayartquilts.com/2019/10/myself-the-artist/
De La Sierra, fabric collage with appillera, 32″ x 30″
Are you curious about how to become more creative? Have you ever thought how creativity works? Is someone born with it? Is it a developed skill? Or is it magic? I personally feel that it is a bit of all of those things. But for the most part, creativity is based on a lot of practice, making mistakes and hard work.
Becoming More Creative
American Democracy,2019 27″ w x 28″h
They must be a Genius.
I am not very musically inclined. Upon hearing a complicated piece of music, I would wonder how did someone create that? I would have no idea how the piece was put together. I assumed that the artist created the piece all at once. Therefore, they had to be some kind of a genius to be so special and creative.
Creativity is not a Fixed Entity.
More recently after creating many original art quilts, I have a clearer idea of how creativity works. Creativity is not a fixed entity. It must be nurtured and developed. The musicians might be very talented but probably they worked a long time on a particular piece working bit by bit. Maybe even different people contributed different parts. Ever notice that some people write the music and others write the words? People have strengths in different areas.Their genius takes years of practice.
Making Choices
When beginning an art quilt, first I decide what type of quilt I will make. Will it be an abstract, a nature piece or a Mexican inspired fabric collage? Then I begin to choose the colors based on the fabrics and materials that I have. It helps me to have a vague idea of where I am going. But I keep it flexible in case,I want to change things. Sometimes I start by making a lot of really interesting parts to be focal points. It could be a fabric doll, couched decorative threads or ribbons or 3D textural piece.
Plan something. Then Work to make it Better.
For an abstract art quilt, I begin by choosing a three color palette before adding light and dark hues. It is best to have an idea of what I am going to use these special details or parts for so that the colors I choose will work with the project. But there have been instances when these details haven’t worked as first intended. So were put aside and saved for another piece.
After choosing the colors, I take my first steps of laying the pieces on my design wall. Then I ponder, what I could do to make it better. How can I make it more artful or interesting? How can I add texture or movement to the piece? This is an ongoing process. I make those adjustments and continue on.
Fresh Eyes
Taking a break. Coming back to look again with fresh eyes is helpful and necessary. It is amazing how our eyes can fail to see things. Even when trying to look for errors and they are right in front of our face.
In Conclusion
After making over 400 art quilts, I have a clearer idea of how creativity works for me. Time in the studio working to create art is a must. I am motivated by the way different materials work together. Themes or colors may be the same but rarely do my pieces look similar. Serendipity does occur and should be embraced when it happens.
Color is probably the art element that attracts and motivates most artists to begin work. For most people it is the most engaging aspect. For my take on this subject, I am going to focus on how I choose to adding color to my abstract art quilts. In general, I chooose 3-4 colors to work with. Then I find the range of hues from light to dark to add for balance and interest. I often use bright colors while I find a pale palette of beiges and whites to be very calming. I work on a large white flannel design wall.
To begin, Where do I get my ideas? How do I decide on which colors I want to work with? Most of my materials are from FABMO, a non profit that gets castoff materials from designers. Swatches of a wide range of colors with slight variations provide a lot of choices. Here are some ideas I have inspired me to get started.
A Photograph
A friend sent me this photograph of a colorful bird from Australia. Rarely do I work from photographs. I will not be using the bird however, the hues of purple,blue and black will be in an abstract art quilt in the near future.
Look Down
While working on a piece,I tossed the extra fabric in a box on the floor next to me. I did this repeated. At the end of the day, I looked down and saw these wonderful grey and lime green colors together. I gathered them up and put the in a special place to work on later. This was the piece inspired by leftovers. May I note that I usually don’t use these colors.
Lingering Fog,34″ x 34″ 86 x86 cm 2019
Using Up Materials
Sometimes I just start a project with materials or colors that I want to use up. I might have too big a piece of fabric or too much of one color. Some artists might find this idea very unorthodox or even unsettling. When I started City Lights, I had a pile of blue fabric that I wanted to diminish. Sand Between My Toes allowed me to make use of whites and beiges. Sea Turtles is not an abstract art quilts but I had a large piece of blue synthetic fabric that I used for the background. The turquoise plants are also created from fabric I wanted to use up.
