My art quilts are all about the quilt artist creating abstract, whimsical or impressionistic pieces. Inspiration comes from the natural world as well as from Mexican and Native American influences. My materials of choice are often redirected fabrics from the San Francisco Design Center and found objects. Art quilts free me to play with color and texture. My technique, Scribble Quilting allows me to create movement on many of my pieces.
TWO INSPIRATIONAL ARTISTS
I owe some of my inspiration to two artists from Santa Cruz County, California. Meri Vahl, an award winning art quilter has been recognized nationally for her work. Teacher of the fabric layering technique, she was patient. Understanding that each student brought individual strengths, weaknesses and abilities. Ellen edith;friend, art quilter, fabric designer and artist extraordinaire made whimsical, personal quilts. Her influence lives on well beyond her life. I have great appreciation for these two local leaders of the art quilt world.
SAQA (STUDIO ART QUILT ASSOCIATES)
I am proud to be part of an evergrowing group of art quilters. SAQA started by Yvonne Porcella in Northern California in 1989. It has grown to an international organization. Art quilters have transformed the quilt into a 21st Century art form. I continue to explore new forms and ways of working with unusual materials on this journey.
ABOUT THE ARTIST,BIO
I was born and raised in Palo Alto, California. In high school I studied sewing and clothing construction for two years. I continued to sew much of my wardrobe. In 1974,I took my first quilting class at a neighborhood fabric store. Over the years, I continued to sew clothes and make quilts for my family. I stopped counting bed quilts at 300. After teaching 30 years in Watsonville as a bilingual teacher, I retired to spend more time on creating art quilts.
MY FIRST ART QUILT
Homage to a Dancer,45″ x 56″
In 2008, I made my first art quilt, Homage to a Dancer. It reflects my participation in Los Méxicas,the University of California,Santa Cruz ballet folklórico group.
A STUDIO IN THE ART CENTER
In May of 2016, I opened a studio in the Santa Cruz Art Center, 1001 Center St. Downtown Santa Cruz. I have space to work and display my work. For First Fridays and Open Studios, I fill the lobby with art. In June, 2019 New York Art Center accepted my work into their gallery. 7 Franklin Place, TRIBECA, New York City.
AWARD WINNING ARTIST
Great Blue Heron at Dusk,31″ x 25″
Great Blue Heron at Dusk entered into an art show in 2010. The following year it won a merit award at the Olive Hyde Art Gallery in Fremont,California.
In 2013, Visions of New Mexico won third place in the Neo Membreno Vessels 2013 Show at the Western New Mexico University Museum in Silver City, New Mexico.
I learned stress free piece curved lines from reading a library book. It is that easy to learn. Rarely have I learned any technique from a book. Like many, I prefer to watch someone demonstrate the technique in person. I regularly use this technique to add movement in my abstract art quilts. This technique is not for creating equal curved lines for traditional quilting blocks.
Steps to Practice Curved Line Piecing
Materials needed-100% cotton fabric, rotary cutter, cutting mat, sewing machine, thread, iron and ironing board to press final product
Step 1
Step 1
Choose 2 pieces of cotton fabrics about 4″ x 4″ (10 x10 cm). Printed fabric makes it easy to tell which side is the right side. Solid color fabric ensures success.
Step 2 Notice that the pieces are on top of each other.
Step 2
Place the 2 pieces, right side up, on top of each other. Using a rotary cutter on a cutting mat, cut a simple curved line starting somewhere in the middle of the two pieces. Don’t stress about the shape of the curve or the exact middle. It doesn’t matter.
Step 3
Step 3
Separate the pieces. Take the top right piece and place it next to the bottom left piece. Take the top left piece and fit it next to the bottom right piece. They should fit together like a puzzle pieces.
Step 4
Step 4
To sew, place fabric right sides together. Sew together with a 1/4″( .5)cm seam. The important part-The two pieces need 1/4″ (.5cm)seam when moving through the presser foot. Due to the curve,the length of the fabric pieces won’t line up on all edges. Lift the top piece of fabric to adjust slightly as it moves through the presser foot. Also gently move the bottom piece of fabric if necessary. It sounds more difficult than it is. Press flat. That’s it!!! Repeat with the other 2 pieces of fabric.
Finished and pressed
Step 5
Step 5. Practice,practice, practice. As your skill develops, vary your cutting line to create different curves. I found this technique amazingly forgiving. Incorporate creatively into your art quilt projects.
Taking Curved Line Piecing to the Next Level
Step 6Step 7
After practicing this technique for a while, I decided that I didn’t always want duplicate pieces for my art quilts. I adjusted the technique to use two pieces of fabric instead of four. I placed the edges of the two pieces face up close together, overlapping the fabric(step 6). The overlapping part is the section where I make the curved cutting line. Place the 2 fabric pieces together like a puzzle piece (step 7).
It is hard to tell but the fabric shown here is about 10″ long.front of finished curved line piece using two pieces of fabricback of finished curved line piece using two pieces of fabric
Once you have mastered the basic technique, let the experimenting begin. Lots of room for variation in the shape of the curves. Try different fabrics that are not 100% cotton. It works with them also.
Issues with Curved Line Piecing
Love in the Abstract art quilt, 24″x 26″ 61 x 66 cm. Curved line piecing adds movement. Love in the Abstract added texture with couched threads.
Sometimes quilters can get carried away. If a few curved lines are good then a whole piece of them must be better. At least that is what I thought at one time. This turned out not to be a good idea. The piece would not lie flat. Maybe there were too many small pieces of fabric. The way it looked was also a problem. It was not pleasing to my eye. Lesson learned. Moderation is fine.
