Color! Texture! Movement! Using Repurposed Materials!
Category: Art Quilts
Art quilts often use traditional quilting techniques to create a wide range of wall art. Art quilts can now be found in museums and galleries along side paintings and other media.
My art quilts are all about the quilt artist creating abstract, whimsical or impressionistic pieces. Inspiration comes from the natural world as well as from Mexican and Native American influences. My materials of choice are often redirected fabrics from the San Francisco Design Center and found objects. Art quilts free me to play with color and texture. My technique, Scribble Quilting allows me to create movement on many of my pieces.
TWO INSPIRATIONAL ARTISTS
I owe some of my inspiration to two artists from Santa Cruz County, California. Meri Vahl, an award winning art quilter has been recognized nationally for her work. Teacher of the fabric layering technique, she was patient. Understanding that each student brought individual strengths, weaknesses and abilities. Ellen edith;friend, art quilter, fabric designer and artist extraordinaire made whimsical, personal quilts. Her influence lives on well beyond her life. I have great appreciation for these two local leaders of the art quilt world.
SAQA (STUDIO ART QUILT ASSOCIATES)
I am proud to be part of an evergrowing group of art quilters. SAQA started by Yvonne Porcella in Northern California in 1989. It has grown to an international organization. Art quilters have transformed the quilt into a 21st Century art form. I continue to explore new forms and ways of working with unusual materials on this journey.
ABOUT THE ARTIST,BIO
I was born and raised in Palo Alto, California. In high school I studied sewing and clothing construction for two years. I continued to sew much of my wardrobe. In 1974,I took my first quilting class at a neighborhood fabric store. Over the years, I continued to sew clothes and make quilts for my family. I stopped counting bed quilts at 300. After teaching 30 years in Watsonville as a bilingual teacher, I retired to spend more time on creating art quilts.
MY FIRST ART QUILT
Homage to a Dancer,45″ x 56″
In 2008, I made my first art quilt, Homage to a Dancer. It reflects my participation in Los Méxicas,the University of California,Santa Cruz ballet folklórico group.
A STUDIO IN THE ART CENTER
In May of 2016, I opened a studio in the Santa Cruz Art Center, 1001 Center St. Downtown Santa Cruz. I have space to work and display my work. For First Fridays and Open Studios, I fill the lobby with art. In June, 2019 New York Art Center accepted my work into their gallery. 7 Franklin Place, TRIBECA, New York City.
AWARD WINNING ARTIST
Great Blue Heron at Dusk,31″ x 25″
Great Blue Heron at Dusk entered into an art show in 2010. The following year it won a merit award at the Olive Hyde Art Gallery in Fremont,California.
In 2013, Visions of New Mexico won third place in the Neo Membreno Vessels 2013 Show at the Western New Mexico University Museum in Silver City, New Mexico.
As an abstract art quilter, I am always looking for unusual color combos. They show themselves to me in the most random of places. Read to learn how I found unusual color combos in art.
Lingering Fog, 34″ x 34″ 87cm x 87cm
A previous post discussed the steps for creating a light and dark grey piece contrasting with lime green. I discovered this unusual color combo when I noticed scraps I had tossed on the floor. Serendipitious success. How I found unusual color combos in unusual places.
How I found unusual color combos in art.
Recently I found pieces of fabric from different projects that I had thrown together in a bag. I discovered a charming unusual color combo of light purple and a yellow orange.
Spring Sunset 12″ x 12 ” 30cm x 30cm
Meanwhile, I looked up the name for a yellow orange color. It is called amber. What? I thought amber was a darker color. Surprisingly,it turns out that amber is directly between yellow and orange on the color wheel. As a result,I am now convinced that the color is amber.
Lilac
Lilac, a light or medium purple has not always been my favorite color. Growing up it was the springtime purple of choice. Maybe my mother’s dislike for the color influenced me.
However in these times of COVID I find my choice of colors changing. Previously my mantra of Color! Texture! Movement! usually included bold bright colors. These days the colors of choice are lighter and subtle creating calm and peaceful emotions.
Goldenrod Blush,31″ x 32″ 79cm x 81cm 2022
My focus on incorporating texture and movement remain. For some of the fabrics,I sewed a layer of lace on top of a sturdier fabric. Next, I couched (zigzagged)decorative threads on top. Then I cut the lace into smaller pieces.You may be interested in reading other blogs on how to add more texture to your art quilts.
A color coordinated fabric storage area looks appealing. However, it reduces the chance for coming across an unusual color combination.
Certainly, finding unusual color combinations begins with open eyes and an open mind. Unfortunately there are no easy pathways forward. Ultimately,each artist must take this road on their own.
Learn more about the international organization for art quilters, Studio Art Quilt Associates. https://www.saqa.com/
Just like everyone else new quilters make mistakes. Mistakes are part of the process of becoming a master quilter regardless if you are making art quilts or traditional quilts. Most of us are not proud of our earliest works. Yet, when an artist is accomplished, they make it look easy. The artists have practiced so much that it is hard to imagine that they ever made mistakes. Here is a review of several mistakes new quilters make.
Mistake #1-Poor Fabric Choices
Thinking one can make a quilt out of just any piece of fabric that they have. Yes, people make quilts out of used clothes or fabric that they have. But for a successful piece, their choices are based on their knowledge and their experience with that fabric. Plus if there is a problem then an experienced sewer or quilter will have an idea about how to fix the problem.
There is a reason that commercially available clothing patterns list the types of fabric that would work best. New quilters can stick with 100% cotton for the most success.
Another Mistake New Quilters Make
An acquaintance with limited sewing experience wanted to make a baby quilt to give to a friend. She choose to use soft and stretchy fabrics that she had left over from other projects. Soft and stretchy materials are difficult to work with.
On the other hand, parents are rightly concerned about what will touch their baby’s skin. One hundred per cent cotton fabric is safe and the most comfortable for a baby. On the other hand, soft minky fabric is nice for a backing.
Mistake #2-Washability and Care of the Quilt
Cotton fabric that is 100% cotton is easily washed. My inexperienced friend chose a dark multicolored patterned fabric for the baby quilt. Of course,patterns and styles of choice change. However,most new families want a light colored quilt. They are also concerned about washability.The color choices for this baby quilt were dark. In my opinion, the colors didn’t even coordinate well. In addition, most parents would prefer new materials to be used with an infant.
Mistake #3-Lack of experience with a sewing machine
In my opinion, the major sewing machine brands are of good quality. Even older and more older machines work well. That said when I bought my Lily Husquavarna over 20 years ago, a particular brand of thread was recommended to use with the machine. Quite by accident, I learned that other brands actually had better results. People swear by their Bernina machines yet I read that they can be fussy about the correct needle being used for the type of project. Learning the quirks of one’s machine is part of the learning process.
Mistake #4 Lack of Process Planning
Creating an art piece takes a loose plan. One needs to have an idea of what part needs to be completed before another part. Often an inexperienced art quilter will create a beautiful part without an idea of how to mount or display it. For example, an intricite portrait will be created, Yet,the artist will then not know what they need to do next. How should it be displayed? What fabric would highlight the work?
Similarly, at the beginning of her art career,a very talented fiber artist would make nature inspired 3D works. She wanted them to be free standing. Yet, she made them without planning for the structure that would allow them to be free standing. As I tried mixed media and assemblage,I remembered that lesson. Consider the final structure first. How will it hang? How will it stand up?
Mistake #5-Poor Color Choices
Quite a few years ago, a friend asked me to make a baby quilt for a relative. We went to the fabric store together to choose some fabrics. These are the green and blue fabrics she chose. While each fabric has its merits individually, I would never have chosen them to be the only fabrics in a quilt. As it was an early commission for me, I didn’t feel at the time that I should say anything. However, this poor color choice stayed with me for a long time.Needlessto say, I have developed my artist’s voice over the years. I would definitely express my opinion if this happened again. It pushed me to rethink and validate my experience in choosing colors.
