Loc Art App in Santa Cruz County, CA

LOC ART APP: THE ART MARKET APP

This app is undergoing a name change, All Hands Market. It will be up and running soon. (4-2022)

by Fleur Williams on November 22, 2019 in ArtLocal PeopleShop Local

Creation

LOC ART app has launched with the goal of revolutionizing art sales. Created by Santa Cruz residents Derick Delucchi and Dominic Elkin, Loc Art is an app that intersects art and technology.  The process of browsing, buying and selling local art becomes more accessible, social, and smoother than ever before.

Loc Art

Both Delucchi and Elkin grew up in Santa Cruz. They experienced the abundant local art scene first-hand. After  college,while returning to work here, they decided to help this cultural epicenter thrive in a more clear and consistent way.  Delucchi envisioned an app as an easier  way to connect the community with local creatives. In early 2017, Elkin began designing Loc Art App around this vision. Together they refined the product. The Loc Art app  officially launched  in the fall of 2019.

A Unique Guide

Loc Art App is a unique guide to the Santa Cruz art scene. The Loc Art app gives art enthusiasts the opportunity to discover talented artists.  Original artwork located locally. Through the Loc Art app, collectors can browse and shop diverse forms of art from high-quality artists.  The platform provides a convenient  way for shoppers to communicate directly with their favorite artists. Commission are also available.  Artists have the opportunity to showcase their work and  sell it.

Loc Art app offers a digital art market experience that is user-friendly, personal, and professional. Additionally, the app provides a calendar with notifications of local art events, allowing people to keep track of classes, festivals, and markets happening around the county throughout the year.

Active Members of the Community

As well as pioneering the app, Delucchi and Elkin are active members of the community. Delucchi (whose family has been here for over 100 years) is a 4th generation firefighter who works for Cal Fire throughout the county. Elkin currently works for iheartjane, a Soquel-based startup software company.

We recently caught up to co-founders Derick and Dominic to talk about what motivated them to create Loc Art and how they imagine it evolving as more people jump on board.

Local Santa Cruz: What inspired you to launch Loc Art? 

Derick:  It started mostly by talking to friends who are artists and hearing about the challenges of trying to market and sell artwork. Especially when they really just wanted to spend more time creating. Then, when Dominic and I toured Open Studios a few years ago, we talked with some of the participating artists who were experiencing similar issues. That’s when we started working on the project and came up with the idea to design an app that would help local artists sell their work to the community.

At the moment, Loc Art is currently only available in Santa Cruz. But the inspiration was to create some kind of business that could grow community to community. Hopefully, something that could possibly spread across the U.S. and maybe even internationally. While still maintaining a grassroots feel. Once we get a business model down locally we can hopefully take that model and bring it to other communities. That way we can share the app in others interested in helping out their art scene in the same way.

Dominic: We feel like there is a big inefficiency in the way that the community interacts with art culture.  We want to  bring the same functionality that people experience anywhere else into the art realm. We think it would make it feel less like a “walled garden” . It would be  approachable and easier to find something you are interested in.

Why do you think it’s challenging to become immersed in the local art scene?

Derick: SC has such a great art scene. But it can still be difficult for artists to dive in. There’s not always enough time for collectors to find new or established artists. Opportunities like Open Studios, for example, often only happen once a year. There were over 300 participating Open Studios artists this past October. I only made it to about 50, so there were still hundreds of artists I wasn’t able to visit. Art markets featuring a number of artists pop up around town as well. But we’ve talked to people at those events who were overwhelmed trying to get around to see all the booths. They want to have enough time to check everything out.

In terms of collectors, there’s also kind of a stigma around buying original art. That it’s only available for people who are maybe a little bit older in life or who have a larger amount of money to invest in art. For both locals and newcomers in the community, it can sometimes be a high barrier of entry to get into the art scene.  It helps if you know people that are already a part of it. These are things we hope to change with this platform. We see art as something that everyone should be able to enjoy at whatever level works for them.

Dominic: Right now, you almost need someone you trust to show you around the art world. It’s hard to know where to go to look at paintings, take a photography class, or even just explore artists that you mightlike.

How does the app provide a solution for all types of artists and collectors, and what excites you about the potential of this platform as it continues to develop?