Poppin’ Back multicolored art quilt, 23″ x 22″ 58 x 56cm
Entering Shows
When one is ready to enter shows, one may find size restrictions. Sometimes it is easy to complete a piece within those limits. Yet,depending on the technique that one uses, it can be difficult.
I use curved line piecing in my abstract art quilts. This technique uses more fabric than just straight line sewing. If I am making a piece for a juried show with a small size restriction,it can be difficult to get the size just right. It is difficult to plan for a particular size especially if the size is on the small side,like 12″ x 12″. One has to take into account the seam allowances at the same time as planning for the fabric of an interesting shape of a curve. Be forewarned!
In spite of the issues that I brought up,I enjoy using this technique to add movement to my art quilts. I hope that you will also add this technique to your toolbox of skills.
Sea Grass,a new work in progress,uses green,blue and orange, colors that I use often.Nonetheless, this time I decided to do a variation on a theme. Something different but only slightly. I choose a muted tone for these same colors. Because my work is all about Color!Texture! Movement!, decorative threads came on board too.
Getting Started with the New Work in Progress
Choosing fabrics- I start with more fabric than I expect to use.
After I decide on the colors, I find decorative threads that compliment the fabrics. That said,decorative threads may match or contrast with the fabrics.
Decorative threads
Fun threads that might work with the chosen shades of color. In addition,the threads add texture and movement.
Interesting threads in shades of cream to peach to brown add contrast and color.Dark teal fabric with light teal nubby decorative thread
Next, all of the threads are couched(zig zagged) to the fabric. For example, I choose to couch with a matching sewing thread so that the stitches don’t show.
A narrow strip of light green fabric with a 3D dark leafy decorative thread.
This decorative thread is 3D. Above all, it works hard to add contrast, movement and color.
Next I place the fabric with the decorative threads on the design wall.
These next four photos look very similar. However, look closely to the changes. I moved pieces around to balance the colors and details to please the artist’s eye in this new work in progress.
photo 1
In addition,you may notice that I eliminated the brown stripes on the right in the following photo. Similarly,I also removed the dark teal piece in the middle.Removed pieces will be saved for a different project.
photo 2 Sometimes less is more.photo 3This is photo 4
In addition,notice the inclusion of the artist’s signature detail. I sew small pieces of extra fabric together. Then I add them to the piece. As little fabric goes to waste as possible. Plus it adds a little je ne sais quoi to the piece.
photo 4 This photo shows how I sewed together the fabrics in the adjacent area.
By sewing small groups of fabric together first, it allows me flexibility in case I run into a problem. It offers me more chances to add fabric to solve a problem of balancing colors.
Finishing the New Work in Progress
The top is completely sewn together.
I sew curved line piecing to finish the art quilt and add movement to the quilt top. The vertical lines reflect the movement of the details of sea grass.
I finish the edges with a facing turned to the back. Then I hand sew the facing in place. The following photos are close up detail shots of the finished work.
The finished art quilt, Sea Grass. Quilting lines add movement to the quilt top.
Detail Photos
The following photos show details of the completed piece.
Dogs are family members too. Make a memory quilt for your dog. Charlie, a client ‘s pet dog of 16 1/2 years had just passed. The family approached me to create an abstract piece of wall art in his memory. The beloved dog was groomed every two weeks. Each time he returned home with a colorful bandana tied around his neck. The bandanas could be made into a piece of art to keep his memory alive.
A Lot of Color!
There were about 30 different pieces of fabric bandanas. Holidays and special day themes were common with a wide range of colors. In addition,there were not a lot of solid colors for eyes to rest on. In a busy art quilt, I like to include places for eyes to rest on. The first steps was choosing a pleasant color wave. The client requested a lot of color for the memory quilt for her dog.
Choosing the colors-the most challenging part.
Choosing the colors became the most challenging part. Did I mention that the client and I lived on different coasts? Once the client sent me the bandanas then I could begin to suggest some colors. Phone communication, photos and texts were important. I thought that I heard her say that she wanted as many of the fabrics used as possible. So how could I do that?
Retangular pieces of fabric on the design wall from light to dark. Which to choose?
Being Flexible
I started by putting the fabric on my design wall. First, I thought of arranging the fabrics from light to dark. I cut a few pieces of fabric into rectangles. Then, I stopped myself. I shouldn’t spend time cutting out fabric if I wasn’t sure which fabrics would be used. That turned out to be a wise choice. Being flexible is very important.
As it turned out, most of the fabrics did not make it into the final piece. The client realized that the fabrics were too different to fit into a coherent piece. In other words, all of the pieces did not need to be used.
Meanwhile, during this time the clients were downsizing their house. They weren’t sure where the finished piece would be nor its size. As it turned out, the size needed to be 21″ x 19″ (54 cm x 49 cm).
Fun fabric choices, how to choose?
On the other hand,the size of my commissioned works are usually larger. This smaller size limits the number of fabrics. I usually choose 4-5 fabrics. In addition, I remember the rule of 3 to balance out the fabrics on the top of the quilt. Nonetheless, all turned out well.
Red ,blue and white bandanas? More choices.
Would red and blue fabric work ? I put these bright bandanas together. However, once I said that they were red, white and blue it sounded too patriotic.
Would pinks and blue fabric work ?
The Client’s Choice
What finally caught the client’s eye was the bright fabric with many frogs on it!The bright warm colors of the active frogs fit the bill. Those colors guided me to a memory quilt for a dog.