Two fabrics,blue floral and green
A friend mentioned to me today that her sister made a quilt for her.They had lots of blocks with hand embroidery added. The friend didn’t really like the quilt. Her sister said she didn’t have to keep it if she didn’t like it. The friend wasn’t sure what to do. She mentioned that her sister’s quilting skills were not so good. The sister mainly made quilts for the family. When I finally saw a photo of the friends’s quilt, I had to admit that it had some charm. Maybe not totally to my friend’s taste but still charming in its own right.
Nonetheless,this reminded me of the steps that people go through before they attain mastery. Lots of mistakes are made along the pathway to excellence. However, when someone looks at a quilter’s successful piece, the failures are not visible.
In Conclusion
My intent is not to criticize or shame someone’s efforts. We all start somewhere. However,I want to acknowledge the effort and experience that goes into the long path towards the mastery of skills. Our passion pushes us to continue to learn from the mistakes that new quilters make.
Quilters are famous for reusing fabric in their quilts. Yet, for quilters there are several other ways to reuse and not toss materials. Let me share a few of the ways that I have taken this a bit farther. I am very passionate some might say obsessed about not throwing fabric or other materials away.
DesertTrees in the Wash, 25″ x 24″ 64 cm x 61cm 2021 Just one example of how I use small bits in my art quilts.
Business Cards
I use bits of batting and fabric to make my business cards. They are like mini art quilts. Some people benefit from a visual example of what an art quilt is. The fabric cards are about 4″ x 4″ 10 cm 10cm.
First, I write out my contact information using a fabric pen on a light colored solid piece of fabric. Next,I sew several small pieces of leftover fabric together. Finally, I make a small quilt sandwich with a small piece of batting inside. Then I stitch the three layers together. Trim and zigzag the edges.
a fabric business card- a work in progressa fabric business card -a work in progress with batting and backing
Short Pieces of Decorative Threads
Pieces of decorative threads add texture and dimension to my art quilts. They could be birds or twigs in the wind. I prefer to create a more impressionistic view in my landscape art quilts. I leave it up to the viewer to decide whether the small piece is a bird or a leaf blowing in the wind. Reuse, don’t toss.
A textile friend gave me lots sof small pieces of the decorative threads she had left over from making scarves.a closer look at some of the decorative threadsHere are some other yarns I use.Decorative threads and decor details I take apart to use their threads
Small Pieces of Fabric
Small pieces of fabric become abstract art quilts or fabric landscape collages. I have written several blogs on this topic. Here are links to two.
Pieces of batting can be sewn together to be used like a larger piece. Make sure the weight of the batting is the same. Cut straight edges. Sew by zigzagging straight edges together. Make sure to create no gaps. Often there is a narrow long piece of batting let over when quilting a large quilt. These are my coveted pieces for this technique. Quilters,Reuse,Don’t Toss
Two pieces of equal weighted batting can be sewn together.
Reusing items in Mixed Media
During the pandemic I turned my attention to mixed media or assemblage. I searched for small yet unusual items. These items would add interest to an art piece. Everything does not need to be a broken piece. Repurposing items also counts. My daughter brought back a small sewing kit from a trip to Europe. She never used it. I found a new use for them.
Blue EuropeanThreads, 9″ x 6″ 23 cm x 15 cm
I am not sure if buttons would be considered unusual items. Yet, when I stacked them up with contrasting colors the effect was unusual.
Reuse, don’t toss. Sometimes I have to give myself permission to throw something away. But with some thought, it is easy to consider another way to use something.
Great Blue Heron at Dusk The first art quilt I entered in an art show. 2010
Sources of One’s Creativity
An online art quilt group asked, Who was your favorite art teacher in high school? It just so happened that when I read this post, I was in the midst of planning an important high school reunion. The question resonated with me; however, not as expected. I had never taken art in high school.In college,my art courses totaled three quarters.
What are the sources of My Creativity?
I have won several awards for my work. I have participated numerous times in our courty’s juried Open Studios Art Walk. My art has been published several times in Art Quilting Studio. Several pieces were purchased by Kaiser Permanente. The art hangs in their Scotts Valley and Watsonville, California facilities.
So what is the Source of my Creativity?
I am fair at drawing stick figures and certain animals due to my time as an elementary English as a Second Language Teacher. My painting skills are nill. I did have some art training when my school became an arts infused school. When real artists taught my students, I practiced and learned along with them.
My True Passion
But sewing is my true passion. It was my first choice for an elective class for two years in high school. The rest of my life I practiced and honed my sewing skills that contribute to the success of my current art. Today my interest is in adding Color! Texture! Movement to each of my works of art.
Designing Outfits
Back in the day, I remember designing my school outfits with a variety texture in mind without realizing the lasting effects of those efforts. People have commented that I have a good sense of color. I also attribute this to my earlier efforts to dress fashionably. I wrongly assumed that this practice came easily to most.
This is the type of sweater popular when I was in high school.
The source of my so-called talent or skill is definitely traceable to my high school years with Mrs. La Meter, the sewing teacher. She encouraged smooth zippers and flat bound buttons.
I am as surprised as anyone about my success as I never started out to become an artist. Practice is key.
What is the source of your creativity?
Updated Ponderings of 2022
I continue to search and wonder at the sources of my passion for creating fabric art. I have minimal art training. On the other hand, I do have a life long passion for fabric and sewing clothing . Later moving on to traditional quilts and then art quilts.
I met another artist recently and spent the day with her. She shared her passion for drawing and painting. Whenever she has a free moment,she sketches what is around her. Whether she is waiting in line at the bank or a gas station, her sketch book is never far.
Sketching
Inspired by this new friend,while waiting on the phone for a bank representative, I tried to emulate her. I began to sketch the fresh pineapple on the kitchen table. I looked and sketched and looked and sketched. It didn’t turn out half bad. The problem was I wasn’t interested in continuing. Sketching didn’t hold my attention for a long period of time. I am sure if I kept at it I could become competent. There is the important part.
The Answer
It brought home the fact that the activity must engage the person enough that they will stick to it. It doesn’t matter if they are good or not. However, they must want to continue with it over a long period of time in order to master a variety of skills and become extremely proficient. It doesn’t matter what the skill or art form is. No one starts out a master. But they must be interested enough to continue doing it over and over. That is the source of creativity.
Follow these free motion quilting hacks to help you master free motion quilting. I share the techniques and suggestions that have helped me achieve success. What does one need to get started? Can something be saved for a later date?
Overlook 35″ x 26″ 89 cm x 66cm 2018 Uses the fabric layering technique.
What do you Need to get Started?
a sewing machine that lets you lower or cover the feed dogs
a darning foot
Aurifil brand 100% cotton thread (found in better quilting stores)
What can you Put Off for later?
In my experience, these things that can be left for later. It is a personal choice. I saw quilting gloves mentioned as a necessary item to begin free motion quilting. I personally have never used these.They may be helpful for someone. But they don’t seem esseential to begin.
Many quilters like myself are draw to charming stipple quilting. On the one hand, stipple quilting is lovely and adds a lot to your quilt. On the other hand, it draws attention to the quilting. For this reason, it isn’t the best for a beginner. Leave stipple quilting until later when you are more skilled. I use another technique that works better for quilters new to free motion quilting. See hack 3.
Free Motion Quilting Hack -1
A darning foot is also necessary. If your machine didn’t come with one, they are easy to obtain. Buy one for your brand machine.
a darning foot
Free Motion Quilting Hacks-2
The best thread to use is Aurifil brand thread 50 weight 100% cotton. It comes in a lot of colors. However, it is generally only available in better quilting stores. At first, a spool can seem expensive. However, the thread is very thin. There is a lot of thread on each spool. I once pieced and quilted a complete double size bed using only one spool of this thread. This thread is highly recommended for free motion quilting. It truly will make or break your work. In the beginning, choose a thread color that matches the background. The threads blend in. Irregular lengths of stitches won’t show as much.
Aurifil thread 50wt
Free Motion Quilting Hacks-3
My preferred method of free motion quilting is to use the fabric layering technique. In the beginning,I was able to practice with satisfactory skills. As a result, I continued practicing. Therefore, leading to the mastery of the skill. My machine is a 20 year old Lily Husquarna. It is not a special machine,just a regular sewing machine.