Derick: The more we became aware of the difficulties the community was facing, the more we thought it would be easier to have everything available on one platform. People could discover artists and search through a large number of them quickly. Artists could present their work or communicate with buyers at any time of the year.

Based on the technology of the app, we’d like to eventually include videos of the artists talking about their work. There are also more chat features on the app.  It is less about you being on an app just to buy and receive an order. It becomes about having opportunities to get to know the artists and learn about their inspiration and work. So, there’s a more personal connection available when you shop on Loc Art than if you were buying a piece on Etsy.

Right now we have a QR code that takes people to the app if they scan it.  We might implement a QR code for artists who hang up their art locally, So, you could quickly scan artwork you see around town on your phone. The artist’s profile would come up, and you could follow them and stay connected with them that way.

Another big thing we’re excited about is the calendar on the app that helps people get out to more art events and classes. For right now, we’re sharing dates of events that other businesses in SC are putting on, like the Makers Market, Open Studios, and holiday markets. We’ve partnered with the Cabrillo College Extension program to promote their art classes, as well as the All Hands workshops. Hopefully, in the future, we can branch out and host our own community events.

Dominic: We’re excited to continue to innovate tech for the art community. Eventually, we would like to give artists the ability to treat Loc Art like their virtual store – with a unique link to their own account, where their artwork is hosted. We are looking to build features leveraging feedback from the community of artists who are actually using our platform.

How has the SC art scene impacted you personally and inspired the creative design of Loc Art?

Derick: Dominic and I were both lucky to have had so many great art classes available to us throughout all our years of school. I took several classes in film photography as well as ceramics and jewelry classes. I was aware that many people around the country don’t have the luxury of having diverse art classes. Getting that first-hand experience and enjoying the process of creating was a huge draw for wanting to bring attention to local artists and support other art-oriented people.

The business has come a long way since my original idea. I never thought I’d have my own app, but it’s been exciting to see technology merging with the art scene. There’s a huge connection that happens that makes the experience of art so much easier for everyone to enjoy.

Dominic: What a great question. I think growing up in Santa Cruz (and around the art and creativity here) pushed me to walk my own path. There are some “characters” in Santa Cruz that aren’t afraid to do things their own way. I think Loc Art reflects that in its own way, too. We are going against the norms, but for the right reason – to support art.

Loc Art is available to download on the Apple Store and Google Play Store and is compatible with iOS and Android.

https://www.etsy.com/shop/annbmayartquilts

Want to Be More Creative?

American Democracy,2019 3D details are visible.

Are you curious about how to become more creative? Have you ever thought how creativity works? Is someone born with it? Is it a developed skill? Or is it magic?  I personally feel that it is a bit of all of those things. But for the most part, creativity is based on a lot of  practice, making mistakes and hard work.

  Becoming More Creative

black, white medium blue abstract art quilt,Becoming more creative
American Democracy,2019 27″ w x 28″h

They must be a Genius.

I am not very musically inclined. Upon hearing a complicated piece of music, I would wonder how did someone create that? I would have no idea how the piece was put together. I assumed that the artist created  the piece all at once. Therefore, they had to be some kind of a genius to be so special and creative.

Creativity is not a Fixed Entity.

More recently after creating many original art quilts, I have a clearer idea of how creativity works. Creativity is not a fixed entity. It must be nurtured and developed. The musicians might be very talented but probably they worked a long time on a particular piece working  bit by bit. Maybe even different people contributed different parts. Ever notice that some people write the music and others write the words? People have strengths in different areas.Their genius takes  years of practice.

Making Choices

When beginning an art quilt, first I decide what type of quilt I will make. Will it be an abstract, a nature piece or a Mexican inspired fabric collage? Then I begin to choose the colors based on the fabrics and materials that I have. It helps me to have a vague idea of where I am going. But I keep it flexible in case,I want to change things. Sometimes I start by making a lot of really interesting parts to be focal points. It could be a fabric doll, couched decorative  threads or ribbons or 3D textural piece.

Plan something. Then Work to make it Better.

For an abstract art quilt, I begin by choosing a three color palette before adding light and dark hues. It is best to have an idea of what I am going to use these special details or parts for so that the colors I choose will work with the project. But there have been instances when these details haven’t worked as first intended. So were put aside and saved for another piece.

After choosing the colors, I take my first steps of laying the pieces on my design wall. Then I ponder, what I could do to make it better. How can I make it more artful or interesting? How can I add texture or movement to the piece?  This is an ongoing process. I make those adjustments and continue on.