From there I choose the bandanas that matched the frog fabric. Then I cut rectangles of various sizes, about 2″ x 3″ – 4″( 5cm x 8cm-10cm) and placed them on the design wall. I made sure that the fabrics were balanced. No one fabric was overpowering a side or quadrant. I sewed the pieces together to complete the top.
The fabrics were the stars of the piece so I wanted to minimize the quilting.I lightly quilted stitch in the ditch in the seams. Many clients are drawn to the fabrics of the patchwork. They are not concerned with fancy quilting for a memory quilt for a dog.
Plan Ahead
Ties and bows add texture to the finished piece.
Even though the ties need to go on at the end, one must plan ahead to include them in the beginning. Only the black and white one, made it one to the finished product. That is fine.
Completed dog memory quilt, 22″ x 19″ 56 cm x 48 cm
Here is what the client said about the finished piece.
“I just wanted to tell you that it’s absolutely beautiful and I will cherish this with all my heart and soul. Thank you so much for such a beautiful job no words can describe what this means to me. Thank you again. ” Susan
As an abstract art quilter, I am always looking for unusual color combos. They show themselves to me in the most random of places. Read to learn how I found unusual color combos in art.
Lingering Fog, 34″ x 34″ 87cm x 87cm
A previous post discussed the steps for creating a light and dark grey piece contrasting with lime green. I discovered this unusual color combo when I noticed scraps I had tossed on the floor. Serendipitious success. How I found unusual color combos in unusual places.
How I found unusual color combos in art.
Recently I found pieces of fabric from different projects that I had thrown together in a bag. I discovered a charming unusual color combo of light purple and a yellow orange.
Spring Sunset 12″ x 12 ” 30cm x 30cm
Meanwhile, I looked up the name for a yellow orange color. It is called amber. What? I thought amber was a darker color. Surprisingly,it turns out that amber is directly between yellow and orange on the color wheel. As a result,I am now convinced that the color is amber.
Lilac
Lilac, a light or medium purple has not always been my favorite color. Growing up it was the springtime purple of choice. Maybe my mother’s dislike for the color influenced me.
However in these times of COVID I find my choice of colors changing. Previously my mantra of Color! Texture! Movement! usually included bold bright colors. These days the colors of choice are lighter and subtle creating calm and peaceful emotions.
Goldenrod Blush,31″ x 32″ 79cm x 81cm 2022
My focus on incorporating texture and movement remain. For some of the fabrics,I sewed a layer of lace on top of a sturdier fabric. Next, I couched (zigzagged)decorative threads on top. Then I cut the lace into smaller pieces.You may be interested in reading other blogs on how to add more texture to your art quilts.
A color coordinated fabric storage area looks appealing. However, it reduces the chance for coming across an unusual color combination.
Certainly, finding unusual color combinations begins with open eyes and an open mind. Unfortunately there are no easy pathways forward. Ultimately,each artist must take this road on their own.
Learn more about the international organization for art quilters, Studio Art Quilt Associates. https://www.saqa.com/
Quilters are famous for reusing fabric in their quilts. Yet, for quilters there are several other ways to reuse and not toss materials. Let me share a few of the ways that I have taken this a bit farther. I am very passionate some might say obsessed about not throwing fabric or other materials away.
DesertTrees in the Wash, 25″ x 24″ 64 cm x 61cm 2021 Just one example of how I use small bits in my art quilts.
Business Cards
I use bits of batting and fabric to make my business cards. They are like mini art quilts. Some people benefit from a visual example of what an art quilt is. The fabric cards are about 4″ x 4″ 10 cm 10cm.
First, I write out my contact information using a fabric pen on a light colored solid piece of fabric. Next,I sew several small pieces of leftover fabric together. Finally, I make a small quilt sandwich with a small piece of batting inside. Then I stitch the three layers together. Trim and zigzag the edges.
a fabric business card- a work in progressa fabric business card -a work in progress with batting and backing
Short Pieces of Decorative Threads
Pieces of decorative threads add texture and dimension to my art quilts. They could be birds or twigs in the wind. I prefer to create a more impressionistic view in my landscape art quilts. I leave it up to the viewer to decide whether the small piece is a bird or a leaf blowing in the wind. Reuse, don’t toss.
A textile friend gave me lots sof small pieces of the decorative threads she had left over from making scarves.a closer look at some of the decorative threadsHere are some other yarns I use.Decorative threads and decor details I take apart to use their threads
Small Pieces of Fabric
Small pieces of fabric become abstract art quilts or fabric landscape collages. I have written several blogs on this topic. Here are links to two.
Pieces of batting can be sewn together to be used like a larger piece. Make sure the weight of the batting is the same. Cut straight edges. Sew by zigzagging straight edges together. Make sure to create no gaps. Often there is a narrow long piece of batting let over when quilting a large quilt. These are my coveted pieces for this technique. Quilters,Reuse,Don’t Toss
Two pieces of equal weighted batting can be sewn together.
Reusing items in Mixed Media
During the pandemic I turned my attention to mixed media or assemblage. I searched for small yet unusual items. These items would add interest to an art piece. Everything does not need to be a broken piece. Repurposing items also counts. My daughter brought back a small sewing kit from a trip to Europe. She never used it. I found a new use for them.
Blue EuropeanThreads, 9″ x 6″ 23 cm x 15 cm
I am not sure if buttons would be considered unusual items. Yet, when I stacked them up with contrasting colors the effect was unusual.
Reuse, don’t toss. Sometimes I have to give myself permission to throw something away. But with some thought, it is easy to consider another way to use something.
Smilin', the all silk art quilt was made after one of the times that we thought the Pandemic was over.
Frequently Asked Questions about Materials
Where do you get your materials from?