To be honest, before I learned this technique, I was ready to give up on learning free motion quilting. I was not having any success. Therefore,I was very frustrated. In short, it is very forgiving as one develops their skill.
I only use Aurifil brand thread for free motion quilting.
How to do the Fabric Layering Technique
Basically the fabric layering technique starts on a table. To begin, lay the backing fabric down. Start with a smaller size like 12″-14″ about 30 cm square. Then put the batting on top. Similarly, cover the batting with a background fabric that enhances your scene.Then create a scene with fabric. A landscape is an easy way to start. Cut out pieces of fabric for your scene ie. trees and rocks. Then lay the pieces on the background fabric. Continue until you have made a pleasant scene. Place a tiny dab of glue from a glue stick to keep pieces in place while quilting. Cover with tulle netting. Free motion quilt.
Free motion quilting allows the quilter to control the movement of the quilt. In order to do this, the quilter must lower the feed dogs on their sewing machine. The feed dogs are on the flat part of the machine. They control the movement of the fabric. Most newer machines have this feature. Mine is twenty years old and it does. If you are unable to lower your feed dogs, cover them. However, I am unfamiliar with this.
Here is my basket of threads. I generally am not fussy about the type of thread I use for most kinds of sewing.
Fast Feet Slow Hands
While free motion quilting you should say to yourself, fast feet slow hands. What does this mean? The throttle makes the machine go fast. Your foot usually controlls the trottle. Push the throttle fast but evenly. At the same time, your hands should be moving slowly. Pull the sides of the quilt taut while quilting. Practice moving them at the same rate at an even pace.
Checking your Stitches
In the beginning, quilt following the outline of the tree or main object in the scene. Check your stitches by looking on the back of the quilt. Loose or lengthy stitches mean the hands are being moved too quickly. Those stitches need to be taken out.As you get better you can create free form grasses or branches or movement with the sewing threads. Read more about this technique. https://annbaldwinmayartquilts.com/2017/07/fabric-layering-technique/
DesertTrees in the Wash, 25″ x 24″ 64 cm x 61 cm 2021 Another example of the fabric layering technique.
In Conclusion
Free motion quilting is another tool to add to your quilting tool box. Yet, there is no easy fix for mastery this technique. Put in the time to practice,you will be rewarded with a higher level of skill. Use the suggestions here to make your path more successful quicker and less frustrating.
View more Art Quilts
View some art quilts I made using the fabric layering technique and free motion quilting.
These Mexican Dance Fabric Art quilts represent the meshing together of two major passions in my life,quilting and Mexican folk dance. Naturally I wanted to express my love of both of them. Can you just hear the Mariachi music now?
My First Mexican Art Quilt
Homage to a Dancer was my first art quilt. Furthermore,the 2 1/2″ inch blocks in the background come from the traditional quilt world. I added the braids and ribbon detail from my actual Jalisco region outfit. The ribbons on the skirt, shawl(rebozo) and garter mimic the actual costumes.
Homage to a Dancer 56″h x 45″ w 2009
Above all,the Jalisco region of Mexico dominates the world’s view of Mexico with mariachi music, Mexican Hat Dance and charros(Mexican cowboys).
Michoacan Regional Dance
However, each of the other 29 states have varied and unique traditions and dances. Michoacan is the Mexican Land of the Lakes. So, I included a net with fish to highlight that part of the culture. Furthermore,Day of the Dead traditions are especially vibrant there.
This Mexican Dance Fabric Art quilt,El Danzante de los Viejitos(The Dance of the Little Old Men) represents a traditional dance from Michoacan, Mexico. Young men with old men masks and canes wobble on to the stage. A competition of lively steps takes place. The dancers knock down other dancers with the canes. At the end, the dancers wobble off stage again.
More Fabric Art from Mexico
Market Day 51″ x 40″ 129 cm x 101 cm 2009
This Mexican Dance Fabric Art,Market Day is a 3 D representation of a typical dance outfit. I brought the plastic shopping bag back from Mexico. I made the braid to use when I performed Mexican folk dancing. Overall, the 2 1/2″ (6cm) blocks of blue fabric background connects me to the traditional quilt world. Many 3D items adorn and add texture. Yet, the piece remains culturally accurate.
View how One Fabric became Three Unique Art Quilts
Little did I know that when I chose a fabric that one fabric would become three unique art quilts. The background fabric spoke to me. I liked the dots of different sizes while the peach color drew me in.
Knots-background fabric
First of all came Knots. It was one of my first pieces incorporating 3D objects with my art quilts. I added tucks and couched(zigzagged)fuzzy decorative threads to the fabric. Quilting black stitches added extra interest.The fiber piece in the middle is a mat like sample from FABMO as well. I folded it in half. Furthermore,I chose native inspired fabrics to roll up inside of the mat. Finally,a piece of favorite decorative thread with indigeous type details was added in several places. In short,Knots remains a favorite of mine. https://www.fabmo.org/
Copper Cliffs-smaller pieces used
SOLD! Copper Cliffs 21″ x 19″ 53cm x 48cm⁸ 2019
Copper Cliffs is an abstract art quilt. Smaller pieces of the original fabric is visible among the other fabrics. One of my go to techniques to create texture is to couch (zigzag) decorative threads on to fabric. Then I cut the fabric into smaller pieces to use. I used several different fabrics to do that in this piece. I also used curved line piecing to sew the pieces together. Scribble quilting adds movement.
Desert Trees in the Wash-Tree fabric stands out
DesertTrees in the Wash, 25″ x 24″ 63cm x 61cm 2021
Desert Trees in the Wash is a more recent piece. Oddly enoughafter all of these years, the fabric still called to me. Almost all of these fabrics and details are redirected designer samples that I acquired at FABMO. The fabric layering technique starts with the back fabric being place on a table. Then I lay the batting or center fabric on top. Next, I create the desert scene on top. A thin layer of tulle netting covers the entire piece to hold everything in its place. Free motion quilting makes sure that nothing moves.
A piece of fabric that inspired
In Conclusion
These three art quilts use the same fabric in different ways. On the one hand they are each unique. Each one was created without an inkling of the others.Yet, they also represent common aspects of my portfolios. It is only when I look back that I see this. I still like this fabric. I am happy with the outcome of each piece.
Art quilts are a newer art form. Creating art with fabric is not like creating art with paint. We create our own canvas of sorts with our backing. We finish the edges with stitches.We do not need an additional frame to complete our work. Some quilt artists add a fabric frame but that is different.
Art quilters need to embrace the uniqueness of their art form. Art quilts come in many fabrics,colors and sizes. There are no predetermined sizes like with a canvas. Sometimes quilt artists choose a smaller size to try out a new technique or for a gift.
More importantly, in order to gain acceptance, some quilt artists frame their art. That way it is immediately recognizable as a piece of art similar to a painting. Furthermore, who doesn’t want their work readily accepted by the public. I get that.
Yet, quilt edges are always finished. It is part of the process. Quilt edges are generally finished by several methods. Sew a facing on the front and turn it to the back for hand stitching. Zigzag twice on the edges. Some art quilters prefer attaching a binding like a more traditional quilt.
All artists want their work accepted as art. However, educating the public about art quilts is necessary. Why add a heavy frame? It is redundant and unnecessary. Why do it?
Framing Art Quilts is Different.
Fabric is a unique material to use to create art. It moves and stretches a bit. When I started creating art q;uilts, I thought that they were to lie flat against the wall. Then I visited the San Jose Museum of Quilts and Textiles.https://www.sjquiltmuseum.org/ The incredible quilts on display did not lie flat against the wall. Naturally, I gave up that idea. Art quilters need to embrace the uniqueness of their special materials.
Beach Tree, 34″ x 29″ 86cm x 73cm
11 Reasons Why I Don’t Frame my Art Quilts
The edges are finished. There is usually a facing, binding or the edges are zigzagged twice. Nothing more is needed.
Fabric encourages a different type of artistic expression. Leaves can flow off of the sides. A frame would cover up that expression.
I send my art quilts by rolling them up. They take up less space.
I store my art quilts by rolling them up with the front to the outside to prevent wrinkles. It is amazing how little space they take,
Be forward thinking. Ditching the frame immediately shows movement away from a tradition.