City Lights, a fabric art quilt,24″ x 22″Sea Turtles 35″ x 23 ” 2014Sand Between My Toes
Use the Palette of a Commercial Piece of Fabric
A fabric friend suggested this to me several years ago. I have to admit I couldn’t wrap my mind around this idea for a long time. Go to a fabric store. Look at the colors on the commercial fabrics. Very experienced designers work to create these prints. Choose a palette that you would like to use. You don’t need to use the fabric just let the colors inspire you.
In my abstract art quilt, Spring Break I did use some of the fabric. However, the process of chosing the materials was driven by the colors of the original piece of redirected linen. I looked for complementary colors from the fabrics I already had.
Spring BreakI built the fabrics around this piece of fabric.
In conclusion, inspiration for art can be found in many unusual places. Inspiration comes from spending time in your studio. Keep your mind open and inspiration will appear.
Winter Sunset greys,pinks and purple fabric in this abstract art quilt.
Creating Movement in Art
Above all as an artist I am interesting in creating movement in art.That is how I answered this question.“What are the essential elements you want your audience to know about your work? What do you want them to take away from seeing your art? “ asked a fiber artist friend.
She is well versed in the deep discussions generated by involvement with the Artist Conference Network. The ideas I had been thinking about came together. The question brought my ideas into focus; color, texture, movement. At this time I would like to address creating movement in my abstract art quilt pieces.
Subtle Wavy Lines
How does one make movement on something that is inherently static and flat? At first, I attempted to make every seam a curved line. That turned out to be a poor choice that affected the over all shape of the piece. I learned some straight lines are important for shape and balance. Another true life lesson learned, the importance of balance. Choose seams carefully for the visual impact. They may be wildly or gently shaped curves.
Activity on the Material
To begin, I choose the fabrics with movement in mind. I look for interestingly curved shapesthat are part of the fabric’s design. When I cut them up, they add interest and drama. They catch the eye and draw it in.
When I first selected this fabric of elongated greyhound dogs, I didn’t even notice the dogs just the colors and the shapes. I couched threads, rotated the fabric and then sliced the fabric into usable pieces. The shape of the animals disappeared yet the movement of their bodies remained. Other fabrics provide a pop of action to the piece. Creating the illusion of movement is an essential part of my abstract art quilts.
Greyhounds with some couching of yarnSkyward, the finished art quilt
Couching Decorative Threads
Couching decorative threads is another technique that is an essential part of my tool box. I sew multiple colored threads or yarns on to a strip of fabric. Then I cut them up into random lengths and use them as fabric. At first,the main purpose was to add texture to my pieces. Yet, sewing the threads in undulating parallel lines creates the slightest of distortion and movement.
Long strips of cotton with the threads couched on them.Winter Sunset, the finished piece
Adding Tucks
Adding tucks is another technique that started out as a way to add texture to a piece. However, movement was created at the same time. Tucks are small seams that run along the folded edge of fabric. When quilting over a series of parallel tucks they are folded up or down. This creates an illusion of movement.
Upwelling , Tucks run the width of several pieces to create movement.
Using the Design Wall
I create my abstracts on a design wall. I take time to balance the colors, fabrics, and quiet spaces for eyes to rest. Looking at the piece with fresh eyes may take several days or longer before sewing all the pieces together. Abstract artists have the added benefit of being able to rotate the completed piece. They check to see if viewing the piece from another direction it may actually improves it. It just might happen. Just because it was conceived and executed in one direction doesn’t mean that it cannot look better “upside down.”
Creating Movement While Quilting
In addition, the quilting process adds movement. I begin quilting in the middle of the piece making basically a large grid about 5” apart. Then the fun begins. I start quilting from corner to corner gently turning the fabric slightly side to side as I quilt. The thread line creates the movement. If the thread color contrasts with the fabric color, then the threads stand out. When the thread color matches the fabric, the thread may seem to disappear, yet the movement remains on a more subtle level. Many viewers look closer to try and understand how that affect can be.