Above all,I usually get my materials from FABMO, a nonprofit that gathers materials weekly from the San Francisco Design Center. fabmo.org Then they make the materials available to the public to keep them out of the landfill. Furthermore,these materials are new, high end , high quality fabrics. For example,linen, silk and other unique fabrics are readily available. Most importantly,these fabrics cannot be found in regular fabric stores. It is a win-win situation.
More recently, people have been giving me fabric.Thy know that I will put good use to it. Sometimes it is just a few yards and sometimes it can be more.When a loved one who sewed passes, they may leave behind a lot of fabric. This year I was gifted a lot of fabric in this category. I keep the pieces I think I might use and pass on the rest to others who may use it.
Frequently Asked Questions about Inspiration
What motivates you? Using fabrics and materials sustainably motivates me. I rarely throw anything out.
Where do you get your inspiration/ideas from? My inspiration comes from how the materials play with one another. I usually decide ahead of time which portfolio I will make next. It could be abstract, nature, or Mexican inspired.
Frequently Asked Questions about Time
How long have you been sewing or quilting? In high school,I took two years of sewing. Then I continued sewing. In the 1970s,I took my first quilting class at a neighborhood fabric store. I stopped counting my bed quilts at 300. Then around 2008, I began making art quilts.
Doesn’t it take a long time to make a quilt ?
Yes, it does. But I used to think about writing a book. A quilt doesn’t take as long as that.
Sewing Questions
What kind of a machine do you use? Above all,my machine is a computerized Lily Husquavara.
Do you sew by hand? For instance,I hand sew my sleeves or fabric tubes. Furthermore,art quilts with facings are handsewn to the back. Moreover, most of my quilts are done by machine. On the other hand,I do sew small details or found objects on my art quilts. by hand. However, the majority of my work is machine pieced and machine quilted.
Do you sew clothes? In short,I rarely sew my own clothes anymore. In the same vein,I do not sew clothes for others.
Other Questions
Do you do memory quilts? I do make memory quilts. People give me or send me the clothes from their loved one. We work together to decide on a style that will work for the client. I have made wall art and traditional and non traditonal lap quilts from the clothes. As the work progresses, I send photos to keep the client informed of progress.
Do you teach classes? All in all,no, I don’t teach classes. However,post COVID I have starting a mentoring project. A more personal 1 on 1 situation based on what skills the student would like to learn or what direction they would like their sewing,quilting or art career to go.
Have you been to Paducah, Kentucky, home of the National Quilt Museum? No.
The Northern California and Southern Nevada Regional SAQA(Studio Art Quilt Associates) group put out a call for entry for a new show, Prism Play. The organizers send the partipants a color card similar to a paint chip card. It had a limited color range on it.The artists must only use the colors on the card. No black or whiteallowed. The size of the finished quilt must be 45″ x 15″ 114 cm x 38cm. Those are the only restrictions. Imagination and creativity released. Follow how the Colors of the Prism Piece developed.
Paint chip cards of orange, pink and magenta color lines
Colors of the Prism Piece
Participants requested a particular color wave or they could choose to to get a surprise. Three color waves were actually sent so that the artist could make a final choice of colors to use. Artists could make up to three pieces. I choose the purple card on the right for the colors of the prism piece.
Designing Details for Colors of the Prism Piece
Tucks on purple fabric
I start by designing fabric details that I want to include. Here is a purple piece of fabric with tucks to add movement and texture.
Yarn and piping add texture.
This light purple fabric has three lines of yarn couched(zigzagged) on it.
I like to create 3D details with the short pieces of redirected yarn.
A dark piece of fabric has various lighter colors of yarn couched on it.
The short pieces of redirected yarn came like this.
These small pieces for the colors of the prism piece are examples of the redirected yarns and materials I used from Fabmo. https://www.fabmo.org/
two layers of purple
More examples of fabrics used. I create strips of details then I cut them into smaller pieces.
Creating the Colors of the Prism Piece
Abstract art quilts begin on my flannel design wall. I marked the approximate edges with pins to help me keep track of the 15″ width (38cm) restriction. I always begin with larger fabric pieces than I want the final piece to be. One never knows how much fabric will taken up in the creative process of sewing the pieces together.
Trying out several pieces on my design wall
I place the colors of the prism pieces on the design wall always balancing colors, hues, eye grabbing details and spots for eyes to rest.
I continue to move pieces around on the design wall.Not quite finished but getting there.The top is finished and squared up.
In Conclusion
In completing this Colors of the Prism piece, I created texture and movement with the artist made details. This piece includes the use of redirected materials in the style of my abstract art quilts. However, I found the restricted size of the final piece, 45″ x 15″ 114cm x 38cm to be a challenge. It added an extra bit of pressure I had to be constantly aware of.
Yellow and Green Memory Quilt, 56" x 51" lap quilt
Something about Memory Quilts
Black and Red Memory Quilt, 56″ x 51″ 142cm x 129cm
At one time, I mentioned to someone that I had a commission to make a memory quilt. That person asked me,”Wasn’t it weird to make a quilt out of a dead person’s clothing? Didn’t that creep you out? Cutting up a dead person’s clothes?” I had never thought of that. Why would that be creepy? However, I continued to think about the comment. The question focussed on the dead part while I focussed on the fabric part.
back of Black and White Memory Quilt, 51″ x 56″ 129 cm x 142cm
Focussing on the Fabric Part
Sewing involves cutting up fabric and piecing it together to make clothes or other items. Something that I had done since I was a teenager. When learning to sew clothes, mistakes are common. The seam ripper is a sewist’s or quilter’s best friend. Just like stopping is part of driving. Ripping out mistakes is part of sewing.