A frame is more heavy and cumbersome. What artistic value does it add to the art quilt? Trying to match styles can be difficult.
In Earthquake Country or Tornado Country, a heavy frame over a bed is not advisable.
I can carry all of my quilts for a solo show under one or two arms. I roll them up together. They are not heavy.
Frames adds extra unnecessary weight whether they are wooden, metal or another material.
When storing an art piece,a frame takes up more space.
A frame is expensive.
I store my quilts rolled up in a closet. A temporary tag pinned to the top allows for fast identification of each individual quilt.
Exceptions to Not Framing
I realize that there may be exceptions. It is possible to frame an art quilt. On the other hand,in some permanent public settings, framing may be preferred. Museums or other public and private organizations may want a consistent look in their presentation of the artwork. Permanent collections do not move often. The situations are different.
In Conclusion
Why add a frame if it is not necessary? Frames are expensive, heavy, and take up more space. On the contrary, they can not be rolled up for easy storage,shipping or carrying. More importantly, some painters are now painting the sides of their canvases so frames will not be necessary for them.
Smilin', the all silk art quilt was made after one of the times that we thought the Pandemic was over.
Frequently Asked Questions about Materials
Where do you get your materials from?
Above all,I usually get my materials from FABMO, a nonprofit that gathers materials weekly from the San Francisco Design Center. fabmo.org Then they make the materials available to the public to keep them out of the landfill. Furthermore,these materials are new, high end , high quality fabrics. For example,linen, silk and other unique fabrics are readily available. Most importantly,these fabrics cannot be found in regular fabric stores. It is a win-win situation.
More recently, people have been giving me fabric.Thy know that I will put good use to it. Sometimes it is just a few yards and sometimes it can be more.When a loved one who sewed passes, they may leave behind a lot of fabric. This year I was gifted a lot of fabric in this category. I keep the pieces I think I might use and pass on the rest to others who may use it.
Frequently Asked Questions about Inspiration
What motivates you? Using fabrics and materials sustainably motivates me. I rarely throw anything out.
Where do you get your inspiration/ideas from? My inspiration comes from how the materials play with one another. I usually decide ahead of time which portfolio I will make next. It could be abstract, nature, or Mexican inspired.
Frequently Asked Questions about Time
How long have you been sewing or quilting? In high school,I took two years of sewing. Then I continued sewing. In the 1970s,I took my first quilting class at a neighborhood fabric store. I stopped counting my bed quilts at 300. Then around 2008, I began making art quilts.
Doesn’t it take a long time to make a quilt ?
Yes, it does. But I used to think about writing a book. A quilt doesn’t take as long as that.
Sewing Questions
What kind of a machine do you use? Above all,my machine is a computerized Lily Husquavara.
Do you sew by hand? For instance,I hand sew my sleeves or fabric tubes. Furthermore,art quilts with facings are handsewn to the back. Moreover, most of my quilts are done by machine. On the other hand,I do sew small details or found objects on my art quilts. by hand. However, the majority of my work is machine pieced and machine quilted.
Do you sew clothes? In short,I rarely sew my own clothes anymore. In the same vein,I do not sew clothes for others.
Other Questions
Do you do memory quilts? I do make memory quilts. People give me or send me the clothes from their loved one. We work together to decide on a style that will work for the client. I have made wall art and traditional and non traditonal lap quilts from the clothes. As the work progresses, I send photos to keep the client informed of progress.
Do you teach classes? All in all,no, I don’t teach classes. However,post COVID I have starting a mentoring project. A more personal 1 on 1 situation based on what skills the student would like to learn or what direction they would like their sewing,quilting or art career to go.
Have you been to Paducah, Kentucky, home of the National Quilt Museum? No.
The Northern California and Southern Nevada Regional SAQA(Studio Art Quilt Associates) group put out a call for entry for a new show, Prism Play. The organizers send the partipants a color card similar to a paint chip card. It had a limited color range on it.The artists must only use the colors on the card. No black or whiteallowed. The size of the finished quilt must be 45″ x 15″ 114 cm x 38cm. Those are the only restrictions. Imagination and creativity released. Follow how the Colors of the Prism Piece developed.
Paint chip cards of orange, pink and magenta color lines
Colors of the Prism Piece
Participants requested a particular color wave or they could choose to to get a surprise. Three color waves were actually sent so that the artist could make a final choice of colors to use. Artists could make up to three pieces. I choose the purple card on the right for the colors of the prism piece.
Designing Details for Colors of the Prism Piece
Tucks on purple fabric
I start by designing fabric details that I want to include. Here is a purple piece of fabric with tucks to add movement and texture.
Yarn and piping add texture.
This light purple fabric has three lines of yarn couched(zigzagged) on it.
I like to create 3D details with the short pieces of redirected yarn.
A dark piece of fabric has various lighter colors of yarn couched on it.
The short pieces of redirected yarn came like this.
These small pieces for the colors of the prism piece are examples of the redirected yarns and materials I used from Fabmo. https://www.fabmo.org/
two layers of purple
More examples of fabrics used. I create strips of details then I cut them into smaller pieces.
Creating the Colors of the Prism Piece
Abstract art quilts begin on my flannel design wall. I marked the approximate edges with pins to help me keep track of the 15″ width (38cm) restriction. I always begin with larger fabric pieces than I want the final piece to be. One never knows how much fabric will taken up in the creative process of sewing the pieces together.
Trying out several pieces on my design wall
I place the colors of the prism pieces on the design wall always balancing colors, hues, eye grabbing details and spots for eyes to rest.
I continue to move pieces around on the design wall.Not quite finished but getting there.The top is finished and squared up.
In Conclusion
In completing this Colors of the Prism piece, I created texture and movement with the artist made details. This piece includes the use of redirected materials in the style of my abstract art quilts. However, I found the restricted size of the final piece, 45″ x 15″ 114cm x 38cm to be a challenge. It added an extra bit of pressure I had to be constantly aware of.
Seeing critically is looking to see what one likes or doesn’t like about something. How would one make it better or more attractive? Don’t we all do this while getting dressed? However, it could also pertain to a piece of art, an room arrangement or a garden as well as others.
What would you add?
An Exercise to Practice Seeing Critically
Lately, I have found my art process spilling over into other aspects of my life. Basically my process is to do something and then try and make it better. What can I do to make the art more interesting? How can I kick it up a notch? I find myself looking at others work and doing the same thing. What parts do I like and which parts would I change? I am not being critical as in criticize but as in finding the merits and the faults of something.
I see this as seeing and thinking critically about the work. The thoughts are only for myself. I wouldn’t dare say anything to the artist. That is not my intent. It is merely a practicing looking with a critical eye.
The Learning Curve of Art
I am reminded of an exercise that a photography teacher had us do. We were to go about our lives without our cameras and look for photos to take only with our eyes. The students practiced forming low risk pictures. We would notice the world around us. Frame a shot, pretend to take a photo and continue on our way. It was a way of focussing. It was also in the days of dark rooms and fairly expensive film. However, the exercise is still a valid one to focus one’s eye to the beauty around us.
Maybe this is a common art teacher technique. Never having much art training , I don’t know. My one year of drawing and painting was back in the days of Do Your Thing. If you know what your own thing is then that is great. But I had no idea of what my thing was.
I took the photography class because I had noticed that people with a good camera could get into events more easily. People thought that you were with the press.
Trying new ventures is a good idea. However to attain a particular skill level, one must practice. Somehow that never occurred with me.We are all in different places along the learning curve of art.
How would you use this pieces?
Artful Gardens
Many people take pride in their artful gardens, large or small. As I walk by a neighborhood garden, I find myself observing critically. How are the plants arranged. Are the shapes, colors, sizes of the plantings in harmony? Are they placed in a balanced way? Or are they clumped together with no interest? Between the drought, gophers and deer,we are sometimes lucky to have anything growing this late summer.Critisizing in not my intent. However, looking for artful placement of colorful plants is.
Art on Social Media -Seeing Critically
These days many people are posting their art on social media. Each person is on their personal pathway to becoming or improving as an artist. I would never make a critical comment about that person’s art. But it is an opportunity to practice seeing critically. What parts I think work and how I might change it if it were my piece?