Fresh Eyes

Taking a break. Coming back to look again with fresh eyes is helpful and necessary. It is amazing how our eyes can fail to see things.  Even when trying to look for errors and they are right in front of our face.

In Conclusion

After making over 400 art quilts, I have a clearer idea of how creativity works for me. Time in the studio working to create art is a must. I am motivated by the way different materials work together. Themes or colors may be the same but rarely do my pieces look similar. Serendipity does occur and should be embraced when it happens.

Other articles that may be of interest.

https://annbaldwinmayartquilts.com/2018/09/creativity-first-steps-to-being-more-creative/

https://annbaldwinmayartquilts.com/2018/04/art-quilting-studio-article/

https://www.etsy.com/shop/annbmayartquilts/

https://annbaldwinmayartquilts.com/2019/04/making-your-own-luck/

https://annbaldwinmayartquilts.com/2021/11/good-advice-gone-bad/

Important Life Skill for Artists-Develop Resilience

Burlap and Silk,An art quilt demonstrating the contrasting fabrics of soft and hard rough and smooth

An important life skill for artists to develop is resilience. Resilience helps one weather the rough spots in life. Learn who you are. Learn what your passion is and develop it . Be authentic. Friends, family members and those close to you may not see your passion as you do. Focus on what is true and real for you. This can be hard. As human beings we rely on the reflections of those around us to see ourselves.

resilience
Burlap and Silk, an art quilt demonstrating the contrasting fabrics of soft and hard rough and smooth.

Following One’s own Path takes Resilience.

Developing resilience is an important life skill for artists to combat certain comments people might make. “What are you doing that for? “People will say the first thing that pops into their mind without thinking. Realize that it is okay if some people don’t agree with your choice of activity. When someone doesn’t like what I am deeply involved in, I often think about model trains. Some people are extremely passionate about model trains, something that I have absolutely no interest in.

Isn’t that a lot of work?” Just yesterday a neighbor made that comment about all of the work I do to maintain my garden. I love doing it. I can’t imagine not doing. It is the same way I feel about my art. Passion is what you can’t live without. It isn’t work if you like doing it. Picture water sliding off a duck’s back when disparaging remarks are made. Little by little build resiliency.

Being the Black Sheep takes Resilience.

Developing resilience is an important life skill for artists tostand up to certain activities other might want you to do. When growing up my family was into sports; listening, watching on TV and attending baseball and football games. Of course, I also did these things until I got old enough to realize that I didn’t want to do it anymore. I would rather be out doing something active than watching others do it. This act of resilience was easy for me. Being the odd man out may not be as easy for some people. Of course, it would be nice if the people we care about also cared about the things that we care about. But that doesn’t always happen.

Overcoming Setbacks takes Resilience.

Setbacks can also happen. Sometimes one’s work or family responsibilities take center stage. Being a responsible person creates its own confidence and resiliency. When one knows themselves and is authentic, then moving in a new direction can support one’s vision.

Life skills for artists Develop Resilience.

Many paths lead to success. If one path doesn’t work, find another. Take the long view. A different path might not immediately be visible. Keep working towards your goal, be it personal or professional or artistic.

The poster in my laundry room has this quote on it.

“Great spirits have always encountered violent opposition from mediocre minds.” Albert Einstein

Or as a favorite song, The Middle by Jimmy Eat World says

(partial lyrics)

“Live right now, yeah, just be yourself.
It doesn’t matter if it’s good enough for someone else.

It just takes some time,
Little girl, you’re in the middle of the ride.
Everything, everything will be just fine,
Everything, everything will be alright, alright.

Just do your best do everything you can
And don’t you worry what the bitter hearts are gonna say.”

Resilience is a life skill that can be developed and nourished. It applies to our professional, personal as well as our artistic endevours. Things happen in life that are sometimes out of our control. Don’t take setbacks personally. Just forge forward.

https://www.etsy.com/shop/annbmayartquilts/

Get to Know James Aschbacher muralist

As he retires from painting his striking Santa Cruz murals, James Aschbacher is re-inventing his art.