Repairing Clothes
In addition,sewing often involves repairing clothing. Obviously, repairing clothing means that the item has already been used. It is not such a huge step to cut up worn clothing to create something new. The creation is the important part not the living status of the person. Sewists see things differently. All kinds of divergent views add to the conversation.
Yellow and Green Memory Quilt, 56″ x 51″ 142 cm x 129cm lap quilt
Incredible fabric details
Notice details of pockets and inset of blue with seersucker from the inside of the jacket
Often the memory quilts that I have made are from men’s clothing. Don’t even consider the fast clothing market. Some of the men’s jackets are works of art. One jacket(see photo above) made in East Asia came with piping and beautiful sewing details on the inside of the jacket. Monograms are common. The fabric for the shirts is of the highest quality. Think high thread count!! These materials also stand up well to the rigors of washing. They are incredible fabric that one would not find in a regular fabric store. Don’t miss such an opportunity to repurpose such great materials.
Why Memory Quilts?
So why make memory quilts? Repurposing fabric or items is foremost for me. Could the clothing be donated? Yes. Will the donated clothing all be put to good use? I don’t know for sure. Sometimes it isn’t. If the clothing doesn’t sell, it is shredded for insulation or something else.
back of Green and Yellow Memory Quilt,56″ x 51″ 142cm x 129 cm lap quilt
The Joy of Memories
What could be more special that cuddly up in a quilt that contains small pieces of fond memories that one has for a loved one? “Oh, I remember that shirt. My dad wore that almost everyday!” “Junior loved those shorts! He wouldn’t ever take them off.” What could be better than a useful, memorable yet beautiful piece?
Making a Memory Quilt
The memory quilts highlighted here are from a recent commission. I completed two reversible lap quilts from a man’s clothing that the widow gave me.
Several shirts to choose frommore shirtsSilk ties
This client brought me a large plastic bin filled with shirts and pants along with a few silk ties. She wanted two quilts to be made. She also requested that certain fabrics be included in both quilts. I took notes on that so that I would remember. As a repeat customer she was familiar with my abstract style. The client looked forward to see what I would create.
Step 1 Choosing the Colors that Go together.
A Work in Progress
After making sure that the clothing is clean and smells fresh, the first step is to decide which colors go together. As stunning as red can be, red does not play well with other colors. I chose to pair the red with the black and white. The husband’s taste made choosing the colors of the second quilt fairly easy, yellow, cream and light green. The tropical shirts added just the right flair and action.
Step 2 Interesting Details
artist made details
Many pieces of clothing have interesting details that I like to incorporate or highlight. Boring buttons pop with the addition of bright threads. Labels and tags add interest too. Pockets are a wonderful surprise as well. Sometimes I use the the labels or tags as is or I may have to cut them and add them to another piece of fabric. It is important to have the 3 D details all on the top of the quilt and not on the backside. When it comes to quilting the three layers together, it will be easier to quilt avoiding hitting buttons.
button details, waistband, and silk ties
Using Fusible Web
Once cut apart, most of the clothing is ready to use. Silk ties and thin fabrics need to have fusible web ironed on to the back of the fabric. This prevents the fabric from stretching and aides in ease of sewing. This step is essential for the beauty of the piece and the ability to easily sew the fabrics together. It is not difficult or expensive except for the time involved.
a pocket and a labelButton details and label
Step 3 Designing on a Design Wall
These memory quilts are similar to my abstract art quilts.except that I use larger pieces of fabric. I place the details and unique items on the design wall first making sure that they are more or less where I want them. Then I add other fabrics rather randomly. I move the pieces around so that the colors and details are balanced. I sew pieces together and keep checking that the colors and patterns are not all in the same area.
Keeping items balanced.Balancing out colors and patterns
Step 4 Complete the quilt.
When I am happy with the way that the top looks,I sew all of the pieces together. Then the top is finished. I baste the quilt sandwich; top, batting and back together. Then quilt the three layers together. I keep my quilting simple to let the fabrics shine. That is the part that is most important to the client. Similarly,after I spend time designing simple quilting also keeps the price down.
In conclusion
After sewing clothes, quilts and art quilts for decades,I continue to be impressed with the quality and durability of fabric and cloth. The fast clothing market aside, there is no reason to not recycle clothing into some other form. Memory lap quilts are a perfect fit for this redirection. Whether art quilts or memory quilts, redirecting fabrics and materials is my main focus.
What is quilting? Quilting can be several things. A basic definition is the sewing together of two or three layers of fabric either for a practical purpose or a solely artistic purpose. What if a person cuts up fabric and sews it back together to make the top of a bed covering? Yes is the answer.
Who is a Quilter?
Are you a quilter if you only sew or piece the top together and then have another person do the quilting? Yes. When I started, I only did that part. I worried that I could not call myself a quilter when I really only pieced the top together. Another person quilted the three layers, the top, the batting and the back, together. It turns out that I was wrong. Even back then,I was a quilter.
Acceptance of Many
The quilting world and the art quilt world both accept people as quilters whether or not they actually sew the three layers together. Some have the luxury of sending their tops to a person with a long arm machine or another person to complete that part of the process. Let’s just make sure that they are given credit for their contribution.Words are funny that way, confusing at times and not even close to the reality. No wonder there is so much misunderstanding in the world.
Poppin’ Back, 23″ x 22″
How to Complete
I recently completed two abstract art pieces. Poppin’Back used bright yellows, purples,magentas contrasting with white pieces of fabric. The fabrics were cotton. When it was time to sew the three layers together, I didn’t stop to think. I forged ahead, quilting the usual way I often do, moving the quilt from side to side to create wavy lines . This creates another level of movement that I adds to the art piece.