In conclusion, becoming an artist takes practice. Part of that progress is to see critically many different art forms or even parts of life.Try it! It is free and easy. However, it is best to keep your opinions to yourself!
Yellow and Green Memory Quilt, 56" x 51" lap quilt
Something about Memory Quilts
Black and Red Memory Quilt, 56″ x 51″ 142cm x 129cm
At one time, I mentioned to someone that I had a commission to make a memory quilt. That person asked me,”Wasn’t it weird to make a quilt out of a dead person’s clothing? Didn’t that creep you out? Cutting up a dead person’s clothes?” I had never thought of that. Why would that be creepy? However, I continued to think about the comment. The question focussed on the dead part while I focussed on the fabric part.
back of Black and White Memory Quilt, 51″ x 56″ 129 cm x 142cm
Focussing on the Fabric Part
Sewing involves cutting up fabric and piecing it together to make clothes or other items. Something that I had done since I was a teenager. When learning to sew clothes, mistakes are common. The seam ripper is a sewist’s or quilter’s best friend. Just like stopping is part of driving. Ripping out mistakes is part of sewing.
Repairing Clothes
In addition,sewing often involves repairing clothing. Obviously, repairing clothing means that the item has already been used. It is not such a huge step to cut up worn clothing to create something new. The creation is the important part not the living status of the person. Sewists see things differently. All kinds of divergent views add to the conversation.
Yellow and Green Memory Quilt, 56″ x 51″ 142 cm x 129cm lap quilt
Incredible fabric details
Notice details of pockets and inset of blue with seersucker from the inside of the jacket
Often the memory quilts that I have made are from men’s clothing. Don’t even consider the fast clothing market. Some of the men’s jackets are works of art. One jacket(see photo above) made in East Asia came with piping and beautiful sewing details on the inside of the jacket. Monograms are common. The fabric for the shirts is of the highest quality. Think high thread count!! These materials also stand up well to the rigors of washing. They are incredible fabric that one would not find in a regular fabric store. Don’t miss such an opportunity to repurpose such great materials.
Why Memory Quilts?
So why make memory quilts? Repurposing fabric or items is foremost for me. Could the clothing be donated? Yes. Will the donated clothing all be put to good use? I don’t know for sure. Sometimes it isn’t. If the clothing doesn’t sell, it is shredded for insulation or something else.
back of Green and Yellow Memory Quilt,56″ x 51″ 142cm x 129 cm lap quilt
The Joy of Memories
What could be more special that cuddly up in a quilt that contains small pieces of fond memories that one has for a loved one? “Oh, I remember that shirt. My dad wore that almost everyday!” “Junior loved those shorts! He wouldn’t ever take them off.” What could be better than a useful, memorable yet beautiful piece?
Making a Memory Quilt
The memory quilts highlighted here are from a recent commission. I completed two reversible lap quilts from a man’s clothing that the widow gave me.
Several shirts to choose frommore shirtsSilk ties
This client brought me a large plastic bin filled with shirts and pants along with a few silk ties. She wanted two quilts to be made. She also requested that certain fabrics be included in both quilts. I took notes on that so that I would remember. As a repeat customer she was familiar with my abstract style. The client looked forward to see what I would create.
Step 1 Choosing the Colors that Go together.
A Work in Progress
After making sure that the clothing is clean and smells fresh, the first step is to decide which colors go together. As stunning as red can be, red does not play well with other colors. I chose to pair the red with the black and white. The husband’s taste made choosing the colors of the second quilt fairly easy, yellow, cream and light green. The tropical shirts added just the right flair and action.
Step 2 Interesting Details
artist made details
Many pieces of clothing have interesting details that I like to incorporate or highlight. Boring buttons pop with the addition of bright threads. Labels and tags add interest too. Pockets are a wonderful surprise as well. Sometimes I use the the labels or tags as is or I may have to cut them and add them to another piece of fabric. It is important to have the 3 D details all on the top of the quilt and not on the backside. When it comes to quilting the three layers together, it will be easier to quilt avoiding hitting buttons.
button details, waistband, and silk ties
Using Fusible Web
Once cut apart, most of the clothing is ready to use. Silk ties and thin fabrics need to have fusible web ironed on to the back of the fabric. This prevents the fabric from stretching and aides in ease of sewing. This step is essential for the beauty of the piece and the ability to easily sew the fabrics together. It is not difficult or expensive except for the time involved.
a pocket and a labelButton details and label
Step 3 Designing on a Design Wall
These memory quilts are similar to my abstract art quilts.except that I use larger pieces of fabric. I place the details and unique items on the design wall first making sure that they are more or less where I want them. Then I add other fabrics rather randomly. I move the pieces around so that the colors and details are balanced. I sew pieces together and keep checking that the colors and patterns are not all in the same area.
Keeping items balanced.Balancing out colors and patterns
Step 4 Complete the quilt.
When I am happy with the way that the top looks,I sew all of the pieces together. Then the top is finished. I baste the quilt sandwich; top, batting and back together. Then quilt the three layers together. I keep my quilting simple to let the fabrics shine. That is the part that is most important to the client. Similarly,after I spend time designing simple quilting also keeps the price down.
In conclusion
After sewing clothes, quilts and art quilts for decades,I continue to be impressed with the quality and durability of fabric and cloth. The fast clothing market aside, there is no reason to not recycle clothing into some other form. Memory lap quilts are a perfect fit for this redirection. Whether art quilts or memory quilts, redirecting fabrics and materials is my main focus.
What is quilting? Quilting can be several things. A basic definition is the sewing together of two or three layers of fabric either for a practical purpose or a solely artistic purpose. What if a person cuts up fabric and sews it back together to make the top of a bed covering? Yes is the answer.
Who is a Quilter?
Are you a quilter if you only sew or piece the top together and then have another person do the quilting? Yes. When I started, I only did that part. I worried that I could not call myself a quilter when I really only pieced the top together. Another person quilted the three layers, the top, the batting and the back, together. It turns out that I was wrong. Even back then,I was a quilter.
Acceptance of Many
The quilting world and the art quilt world both accept people as quilters whether or not they actually sew the three layers together. Some have the luxury of sending their tops to a person with a long arm machine or another person to complete that part of the process. Let’s just make sure that they are given credit for their contribution.Words are funny that way, confusing at times and not even close to the reality. No wonder there is so much misunderstanding in the world.
Poppin’ Back, 23″ x 22″
How to Complete
I recently completed two abstract art pieces. Poppin’Back used bright yellows, purples,magentas contrasting with white pieces of fabric. The fabrics were cotton. When it was time to sew the three layers together, I didn’t stop to think. I forged ahead, quilting the usual way I often do, moving the quilt from side to side to create wavy lines . This creates another level of movement that I adds to the art piece.
Smilin’ 33″ x 24″
The Second Piece
The second piece,Smilin’ was completely made from dipioni silk in bright contrasting colors with curved line piecing.I loved the bright colors and shapes. What would quilting lines add to the stunning colors? I decided that they wouldn’t add much.
Yet, the 3 layers layers of fabric needed to be attached. Stitching in the Ditch which means quilting in the seams solved the issue for me. Many art quilters would expertly sew 1/4″ lines to fill spaces. Giving myself permission to do something differently,I listened to what I felt the piece needed. I am happy with the final product.
Conclusion
Consider what is quilting brings to an art piece? Does it add an important element like movement or color to the piece? Is it necessary? Each art piece is unique. It deserves its own consideration on how to quilt it. These are decisions that only the artist can make. It is one of the artistic decisions that the artists must make. My plan is to pay attention and listen to the art more in the future.
See more art quilts at the Studio Art Quilt Associates’ website. https://www.saqa.com/
First of all, Stitching California, SAQA( Studio Art Quilt Associates) NorCal/Nevade Regional Show is in Pleasanton,Northern California. Currently at Museum on Main http://www.museumonmain.org/ until August 14, 2021. Likewise,my piece is in the main room. Further,each Saturday of the show, an artist participant will be there to greet you and answer any questions that you may have. However,the city closes down Main St on Saturdays for an incredible open market. Lot of food and fun. But GPS maps are not aware of the street closure.