Mossy Rocks, an art quilt
“It Dances.”
A former colleague of mine made an unsolicited comment about my work, “It dances.” Her remark touched me on several levels. Years earlier she admitted that she had no interest in attending an art quilt show. So when I heard her comment, I felt that I had truly opened her eyes to a new art form.
The Importance of Movement in Art Quilts
As you can tell movement in an art quilt is important to me. Yet not all art quilters share my view. A trend in quilting art quilts seems to be creating as many stitching lines on a piece as possible. These lines tend to be straight lines with about ¼” spacing . They may turn at sharp corners.
Does your quilting squash your fabric?
While attending a recent national art quilt shows, I noticed that almost 75% of the quilts had such quilting. I admit that such narrow line quilting may be effective for some pieces. The skill level is high for the artists that work that way. However, this style makes me cringe. Squashing and smashing the fabric into flat controlled pieces actually saddens me.Such tight stitching suffocates the fabric preventing it from moving or breathing.
In Conclusion
I create movement in several ways in my abstract art pieces. Some pieces of fabric are chosen based on their design element of movement. Couching decorative threads and tucks into gently waving lines adds subtle movement. Pieces are sewn together in a curve line piecing technique. Finally the artist generates wavy lines all over the piece quilting the three layers of fabric together.
Other resources that you may be interested in.
You may be interested in finding out more about the Artist Conference Network. It is an artist driven organization supporting artists as their more towards their artistic goals. Groups meet periodically to share and review each artist’s goals.
Burlap and Silk,An art quilt demonstrating the contrasting fabrics of soft and hard rough and smooth
An important life skill for artists to develop is resilience. Resilience helps one weather the rough spots in life. Learn who you are. Learn what your passion is and develop it . Be authentic. Friends, family members and those close to you may not see your passion as you do. Focus on what is true and real for you. This can be hard. As human beings we rely on the reflections of those around us to see ourselves.
Burlap and Silk, an art quilt demonstrating the contrasting fabrics of soft and hard rough and smooth.
Following One’s own Path takes Resilience.
Developing resilience is an important life skill for artists to combat certain comments people might make. “What are you doing that for? “People will say the first thing that pops into their mind without thinking. Realize that it is okay if some people don’t agree with your choice of activity. When someone doesn’t like what I am deeply involved in, I often think about model trains. Some people are extremely passionate about model trains, something that I have absolutely no interest in.
“Isn’t that a lot of work?” Just yesterday a neighbor made that comment about all of the work I do to maintain my garden. I love doing it. I can’t imagine not doing. It is the same way I feel about my art. Passion is what you can’t live without. It isn’t work if you like doing it. Picture water sliding off a duck’s back when disparaging remarks are made. Little by little build resiliency.
Being the Black Sheep takes Resilience.
Developing resilience is an important life skill for artists tostand up to certain activities other might want you to do. When growing up my family was into sports; listening, watching on TV and attending baseball and football games. Of course, I also did these things until I got old enough to realize that I didn’t want to do it anymore. I would rather be out doing something active than watching others do it. This act of resilience was easy for me. Being the odd man out may not be as easy for some people. Of course, it would be nice if the people we care about also cared about the things that we care about. But that doesn’t always happen.
Overcoming Setbacks takes Resilience.
Setbacks can also happen. Sometimes one’s work or family responsibilities take center stage. Being a responsible person creates its own confidence and resiliency. When one knows themselves and is authentic, then moving in a new direction can support one’s vision.
Life skills for artists Develop Resilience.
Many paths lead to success. If one path doesn’t work, find another. Take the long view. A different path might not immediately be visible. Keep working towards your goal, be it personal or professional or artistic.
The poster in my laundry room has this quote on it.
“Great spirits have always encountered violent opposition from mediocre minds.” Albert Einstein
Or as a favorite song, The Middle by Jimmy Eat World says
(partial lyrics)
“Live right now, yeah, just be yourself. It doesn’t matter if it’s good enough for someone else.