Smilin’ 33″ x 24″
The Second Piece
The second piece,Smilin’ was completely made from dipioni silk in bright contrasting colors with curved line piecing.I loved the bright colors and shapes. What would quilting lines add to the stunning colors? I decided that they wouldn’t add much.
Yet, the 3 layers layers of fabric needed to be attached. Stitching in the Ditch which means quilting in the seams solved the issue for me. Many art quilters would expertly sew 1/4″ lines to fill spaces. Giving myself permission to do something differently,I listened to what I felt the piece needed. I am happy with the final product.
Conclusion
Consider what is quilting brings to an art piece? Does it add an important element like movement or color to the piece? Is it necessary? Each art piece is unique. It deserves its own consideration on how to quilt it. These are decisions that only the artist can make. It is one of the artistic decisions that the artists must make. My plan is to pay attention and listen to the art more in the future.
See more art quilts at the Studio Art Quilt Associates’ website. https://www.saqa.com/
Lingering Fog, an abstract art quilt, 34″ x 34″ 86 x 86 cm
How to improve your next Abstract Art quilt.
Improve your next art quilt by adding color. First of all,I enjoy abstract art. Moreover,I am drawn to bright colors and textured lines. While representative art is truly eyecatching. Nonetheless, I choose not to make art of something that someone can take a photograph of. In contrast,my abstract art quilts highlight my mantra, Color! Texture! Movement! Similarly,the high end fabric samples from decorators inspire me to use them in my abstract art pieces.
Color
For example,here are some bold pieces using mainly commerical cottons in this abstract art quilt.
Atlas in Rose, 32″ x 32″Sunset Through The Forest,34″ x 32″ 86 cm x 81cm
Meanwhile,Sunset Through the Forest has artist made details. Finally, decorative yarns to add 3D effects and texture in this abstract art quilt.
Improve your next art quilt with Texture
Furthermore,almost all of the fabrics in Desert Sands are new discontinued samples in this abstract art quilt.. To clarify,texture comes from the contrast between the silky and thicker fabrics. In addition,tucks add texture to certain fabric too.
Desert Sands,21″ x 16″Tranquility,30″ x 24″
Most importantly, the monochronamic blend of fabrics, Tranquility has a calming effect. Fnally, special stitches add interest.
Improve your next art quilt with Movement.
Copper Cliffs, an art quilt, 21″ x 19″
In addition, the commercial fabric with the brown markings shouts movement. Furthermore,curved line piecing and scribble quilting adds another layer. For example, I started with this fabric. Then,I chose fabrics with similar colors.
First,I built the fabrics around this redirected piece of fabric.Spring Break, 32″ x32″
Finally, it is difficult to see the top fabric in the final project,Spring Break. But it is there.
Another Example of Fabric with Movement
Here is another example of movement created by black and grey dogs on the fabric. At first, the curved lines attracted my attention. The artist in me didn’t even see the dogs. Then I couched threads on the material and cut it up. Finally,the tree branches show movement but none of the original dogs.
Step 2 black grey and white fabric with green and black yarn couched yarnSkyward, an art quilt made from redirected fabric with black and grey dogs on it.
In Conclusion
In conclusion, a unique variety of discontinued fabric samples inspire me to create my abstract art quilts. Finally, I aim to include color, texture and movement in each of my abstract fabric art pieces. Thank you for letting me share some of them with you.
Read more information that may be of interest to you.
Viewing art made with mostly black and white colors is engaging. Furthermore, the contrast with just one other color attracts the viewer’s eye. While this is true of all art genres, I make art quilts. This post is about the quilts that use mostly black and white with possibly one or two other colors.
Classic Decor
Black and white decor is a classic look that is currently enjoying a rebirth in popularity. Black and white floors are common in Europe. One art fan compared my art quilts to tapestries. One time someone asked me to line the walls with my largest quilts to improve the acoustics at a film festival. The small dash of color is easily accommodated. Limiting the colors to just black and white and one more, insures flexibility that the piece will fit easily into many different places.
Adding Texture in Decor
Adding a cozy traditional quilt has been a a long time go-to idea for adding texture. Building on that,consider adding texture in the form of wall art to your decor. Wall art quilts are a new and modern way to accomplish that. It may seem subtle but a piece of fabric wall art is not as flat as a poster or a painting. An art quilt brings an added dimension to a room.
Easy Care Art
Art quilts are easy to hang. They generally weigh about a pound. MIne come with a handsewn fabric sleeve(tube) sewn on the back of the piece, a dowel and fishing line. Simply hang the invisible fishing line on a push pin or a nail. The edges of my art quilts are completely finished with a facing hand sewn to the back.
There is no reason to add a heavy frame. A frame just adds cost to shipping and unnecessary weight to the piece. Hanging a quilt rather than a heavy painting over a bed is an added advantage in earthquake country.
Fabric is a material that we are all familiar with. It is long lasting and adds warmth to a room. Keeping a piece out of the direct sunlight is necessary to prevent fading. Other than that, textiles are an easy care product.
Larger Wall Art
Gridlock I, 33″ x 31″Gridlock II,42″ x 36″ Juried into MAYHEM show at the ARC Gallery in San Francisco, 2013
Smaller Wall Art
Petite Madness,12″ x 9″ ,$125.Art quilt,Petite Limeade,10 ” x 10″ SOLDPetite Carbon Footprint,12″ x 9″,$125.
In conclusion,black and white art is classic.Adding a pop of color makes it fresh and modern.