In short,Stitching California was curated by Holly Brackmann and Jennifer Landau of Studio Art Quilt Associates, a nonprofit organization whose members challenge the boundaries of art and change perceptions about contemporary fiber art. Furthermore,the show started at the Grace Hudson Museum in Ukiah, CA in 2019.Above all, it will travel through Exhibit Envoy in partnership with Studio Art Quilt Associates (SAQA)around the state until 2023.
Location and dates for the final year of Stitching California.
Jurors Katie Pasquini Masopust and Karen Holmes talked about the process of selecting the pieces for the show. Moreover,they focussed on a wide variety of art styles and professions that make up the diverse state of California.
In Short, SHOW HIGHLIGHTS
Most importantly,checking out the art work
Then, CALIFORNIA SOJOURN – JERRIE COGDON
SEE MORE ART!
Blue Collider Event Display Ann Baldwin May
Furthermore,Blue Collider Event Display represents the work of scientists at the many major universities all around the state from CalTech,Standford and the UC campuses.
Subsequently,Pink Coneflowers – Jan Soules
Then and Now: Connectong Waterways – Donna Brennan
California Topo – Lin Schiffer
Above all,Oak Leaves and Acorn – Aileyn Renli Ecob, art quilter
California Cuisine – Laura Fogg
For instance, a doublelayered quilt, the diligent workers behind the Farm to Table Movement.
Certainly,Jenn Hammond Landau, curator engages the public.
In addition, conversations ensued.
Then Museum Director David Burton spoke.
Furthermore,Susan Kelly – Second Wind – Fort Point
Furthermore, Fault Line – Pixeladies Deb Cashett and Kris Sazaki.
In short,here is the schedule of the venues that the show will be at through 2023.
Lingering Fog, an abstract art quilt, 34″ x 34″ 86 x 86 cm
How to improve your next Abstract Art quilt.
Improve your next art quilt by adding color. First of all,I enjoy abstract art. Moreover,I am drawn to bright colors and textured lines. While representative art is truly eyecatching. Nonetheless, I choose not to make art of something that someone can take a photograph of. In contrast,my abstract art quilts highlight my mantra, Color! Texture! Movement! Similarly,the high end fabric samples from decorators inspire me to use them in my abstract art pieces.
Color
For example,here are some bold pieces using mainly commerical cottons in this abstract art quilt.
Atlas in Rose, 32″ x 32″Sunset Through The Forest,34″ x 32″ 86 cm x 81cm
Meanwhile,Sunset Through the Forest has artist made details. Finally, decorative yarns to add 3D effects and texture in this abstract art quilt.
Improve your next art quilt with Texture
Furthermore,almost all of the fabrics in Desert Sands are new discontinued samples in this abstract art quilt.. To clarify,texture comes from the contrast between the silky and thicker fabrics. In addition,tucks add texture to certain fabric too.
Desert Sands,21″ x 16″Tranquility,30″ x 24″
Most importantly, the monochronamic blend of fabrics, Tranquility has a calming effect. Fnally, special stitches add interest.
Improve your next art quilt with Movement.
Copper Cliffs, an art quilt, 21″ x 19″
In addition, the commercial fabric with the brown markings shouts movement. Furthermore,curved line piecing and scribble quilting adds another layer. For example, I started with this fabric. Then,I chose fabrics with similar colors.
First,I built the fabrics around this redirected piece of fabric.Spring Break, 32″ x32″
Finally, it is difficult to see the top fabric in the final project,Spring Break. But it is there.
Another Example of Fabric with Movement
Here is another example of movement created by black and grey dogs on the fabric. At first, the curved lines attracted my attention. The artist in me didn’t even see the dogs. Then I couched threads on the material and cut it up. Finally,the tree branches show movement but none of the original dogs.
Step 2 black grey and white fabric with green and black yarn couched yarnSkyward, an art quilt made from redirected fabric with black and grey dogs on it.
In Conclusion
In conclusion, a unique variety of discontinued fabric samples inspire me to create my abstract art quilts. Finally, I aim to include color, texture and movement in each of my abstract fabric art pieces. Thank you for letting me share some of them with you.
Read more information that may be of interest to you.
Racism: In the Face of Hate We Resist,the show of art quilts at the Textile Center of Minneapolis was originally planned to take place during the one year anniversary of the murder of George Floyd. Dr. Carolyn Mazloomi,the curator along with the Textile Center planned a full week of activities. Artists were encouraged to attend. Safety conditions were in place.Racism:In the Face of Hate We Resist was only one of seven shows curated this year by Dr. Carolyn Mazloomi. However, the unforeseen timing of events necessitated changes.
Let Us Breathe,37″ x 35″ 2020
Minneapolis in the News
Racism:In the Face of Hate We Resist
Various news stories from Minneapolis graced the front pages these last few weeks of April, 2021; accountability for the murder of George Floyd and the passing of a great American leader and favorite son, Walter Mondale. At the very last minute the Center scaled back the events. The curator agreed due to the tense atmosphere.We are all grateful that events proved peaceful in Minneapolis.
Moving the Show Forward-
The Smithsonian Museum plans on exhibiting selected pieces from the Racism:In the Face of Hate We Resist show. The show could not include the large number of art quilts. Purchase of several art quilts by the Smithsonian is also in the works!!!!!
On with the virtual show,
Racism:In the Face of Hate We Resist
From the Virtual Exhibition of Racism:In the Face of Hate We Resist at the Textile Center, Minneapolis, MN from their website
An international juried exhibition featuring 63 quilts, Racism: In the Face of Hate We Resistshares stories of resistance and fortitude that have been integral to the survival of Black people in America.
This exhibition is part of Textile Center and Women of Color Quilters Network’s We Are the Story initiative. The exhibition took place in 2021.
Lime sea dragon art on a throw pillow 14″ x 14″ 35cm x 35 cm
Marine Life in Art Quilts
Above all,marine life is front and center in my home town of Santa Cruz,California. For example,this is where three young princes of Hawaii first surfed in North America on July 19, 1885 on large redwood boards. In addition,Santa Cruz is at the top of the Monterey Bay with the world class aquarium just an hour away. The area is also home several national marine research facilities. Surf City, U.S.A takes its marine life seriously.
Art Ranks High too.
However,Santa Cruz is also listed as fifth in the nation as an artistic destination. That is to say that many artists live in the county. That is to say that marine life and art come together in this newer genre of art quilts. Come be inspired to try it yourself!
A Visit to the Monterey Bay Aquarium
In the beginning when I first started making marine life art quilts, I visited the Monterey Bay Aquarium. In other words, I wanted to observe the fish. What do their mouths look like? What shapes are their tails? My intention was to create a accurate picture of the sealife. However, that idea went out the window very quickly. In conclusion,there is no one way that a fish’s mouth looks. The variety of shapes and forms is endless. My underwater fantasy portfolio was born. In addition, I was free to create an animal in any way I wanted because there was probably a fish that looked that way somewhere.
Deep Blue Sea,37″ h x 24″ w 94cm x 61cm
Sea Dragons at the Aquarium
Similarly, I saw my first sea dragon at the Monterey Bay Aquarium. I couldn’t believe my eyes. Was that a plant? Was that an animal? It was impossible to tell. I was fascinated. Ever since that day, I have been incorporating sea dragons into my art.
Technically,sea dragons are cousins to the sea horse. What? It is hard to believe. Sadly for us humans, the sea dragon display is not longer at the aquarium. Happily for the sea dragons, they have been returned to their natural habitat in the waters of the Monterey Bay Marine Sanctuary. However, they may be on display at another aquarium.
Swimming With Sea Dragons, an art quilt, 26″ h x 22″w
I explored creating marine plants and animals using the fabric layering technique. In the same way, I added texture and movement to each piece! Color,texture and movement lead the way! Lots of thick decorative threads add texture and life to the underwater rocks. In addition, in Sea Dragons in the Golden Kelp, I created the animals by thread painting on Sulky water soluable fabric stabilizer.This thread painting technique creates lacy and leafy animals. Use one’s imagination to see animals among the plants.