It just takes some time,
Little girl, you’re in the middle of the ride.
Everything, everything will be just fine,
Everything, everything will be alright, alright.
Just do your best do everything you can
And don’t you worry what thebitter hearts are gonna say.”
Resilience is a life skill that can be developed and nourished. It applies to our professional, personal as well as our artistic endevours. Things happen in life that are sometimes out of our control. Don’t take setbacks personally. Just forge forward.
Making your own luck through self promotion involves planning, organization and bravery. If you are an artist, the work begins by making great art. In this age of self promotion, one must present themselves in a professional manner.
Artists,make your own luck with People Skills.
Having strong people skills is essential. Working with people in a way that shows integrity and honesty. Be easy to work with. Go out of your way to help for example make things easier for the curator or organizer. Save those picky, finicky thoughts for when you are creating your art by yourself in your studio. Don’t create problems for others.
Artists,make your own luck by being ready to jump on an opportunity presents itself. This takes a bit of bravery.
Be consistent in your production of posts blogs or newsletter. Show that you are dependable and reliable.
Be someone who others want to work with. When a new opportunity comes up, they will think of you. Conversely, when I am planning a project or activity, I will leave out people who having proven to be a problem to work with in the past.
Dress the part.
Be yourself. Be authentic. But in general the public expects an artist to dress a bit differently. Sometimes I dress as a person working in an upscale gallery might.
When I am at a reception for an individual show or a group show, I wear something that identifies me as an artist. As a fiber artist I have made special clothing that I save for shows. Save the paint covered clothing for your studio.
Keep your own name tag with you. You never know when you will be at a meeting or a show where they forget to make name tags. I was one show where they made me a name tag. They had my name and a photo of my art on it. They even placed it in a plastic cover.That is the one I saved. Perfect.
Have unique business cards with you at all times. My cards are small handmade art quilts.People love my business cards. They illustrate what my art is while giving the contact information on the back.
Artists,make your own luck by Recognizing the Strengths of Others
Others in your field have strengths that should be recognized.Share or post about others, not just yourself all of the time. Promote the work of your friends or other people working in your field. It encourages others to look at your posts.
They are some people’s posts that I just delete because they just always about themselves and do it too often.When I share about others’ work, I find more people share items about my work.
Authenticity
Part of being an authentic person is realized our own strengths and weaknesses. While one may lead with their strengths, one must also develop their weaknesses. It is not as much fun and it is often a lot of work. Many artists find meeting with the public the hardest part of their job. Others find the paperwork and organization to be difficult. Overcoming a weakness begins with baby steps. Choose one weakness to develop your skills in and take small steps to improve in that area. Taking a class may help. Being brave helps.
In conclusion, what may appear as good luck is often the result of hard work, bravery, planning, and organization. Be persistent and don’t give up. Magic isn’t instantaneous.
First of all,I prepared this Pechakucha laser talk in anticipation of presenting it at an art quilt meeting. The Pechakucha,a Japanese word for chitchat. To clarify it is a format that gives a speaker a limited amount of time to discuss a topic. For example, I would have 4 minutes to present a limited number of photos to on one topic. At the same time,numerous presenters of a variety of topics are able to share. That is to say that I prepared to discuss my passion for making art quilts from redirected materials. Moreover,FABMO, a local nonprofit is where I get my materials from. http://fabmo.org
My Art Quilt World
To begin,I do nature art quilts, abstracts and Mexican inspired fabric collages. Furthermore, I am very passionate about using redirected materials and threads to keep them out of the landfill. My inspiration comes from the materials I find at FABMO . I have been a volunteer there for many years. To clarify,I brought photos from three pieces that I completed recently to present at this Pechakucha laser talk. So I could share the process with you.
Spring Break, an art quilt
Paisley pattern on linen
First I choose the fabric, Here is the material I started with. I liked the variety of color and decided to use the colors as a basis of an abstract art quilt.