Foggy Skyline,inspired by the colors of the sky after a rain storm.
The Making of an Abstract Quilt
In this article you will learn about the steps to create an abstract art quilt.
Introduction
Making abstract art quilts touch my soul. The use and cost of redirected upscale fabrics motivate me. I know that am doing something good for the planet. Choosing colors and textures to piece together my art quilts makes my heart sing. Scribble Quilting adds movement to the piece.
The genre of art quilting is a newer art form. I share my process with you by explaining how I create an abstract piece of art. There are many other ways that artists make art quilts. Fusing fabrics, painting on fabrics, dyeing fabrics to use are just a few techniques. The website of international art quilters organization, SAQA(Studio Art Quilt Associates) is full of resources for those who are interested in learning more. Saqa.com Many times I look at quilts and ask myself how did they do that? I consider myself an advanced quilter. However, variations abound. The sky is the limit.
Topics Covered:
Use of a Design Wall
Where to Find Inspiration
Choosing Materials
Creating Details
Thinking ahead towards Quilting
Beginning Piecing
Sewing the Top Together
Quilting the Top
Use of a Design Wall
A design wall is essential for this type of art project. One wall in my studio is covered with a large white piece of flannel fabric. The pieces of fabric adhere to the flannel. I begin by randomly placing pieces of fabric on my design wall. Then I move them around to see where I want them to be. Sometimes I haven’t settled on where I want them to be until I start sewing the pieces together. Once sewing begins, pinning the pieces to the flannel may be necessary to help them adhere to the flannel as the weight of the piece increases. There are other possible types of design wall that my better suit your needs. Maybe you need a portable setup or other type of special need. I prefer to keep things on the simple side. A large flannel piece of fabric works for me.
Where to find Inspiration
Inspiration for colors or designs can come from anywhere. Many artists keep a notebook to write down or sketch interesting things that they see in their daily life or travels. Inspiration often come from nature. Colors of the desert, a bird or the color of the sky at sunset or after a storm can inspire me. Actually, inspiration can come from anywhere and anything, a building a floor, a pet. It is the spark that catches the artist’s attention. The finished art project does not necessarily match something at all. Guessing an artist’s inspiration is not easy especially for an abstract piece. The point is to be inspired to create.
Splendid Fairy Wren
A friend who loves birds posted a photo of an Australian fairy wren. The blues and purples were incredible. I ended up making two abstract art quilts using those colors.
Splendid Fairy Wren, abstract art quilt,30″h x 35″wAmerican Democracy,2019, a black and blue abstract art quilt,28″h x 27″w
Inspiration can come in the strangest of places. Once scraps of fabric I had randomly tossed in a pile caught my attention. The lime green, white and grey worked well together. I decided that I had to use them for a future project. Here is the subsequent quilt I made using this modern color palette inspired by a random pile of fabrics.
Because art quilts don’t need to be washed, a variety of textures and materials can be used. I started sewing clothes in junior high and high school. I would choose colors that would go well with my skin and hair tones. When I started making bed quilts, the focus was on the design on the fabric that would go with a room décor. One hundred percent cotton is necessary for ease of washing of bed quilts. Art quilts expanded my world. A variety of fabrics and textures opened up. I freed myself from the bonds of what matched a room or looked good on me. Following patterns went out the window. True Liberation !!
Consider the Style
Sometimes I begin with a piece of fabric or material that I would like to use. Often it is one that I have had for a while that I think I should use up. I consider the style of the fabric, is it a thick, rustic material or a shiny,synthetic fabric? What would it bring to the piece? Does it fit the mood that I am creating? Fabrics with colors that might not complement the piece have been eliminated because their style doesn’t match the intented style outcome. These are subtle decisions that the artist makes.
The Gathering of Materials
Generally I gather my materials without any idea of what I will use them for. If I am honest with myself, I think this comes from my being a bit overwhelmed from seeing so much fabric in a fabric store. I have to have an well defined idea of what I want or need before I go into a store. Otherwise, it is difficult for me to make a choice. Matching colors or styles is difficult without actual items in front of me. It feels easier for me to decide if I like something or not in the moment. At a later date, I can see how the material goes with other items that I have. Maybe this is part of being a visual learner.
FABMO and Other Places
I obtain my fabrics mostly from a nonprofit, FABMO.org that obtains fabric and materials from the San Francisco Design Center. I find high end new decorator samples and more. Furthermore, I get fabric from my local guild’s Bargain Garden, flea market. I learned a long time ago that shades of colors go in and out of fashion. Forest green is a family favorite. But if it is out of style it is impossible to buy. A quilter’s stash or collection of fabrics reduces the need to purchase a particular fabric in the middle of a project.
Creating Details
In the past few years, I have begun to add more three dimensional details to my work. Quite a few years ago, at the Pacific International Quilt Festival, I saw a quilt that had a big pile of yarn sewn on the top. In my opinion, it was a mess. I didn’t like the effect. However, it did inspire me to add yarn or decorative threads to my art quilts. My choice is decorative threads that would lie flat. I began to couch(zigzag) decorative threads to create contrasting details for my art quilts. Surprisingly, the decorative threads has since become one of my favorite techniques.
Using my chosen colors, I think about the items that I want to make to add texture or interest. Sometimes a particular found object, like a piece of jewelry guides my decision to incorporate it into the piece. Which techniques do I have in my toolbox? I can couch yarn to create straight lines, parallel lines, curvy lines. I can make tucks to add texture. What materials do I have that would work? What does the detail bring to the piece? Sometimes it is necessary to save a detail for another project for some reason. The style or effect just isn’t what I want for this art quilt that I am working on.