Seadragons in the Golden Kelp 32″ x 22″ 81cm x 56cmLife Among the Seaweed, 26″ h x 22 ” w 66cm x 56cmViolet Seascape,33″ h x 26″ w 84 cm x 66 cm
Furthermore, underwater fantasies lend themselves to the use of sheer fabrics. Who knows what shadowy beings are lurking in the depths? Shiny, reflective fabrics cut into the shapes of fish and marine life add a dimension that often only becomes visible is a certain light. What a surprise! What fun!
Large Spotted Fish, 17 ” x 17″ 43cm x 43 cm
In Conclusion
In conclusion, underwater seascapes lend themselves to different colors, textures, and techniques. Create a fun marine world!
In addition you may read more here about the actual fabric layering technique I use. Follow the step by step procedure to make your own underwater seascape.
Birds fill our world with color, sound and movement. One of my favorite places to be is outside, the natural habital for birds.True confessions time-Drawing is not one of my best skills. However,I can copy an outline of a bird. So that is how I often incorporate birds into my art quilts. At this point in my life, I am working with my strengths.
Big Brown Owl,14 ” x 15″ 36cm x 38cm
Shelter in Place Art
Westlake Coot, Big Brown Owl and Westside Egret were created during the first Shelter in Place. I only had limited materials with me,a large bag with small squares. Created the background first, before I considered what would do on the top. Fabric is my first motivation. How will the fabrics play together? Many times the subject matter, comes later. What subject would work with this background? Birds against a sky was my first thought. Size and scale required a smaller scene. Why do a whole body of an egret when a neck supplies the viewer with enough information?
Westlake Coot, 14″ x 15″, 36cm x 38cm $120.Westside Egret, 15″ x 16″ 38cm x 40cmNight Migration,20″ x 24″ 51cm x 61cm
Never miss an opportunity to add texture.
A bird’s habitat is full of texture, trees, grasses and underbrush. Threads and found materials lend themselves well to creating an impressionistic view of an avian’s favorite place to be.
Snowy Egret,34″ x 24″ 86 cm x 61cm
Break Your Own Rules
Pelican in the Mist and Nesting Pelican break my rule for just doing bird outlines. Looking at the light and dark stripes of redirected piece of fabric reminded me of feathers. I cut the fabric and used the same fabric to make the wings,legs and the body of a pelican. An artist never knows where inspiration will come from. Take a chance.Sometimes things just work.
Pelican in the Mist,25″ x 23″ 64cm x 66cm
Water Fowl and Coastal Birds
Inspiration often comes from one’s locale. I live on the Central Coast of California. The second largest wetlands in the state, Elkhorn Slough is not far away. Westlake Park with a spring fed pond is adjacent to the local elementary school.
Staying close to home is what we all did this year. Be inspired by where you are.
Viewing art made with mostly black and white colors is engaging. Furthermore, the contrast with just one other color attracts the viewer’s eye. While this is true of all art genres, I make art quilts. This post is about the quilts that use mostly black and white with possibly one or two other colors.
Classic Decor
Black and white decor is a classic look that is currently enjoying a rebirth in popularity. Black and white floors are common in Europe. One art fan compared my art quilts to tapestries. One time someone asked me to line the walls with my largest quilts to improve the acoustics at a film festival. The small dash of color is easily accommodated. Limiting the colors to just black and white and one more, insures flexibility that the piece will fit easily into many different places.
Adding Texture in Decor
Adding a cozy traditional quilt has been a a long time go-to idea for adding texture. Building on that,consider adding texture in the form of wall art to your decor. Wall art quilts are a new and modern way to accomplish that. It may seem subtle but a piece of fabric wall art is not as flat as a poster or a painting. An art quilt brings an added dimension to a room.
Easy Care Art
Art quilts are easy to hang. They generally weigh about a pound. MIne come with a handsewn fabric sleeve(tube) sewn on the back of the piece, a dowel and fishing line. Simply hang the invisible fishing line on a push pin or a nail. The edges of my art quilts are completely finished with a facing hand sewn to the back.
There is no reason to add a heavy frame. A frame just adds cost to shipping and unnecessary weight to the piece. Hanging a quilt rather than a heavy painting over a bed is an added advantage in earthquake country.
Fabric is a material that we are all familiar with. It is long lasting and adds warmth to a room. Keeping a piece out of the direct sunlight is necessary to prevent fading. Other than that, textiles are an easy care product.
Larger Wall Art
Gridlock I, 33″ x 31″Gridlock II,42″ x 36″ Juried into MAYHEM show at the ARC Gallery in San Francisco, 2013
Smaller Wall Art
Petite Madness,12″ x 9″ ,$125.Art quilt,Petite Limeade,10 ” x 10″ SOLDPetite Carbon Footprint,12″ x 9″,$125.
In conclusion,black and white art is classic.Adding a pop of color makes it fresh and modern.
Foggy Skyline,inspired by the colors of the sky after a rain storm.
The Making of an Abstract Quilt
In this article you will learn about the steps to create an abstract art quilt.
Introduction
Making abstract art quilts touch my soul. The use and cost of redirected upscale fabrics motivate me. I know that am doing something good for the planet. Choosing colors and textures to piece together my art quilts makes my heart sing. Scribble Quilting adds movement to the piece.
The genre of art quilting is a newer art form. I share my process with you by explaining how I create an abstract piece of art. There are many other ways that artists make art quilts. Fusing fabrics, painting on fabrics, dyeing fabrics to use are just a few techniques. The website of international art quilters organization, SAQA(Studio Art Quilt Associates) is full of resources for those who are interested in learning more. Saqa.com Many times I look at quilts and ask myself how did they do that? I consider myself an advanced quilter. However, variations abound. The sky is the limit.
Topics Covered:
Use of a Design Wall
Where to Find Inspiration
Choosing Materials
Creating Details
Thinking ahead towards Quilting
Beginning Piecing
Sewing the Top Together
Quilting the Top
Use of a Design Wall
A design wall is essential for this type of art project. One wall in my studio is covered with a large white piece of flannel fabric. The pieces of fabric adhere to the flannel. I begin by randomly placing pieces of fabric on my design wall. Then I move them around to see where I want them to be. Sometimes I haven’t settled on where I want them to be until I start sewing the pieces together. Once sewing begins, pinning the pieces to the flannel may be necessary to help them adhere to the flannel as the weight of the piece increases. There are other possible types of design wall that my better suit your needs. Maybe you need a portable setup or other type of special need. I prefer to keep things on the simple side. A large flannel piece of fabric works for me.
Where to find Inspiration
Inspiration for colors or designs can come from anywhere. Many artists keep a notebook to write down or sketch interesting things that they see in their daily life or travels. Inspiration often come from nature. Colors of the desert, a bird or the color of the sky at sunset or after a storm can inspire me. Actually, inspiration can come from anywhere and anything, a building a floor, a pet. It is the spark that catches the artist’s attention. The finished art project does not necessarily match something at all. Guessing an artist’s inspiration is not easy especially for an abstract piece. The point is to be inspired to create.
Splendid Fairy Wren
A friend who loves birds posted a photo of an Australian fairy wren. The blues and purples were incredible. I ended up making two abstract art quilts using those colors.
Splendid Fairy Wren, abstract art quilt,30″h x 35″wAmerican Democracy,2019, a black and blue abstract art quilt,28″h x 27″w
Inspiration can come in the strangest of places. Once scraps of fabric I had randomly tossed in a pile caught my attention. The lime green, white and grey worked well together. I decided that I had to use them for a future project. Here is the subsequent quilt I made using this modern color palette inspired by a random pile of fabrics.
Because art quilts don’t need to be washed, a variety of textures and materials can be used. I started sewing clothes in junior high and high school. I would choose colors that would go well with my skin and hair tones. When I started making bed quilts, the focus was on the design on the fabric that would go with a room décor. One hundred percent cotton is necessary for ease of washing of bed quilts. Art quilts expanded my world. A variety of fabrics and textures opened up. I freed myself from the bonds of what matched a room or looked good on me. Following patterns went out the window. True Liberation !!