Step 1 Beginning to place pieces on the design wall randomly
Next, I couched decorative threads and yarns with the idea of making interesting details. Then I cut up the strips randomly to use as fabric. Following that trying out other fabrics on the design wall.You can see several examples of redirected couched ribbon and yarn on different colored fabric.
Finally,the completed piece using scribble quilting. Scribble quilting moves the quilt side to side while quilting to create flowing lines of sewing.
Skyward, an art quilt
GreyhoundsGreyhounds in another direction
Originally, I chose this FABMO fabric for the movement and stark lines. But when choosing the fabric,I didn’t even noticed the dogs. They were not of interest for me. First,I began to couch green and black threads.
Here, I zigzagged a variety of colors.
Then,I continued couching other colored threads. Some of these threads were light blue but read more like grey against the light grey part of the fabric.
Can you believe that the tree is made from the same material?
Finally, I was ready to use the fabric to create tree branches. Using the fabric layering technique,I laid the back fabric down on the table.Of course the back is also another piece of material from FABMO. I covered it with batting and I laid an indigo dyed piece on top for the sky background.
The finished art quilt just showed the tree tops.
The finished piece,Skyward,succeeds in its interplay of light and dark on the branches. On the other hand,one doesn’t notice the dogs at all.
Under the Shady Tree, an art quilt
The finished art quilt, Under the Shady Tree made from redirected materials.
Next is the finished piece of under the Shady Tree. Aficionados of redirected materials may recognize the fence fabric. To clarify, I used the fabric layering technique.
Unusual materials can be used in unique ways.
Furthermore,notice several leaves with bluish and gold colors. To be clear,I used a multicolored synthetic knit that kept rolling up in other projects. I couched it to help it lay flat. Then I cut it into leaves.
a different view
Last but not least,Shiny sheer fabrics add interest.
Take apart details and see what interesting fibers one can find.
Creating Texture
Moreover,texture is created by taking apart fabric details. They can be used as bunches of threads to add interest. One can also find decorative threads,ribbon and small cording . Lastly, I laid it on the foreground , covered it with tulle netting and free motioned quilted the three layers together.
To sum up,I am all about color, texture, and movement which I create using redirected materials. Thank you for letting me share some of my recent works with you.
Working backwards means thinking through each process of making your art piece before getting started. To create this collider event display, I had to figure out what would go on last. Then I thought about what each previous step backwards would be. What steps would I need to get to the finished product?That worked fairly well except for slight changes at the end.
Photo of the collider event display I worked from
Working backwards is a Different Way of Thinking
Working backwards to create art is a new and different way of thinking for me. Usually,I create my art quilts differently. As each part is completed, I reflect on what I can do to make it better or more artisitic. Generally, I don’t work from a photograph. I complete one step before even thinking about the next part. Motivation and inspiration comes from how the materials play together. Working backwards is a different way of thinking for me.
Reflecting
I reflect on how I can make it more engaging as each part is completed. Then finally, how the quilting might enhance the piece. For better or for worse,I rarely consider the quilting until the top is finished. But the whole point of this collaboration is to look at a project in a new way.
Beginning Steps to Create Art by Working Backwards
Choosing fabric and detail stitches
3.Running stitch with yellow embroidery thread4. Attempting to create the starburst effect5. Sewing more pieces together
Changes
Several fairly large changes happened at this point. I wanted to cover the cream oval with yarn to create a shadow as in the photo. But the effect wasn’t what I wanted. Luckily, the fabric was loosely woven together so I was able to pick out the threads one by one until they were gone.
Do I have to match the photo?
I also struggled with matching the photo. When I gave myself permission to not match the photo and make a work of art to my liking, I felt much better. I finished the quilt with my artist judgement in mind.
6. The finished art quilt
In Summary
With this collaboration I adjusted my decision making processes. Photographs of the collider event displays(CED) were mandatory. My collaborator showed me some collider event displays that he felt would lend themselves to work in fabric and yarn. I chose several from the suggested group.