The Life of James Aschbacher

Sadly, after a  action-packed 66 years, artist and muralist James Carl Aschbacher passed away. His wife author Lisa Jensen, and several dear friends, were at his side. James was born October 9, 1951, in Evanston, IL.  For 16 years  he was co-proprietor of Atlantis Fantasyworld comic book store with Joe Ferrara. At age 40, with no previous artistic training, James gave up retail to pursue art full-time.

His first Magic is Magic.

Though he’s best known now as Santa Cruz’s most popular muralist, James Aschbacher once wrote a column for Magic Magazine.“I had a little stage show when I was 16,” he reveals. “My dad and I did magic acts—sawing the lady in half, that kind of thing. Even some Houdini tricks.” As he readies himself for another Open Studios season, transformation is still part of Aschbacher’s visual magic.

Murals

Over the past 15 years, James Aschbacher muralist painted with his wife, GT film critic Lisa Jensen, some with entire classes of fifth-graders from around the county—have sprung up everywhere, 18 in all. Working with private clients and city partners, Aschbacher has created wall-sized fantasies populated by his whimsical flying fish, twirling birds and cats, and fanciful folk with wild hair. Retiring this year from the mural game, citing back trouble, Aschbacher now devotes himself full time to painstakingly crafted, shaped, incised and painted artworks.

Atlantis Fantasy World

A Chicago native, Aschbacher came west in 1975 with a girlfriend who was attending UCSC. “I saw the palm trees and I loved it immediately.” He began supporting himself with a mail-order business in illustrated and vintage children’s books.  To expand his valuable collection of comics, he searched all over. “I went to flea markets,” he recalls. “And that’s where I met Joe Ferrara. We were both go-getters. In 1978 we opened Atlantis Fantasy World on Pacific Avenue.”

Aschbacher recalls the scene as “fun, weird, wild times. We handled some Star Trek stuff, and when Star Wars opened six months later, sci-fi came out of the closet. We were the first with TSR role-playing games like Dungeons and Dragons.”

He started Experimenting with Art.

After the Loma Prieta earthquake of 1989, Aschbacher retired from the comics scene. He started experimenting with art. “I had all these ideas, but no skill,” he says with a chuckle. “I never took an art class. Having grown up working in construction with his dad, Aschbacher was no stranger to woodshops. With cans of spray paint and hand-cut stencils, he began feeling his way into a style. “I did 200 paintings that way, spray paint through stencils on illustration board. I was obsessed,” he admits. “To work late into the night,I installed lights in the back yard.”“I learned on the job,” he says with a grin from an astonishingly neat work table at the studio end of his mid-county home.

Painting Fanciful Figures

The next breakthrough came when he started painting fanciful figures onto the stencils, each coated with hundreds of coats of sprayed color. “Lisa’s mom gave me paint brushes one Christmas, so I started carving in wood, then brushing paint into the carvings.” His familiar style was born. First a plywood base, then the painted board nailed onto the wood, and finally a border of encised and painted hieroglyphs. “Paul Klee’s quirky drawing gave me confidence that I didn’t have to have an academic style, I didn’t need perspective.”

The size of each painting was originally determined by the sizes of the recycled scrap board. Only later did he make large foundations for the highly popular pieces, available at the annual Church Street Art Fair, at Bargetto, on Pasta Mike sauces, etc.

Entering the Art Field

Aschbacher entered his first Open Studios in 1995. “I’ve been doing it for 25 years,” he notes. And it has been very very good to him.

“Then I started getting galleries,” he says, including Many Hands in Santa Cruz and two in Chicago. “Those were big for me, since my family was from that area.”

Color and Certain Symbols

As the years went by, Aschbacher’s palette got brighter. “I wasn’t brave enough at first.” Color is now a central feature of his style, along with the hieroglyphs. “Certain symbols—the circle, the cross, the star, the wave—are universal. And I like to alternate lines and solids. I’m a Libra, so I want balance.”

A devoted pizza and pasta chef, Aschbacher says he never tires of creating in his highly recognizable style. “It might bore other people, but not me, because I always love seeing how it will look.”

Do his smiling creatures reflect his own persona? “Absolutely. My mission is to make people smile.”

James was a board member for many yearsof the Santa Cruz Arts Council.

https://www.artscouncilsc.org/


LOCAL COLOR Now in his 25th year participating in Open Studios, James Aschbacher has had a great deal of success locally with his vibrant signature style. PHOTO: CHIP SCHEUER.

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