Consider the Style
Sometimes I begin with a piece of fabric or material that I would like to use. Often it is one that I have had for a while that I think I should use up. I consider the style of the fabric, is it a thick, rustic material or a shiny,synthetic fabric? What would it bring to the piece? Does it fit the mood that I am creating? Fabrics with colors that might not complement the piece have been eliminated because their style doesn’t match the intented style outcome. These are subtle decisions that the artist makes.
The Gathering of Materials
Generally I gather my materials without any idea of what I will use them for. If I am honest with myself, I think this comes from my being a bit overwhelmed from seeing so much fabric in a fabric store. I have to have an well defined idea of what I want or need before I go into a store. Otherwise, it is difficult for me to make a choice. Matching colors or styles is difficult without actual items in front of me. It feels easier for me to decide if I like something or not in the moment. At a later date, I can see how the material goes with other items that I have. Maybe this is part of being a visual learner.
FABMO and Other Places
I obtain my fabrics mostly from a nonprofit, FABMO.org that obtains fabric and materials from the San Francisco Design Center. I find high end new decorator samples and more. Furthermore, I get fabric from my local guild’s Bargain Garden, flea market. I learned a long time ago that shades of colors go in and out of fashion. Forest green is a family favorite. But if it is out of style it is impossible to buy. A quilter’s stash or collection of fabrics reduces the need to purchase a particular fabric in the middle of a project.
Creating Details
In the past few years, I have begun to add more three dimensional details to my work. Quite a few years ago, at the Pacific International Quilt Festival, I saw a quilt that had a big pile of yarn sewn on the top. In my opinion, it was a mess. I didn’t like the effect. However, it did inspire me to add yarn or decorative threads to my art quilts. My choice is decorative threads that would lie flat. I began to couch(zigzag) decorative threads to create contrasting details for my art quilts. Surprisingly, the decorative threads has since become one of my favorite techniques.
Using my chosen colors, I think about the items that I want to make to add texture or interest. Sometimes a particular found object, like a piece of jewelry guides my decision to incorporate it into the piece. Which techniques do I have in my toolbox? I can couch yarn to create straight lines, parallel lines, curvy lines. I can make tucks to add texture. What materials do I have that would work? What does the detail bring to the piece? Sometimes it is necessary to save a detail for another project for some reason. The style or effect just isn’t what I want for this art quilt that I am working on.
Thinking ahead towards Quilting
My usual method of creating an art quilt is to start without much consideration of the next steps like how I will quilt the piece. However,sometimes it is necessary to consider the whole process and the order that I need to follow to complete the art. When would it be best to add the detail? Can I quilt over it? Or will I need to wait until after quilting is completed to add hand sew it on? With ATLAS in Rose, I wanted to highlight the oval pink and white beaded necklace in the middle of the quilt. Yet, I would have to sew it on after the quilting was completed. Quilting over beads wrecks the beads and could possibly damage needles and my machine.
work on design wall,ATLAS in RoseATLAS in Rose, 32″ x 32″ finished art quilt
Serendipity Happens
The patterns of stripes and circles happened rather serendipitously. Some quilters would say, I wanted to make a stripes and circle quilt. That is not the way I usually work. Yet, as I looked at my black and white fabrics, I saw the oversized circles contrasted well with the stripes and checked fabric. The stripes and circles created the movement I wanted. I mirrored them by couching decorative threads to create my own form of stripes. Hand sewn repurposed white buttons added more circles to the beaded necklace, front and center upon completion.
Back to the Design Wall
The work that happens on the design wall is in many ways is the most important part of the project. My main purpose is to make sure that the colors and fabric pieces are well balanced on the wall. It is not too late to eliminate items that would work better in another piece. Often I begin by placing the most eye catching pieces on the design wall first. They need to be placed in various spots across the piece and not all in one area. Balance is a crucial part. Then I continue with other important standouts. Only then will I continue adding with other pieces of fabric. I make sure there are places to rest one’s eyes. Plain fabric balances out wild details.
Sewing the Top Together
I begin sewing once the main pieces are in place. I make sure that pieces of fabric are larger than I expect the finished piece to be. One can always cut away fabric but it is harder to add fabric. That said, one thing I love about creating abstract art quilts is that there is less matching of seams and more flexibility if you need to add a different fabric than in traditional quilting.
Start Small
In general, I start by sewing smaller pieces together. I will sew together several pieces from one area. Then I will do the same in another part of the quilt. I have learned the hard way that I should not completely sew all of the pieces in one area together. More flexibility for fabric additions is allowed by rotating the spots I sew together. Then I wait until the very end to sew all of the pieces together. In that way if I need to add more fabric to a spot, it is easy. I prefer to not rip out seams if at all necessary. This is another advantage to creating art quilts. If something doesn’t work or I want to change it, I just cut it off instead of spending time ripping out seams.
Foggy Skyline,inspired by the colors of the sky after a rain storm.16″ x 16″
New Eyes
Critically seeing eyes are necessary. I mean critical in the sense of seeing what works well and what doesn’t work well. Only the artist can make that decision. Our eyes can miss what is directly in front of us. Sometimes taking a break or even returning the following day is what we need to see clearly. In other words, so that you will look at a piece with fresh eyes. This is so important. After some time has passed, I often see immediately what needs to be changed to improve the art quilt.
The design wall also allows the artist to step back at look at a piece from a distance. Close up views and distant views differ. Ideally, a piece will work for both distances although probably in different ways.
Other Considerations
When I begin to sew the pieces together, I want as much flexibility to change their places as possible. Therefore, I begin by sewing small pieces together in one area, the upper right hand side. Then I do the same in another spot, say the lower right hand side. This allows me to move pieces or add pieces if I need to. Of course, when sewing pieces together the project becomes smaller. If a finished piece needs to be a particular size, mark the design wall with pins or yarn to help you be aware of the desired size.
Focal point design details should probably not be placed directly on the edge. I learned the hard way that when they may be trimmed off at the end when squaring up the finished quilt. Another thing I try to avoid is having heavier fabrics directly on the edge. I like to finish my quilts with a facing sewn to the front and turned to the back to be hand sewn down. Thicker fabrics made the turning more difficult. Even sheet fabric with a high thread count is hard on the fingers when hand sewing.
green yellow bits on design wall, a work in progressfinished top Sunset Through Forest 34″ x 34″ after quilting
When the top is finished. It is time to make the quilt sandwich. The quilt sandwich is made up of the three layers, the top, the batting and the back fabric. They need to be laid flat and taut and pinned or basted together.
Finishing with Quilting
In general,I don’t think about which technique I will use to quilt a piece until the top is finished. Sometimes I regret this lack of planning. For me, the quilting must add movement. I have to decide how much more visual action this quilt needs. Is there a lot of movement already in the piece? Will quilting add more interest? Maybe a less visible stitch in the ditch technique is what the piece needs. Only the artist can make these personal decisions.
I have settled on three styles of quilting that work for me. Stitch in the Ditch is quilting inside seam lines. Scribble quilting that I named is quilting by moving the quilt line from one side of the piece to the other side. Doing this repeatedly creates wavy lines that may cross over one another. I use the free motion quilting technique to quilt my fabric landscape or seascape collages. Those with access to a computerized long art have lots of other options to choose from.
In Conclusion
The genre of art quilting is a newer art form. I share my process with you as a way of explaining how I create an abstract piece of art. This article advances the understanding of the decisions that need to be made while creating an abstract art quilt. Hopefully, inspiration for the art quilter follows or the collector will gain some perspective on how this artist works.
Suggestions for Newer Art Quilters
If you are looking to advance your art quilt techniques, these are my suggestions.
Take a class in some technique that excites you.
Join a guild or group to learn from.
Visit quilt shows and museums to view art with a critical eye.
Practice, practice, practice your skills.
In Responce
Gentle Readers, since this post, How to Create an Abstract Art Quilt was published it is by far the most read of all of my posts. Just wondering if you found this info helpful or not so much.
Read More.
You may find out more about how I create texture and movement in my abstract art quilts at these links.
Then, CALIFORNIA SOJOURN – JERRIE COGDON