Thinking Ahead
Using a photo as a guide, I had to have an idea of what each step would be, before beginning at all. I almost always use fabric that I have on hand. The size of that fabric then determines the size of the piece. If I quilted the three layers together first,then I could know the exact size that the CED would have to be. I had seen other art quilters quilt their work first, so it wasn’t a new idea. Just something that I had never done.
Pay Attention When Going Backwards
You have to pay attention to where you are going when walking backwards or working backwards. Working backwards just takes a bit more of a plan. It is a lot more safe than walking backwards.
Kelp Dwellers 25″ x 25″ A piece of multicolored blue sheer fabric is a perfect background for this underwater fantasy.
Use Redirected Fabric in Art Quilts
Redirecting materials inspire.
Use redirected fabric in art quilts to design something new and inspire yourself to create. I find unique fabrics not like those sold in a regular quilt store among redirected materials.
Discontinued fabric from a decorator’s studio
A sample of linen fabric from a decorator’s studio becomes the main design element with the addition of zigzagged or couched yarn. The colors; black, white,, and grey attracted me before I saw that this linen actually had greyhound dogs printed on it. My fondness for dogs aside, I didn’t want the dogs to stand out. I accomplished this by rotating the fabric and couching yarn to it. Next, I cut the fabric into twigs and branches to suggest tree tops. Then, I placed the branches on a sky blue indigo fabric background to complete the art quilt.
Friends’ Suggestions
Although dyeing fabric is a great way to redirect materials, it is a bit too messy for my situation. But many of my fabric friends have done it. The sheet that the dyed fabrics are wrapped in to carry home often is colored in an interesting way . Thanks to that warning, I was prepared when I recently took an indigo dyeing workshop. The background fabric for the sky was indeed the bedsheet that had used to carry my other dyed pieces home.
The Process-
First,I choose the fabric. I liked the way the curved lines of the dogs’s backs created movement on the fabric.
Greyhounds on linen
Next,I choose the yarn colors that I wanted to use, grey, green, and black yarn. I couched the yarns with matching threads so that the sewing threads wouldn’t stand out.
Black, grey, and white fabric with green and black yarn couched yarn
Next,I continued adding yarn curving it as I zigzagged(couched) it onto the linen.
More beige, grey, black and white yarn couched onto the fabric
Then,with more yarn, it is more difficult to identify the dogs.
The dogs disappear.
Continuing,I kept adding more yarn and zigzagging it down. For thicker lines, I wrapped 3 pieces of yarn together.
I add more lines of yarn by zigzagging them with matching thread.Different view of the fabric with threads couched
Ready to cut the Fabric into Branches
Finally, with this fabric, I cut out the tree branches,twigs and sticks. I put the backing fabric flat on the table. Then I added the batting on top. Then I added indigo dyed fabric for the background. Next, I basted them with a touch of glue. I assembled the tree on top and basted it.
Lastly,I covered the finished top with tulle and free motion quilted the layers together. I finished the edges by adding a 2″ facing folding it to the back and hand stitching it. Finally, I sew a fabric sleeve or tube onto the top back for hanging with a dowel and fishing line.
The completed piece of art is totally made from redirected materials; linen and backing material from the San Francisco Design Center, redirected yarn from my sister-in-law, redirected tulle from a wedding, and redirected background indigo fabric from a bedsheet. My heart’s desire is complete;making beautiful art from repurposed materials.
We all make mistakes but then learn from them. I Love Mistakes-Learn from them. I would like to share some mistakes that I have learned from. All mistakes are not bad. Errors are often touted as being something to avoid. Keeping one’s mind open can lead to embrasing errors as a good discovery. Postits and the microwave oven, for example, were originally mistakes.
Grasses in the wetlands with a moon overhead
A Fabric Layering Technique Example
While working on a wetlands fabric layering piece, some fabric turned under at the top. This unexpectedly added movement and added interest to the marsh. I continued doing it and added it to my toolbox. I Love Mistakes. Learn from them.
An Abstract Example
One example is how I discovered a signature detail of mine by mistake. When working on abstract pieces, I generally first pull out all of the possible fabrics within my chosen range of colors. A particular color was missing. Not finding a bigger amount, I solved my problem by sewing some small pieces together at odd angles to make a large enough piece of material. It pleased me,I liked the way it looked.
I Love Mistakes-Learn from them.
This example is how I discovered a signature detail of mine by mistake. I started to do it more. sewing small pieces of fabric together (about 1-1 1/2″ long) that had been trimmed off other pieces. Not wanting to waste any fabric anyway, I now often include some small pieces sewn together to each of my abstracts. I is now my signature detail.
Greys,pinks and purple fabric in this abstract art quilt
Tension Takes Over
Another example is the day the tension on my machine seemed to have a mind of its own. The sewing machine started to pull the bobbin thread from the bottom up to the top of the fabric. Stitches looked like dots. I liked the effect. I tried it using different colored threads. Using a cream colored fabric,I preferred a black thread on the bobbin(bottom) and a cream colored thread for the top. I adjusted the tension so that the bottom thread would pull up and create dots .
Knots, art quilts with fibersstitches with poor tensionKnots, detail showing stitching with poor tensionKnots, detail 2
In Conclusion
Keep an open mind towards mistakes. Are they interesting? Do they make your piece more interesting? Then accept your mistake. Learn to love and accept mistakes.Learn from them. Add the technique to your toolkit and use it. Embrace new discoveries.
Do you want to be a great and highly effective artist? I do. I might be getting a bit obsessed with it, actually. Ideas pop into my head unexpectedly. I keep a long running list of ideas for improving my work.I also study how the most successful artists got where they are, and I pore over every word that they write. If you want to be a great artist, you should, too.
I wanted to find out what all these top artists had in common. Their mindset, their mental habits. I spent a lot of time observing, which led to this list of the six success traits shared by all top artists I’ve found. I’m happy to share it with you.The good news is that even if you don’t have all these personality traits already, most of them can be developed over time. Best of all, if you can cultivate these traits, you’ll become more effective in the rest of your life as well.
Westside Egret
Here We Go! Six Proven Habits of Effective Artists
1. Highly Effective artists are prolific.
The first key to being a successful, highly effective artist is to create. A lot.
The more you create, the better you get.
There’s no way around it; it takes work to be prolific. And effective artists work hard. Putting a successful art career together requires a lot of time in your studio, and not surfing LOLCats or Twittering about what you had for lunch.
2. Highly Effective artists are lifelong learners
If you’re a new artist, you’re probably on a steep learning curve at the moment.
Maybe you tell yourself that things will get better when you’ve been doing it longer. There won’t be so much to learn. You’ll have systems in place soon and everything will run smoothly.
Sadly, I think this is a myth. I’ve been painting and working my career as an artist for more than 15 years, and it keeps changing. Just when you’ve got one element sorted out, something new happens. Or becomes obsolete. Or mutates in 20 different directions.
If you want to stay ahead in art, you have to keep learning.
Fortunately, being curious and wanting to learn keeps you young and your brain active. A love of learning doesn’t just set you up for a successful art career, but for a successful and happy life.
3. Highly Effective artists are focused and consistent
Highly effective artists move consistently toward their vision. Their work has a consistent voice and approach. Even when they move toward something that may be off topic, they relate it back to their greater vision.
4. Highly Effective artists plan ahead
Highly effective artists know where they’re going. They have a master plan and they stick to it. Yes, they adapt based on feedback, but always in service of a vision.
They don’t let themselves get derailed. They follow the plan.
5. Highly Effective artists are persistent
Highly effective artists understand that success doesn’t happen overnight. Real success rarely happens quickly.
Time is on your side. To get to the top takes consistency, hard work, serious study, and lots of persistence. Successful artists don’t give up.
I’ve noticed a lot of people like the idea of working from home, working for themselves, being their own boss. But if you want these things, you need to be able to manage yourself.
No one is going to sack you if you’re late. No one reminds you of important deadlines or nags you to get your sales numbers up.
If you want to be a successful artist, you need to be a self-starter. It’s not enough to have good ideas. You have to act on them.