Thinking ahead towards Quilting
My usual method of creating an art quilt is to start without much consideration of the next steps like how I will quilt the piece. However,sometimes it is necessary to consider the whole process and the order that I need to follow to complete the art. When would it be best to add the detail? Can I quilt over it? Or will I need to wait until after quilting is completed to add hand sew it on? With ATLAS in Rose, I wanted to highlight the oval pink and white beaded necklace in the middle of the quilt. Yet, I would have to sew it on after the quilting was completed. Quilting over beads wrecks the beads and could possibly damage needles and my machine.
work on design wall,ATLAS in RoseATLAS in Rose, 32″ x 32″ finished art quilt
Serendipity Happens
The patterns of stripes and circles happened rather serendipitously. Some quilters would say, I wanted to make a stripes and circle quilt. That is not the way I usually work. Yet, as I looked at my black and white fabrics, I saw the oversized circles contrasted well with the stripes and checked fabric. The stripes and circles created the movement I wanted. I mirrored them by couching decorative threads to create my own form of stripes. Hand sewn repurposed white buttons added more circles to the beaded necklace, front and center upon completion.
Back to the Design Wall
The work that happens on the design wall is in many ways is the most important part of the project. My main purpose is to make sure that the colors and fabric pieces are well balanced on the wall. It is not too late to eliminate items that would work better in another piece. Often I begin by placing the most eye catching pieces on the design wall first. They need to be placed in various spots across the piece and not all in one area. Balance is a crucial part. Then I continue with other important standouts. Only then will I continue adding with other pieces of fabric. I make sure there are places to rest one’s eyes. Plain fabric balances out wild details.
Sewing the Top Together
I begin sewing once the main pieces are in place. I make sure that pieces of fabric are larger than I expect the finished piece to be. One can always cut away fabric but it is harder to add fabric. That said, one thing I love about creating abstract art quilts is that there is less matching of seams and more flexibility if you need to add a different fabric than in traditional quilting.
Start Small
In general, I start by sewing smaller pieces together. I will sew together several pieces from one area. Then I will do the same in another part of the quilt. I have learned the hard way that I should not completely sew all of the pieces in one area together. More flexibility for fabric additions is allowed by rotating the spots I sew together. Then I wait until the very end to sew all of the pieces together. In that way if I need to add more fabric to a spot, it is easy. I prefer to not rip out seams if at all necessary. This is another advantage to creating art quilts. If something doesn’t work or I want to change it, I just cut it off instead of spending time ripping out seams.
Foggy Skyline,inspired by the colors of the sky after a rain storm.16″ x 16″
New Eyes
Critically seeing eyes are necessary. I mean critical in the sense of seeing what works well and what doesn’t work well. Only the artist can make that decision. Our eyes can miss what is directly in front of us. Sometimes taking a break or even returning the following day is what we need to see clearly. In other words, so that you will look at a piece with fresh eyes. This is so important. After some time has passed, I often see immediately what needs to be changed to improve the art quilt.
The design wall also allows the artist to step back at look at a piece from a distance. Close up views and distant views differ. Ideally, a piece will work for both distances although probably in different ways.
Other Considerations
When I begin to sew the pieces together, I want as much flexibility to change their places as possible. Therefore, I begin by sewing small pieces together in one area, the upper right hand side. Then I do the same in another spot, say the lower right hand side. This allows me to move pieces or add pieces if I need to. Of course, when sewing pieces together the project becomes smaller. If a finished piece needs to be a particular size, mark the design wall with pins or yarn to help you be aware of the desired size.
Focal point design details should probably not be placed directly on the edge. I learned the hard way that when they may be trimmed off at the end when squaring up the finished quilt. Another thing I try to avoid is having heavier fabrics directly on the edge. I like to finish my quilts with a facing sewn to the front and turned to the back to be hand sewn down. Thicker fabrics made the turning more difficult. Even sheet fabric with a high thread count is hard on the fingers when hand sewing.
green yellow bits on design wall, a work in progressfinished top Sunset Through Forest 34″ x 34″ after quilting
When the top is finished. It is time to make the quilt sandwich. The quilt sandwich is made up of the three layers, the top, the batting and the back fabric. They need to be laid flat and taut and pinned or basted together.
Finishing with Quilting
In general,I don’t think about which technique I will use to quilt a piece until the top is finished. Sometimes I regret this lack of planning. For me, the quilting must add movement. I have to decide how much more visual action this quilt needs. Is there a lot of movement already in the piece? Will quilting add more interest? Maybe a less visible stitch in the ditch technique is what the piece needs. Only the artist can make these personal decisions.
I have settled on three styles of quilting that work for me. Stitch in the Ditch is quilting inside seam lines. Scribble quilting that I named is quilting by moving the quilt line from one side of the piece to the other side. Doing this repeatedly creates wavy lines that may cross over one another. I use the free motion quilting technique to quilt my fabric landscape or seascape collages. Those with access to a computerized long art have lots of other options to choose from.
In Conclusion
The genre of art quilting is a newer art form. I share my process with you as a way of explaining how I create an abstract piece of art. This article advances the understanding of the decisions that need to be made while creating an abstract art quilt. Hopefully, inspiration for the art quilter follows or the collector will gain some perspective on how this artist works.
Suggestions for Newer Art Quilters
If you are looking to advance your art quilt techniques, these are my suggestions.
Take a class in some technique that excites you.
Join a guild or group to learn from.
Visit quilt shows and museums to view art with a critical eye.
Practice, practice, practice your skills.
In Responce
Gentle Readers, since this post, How to Create an Abstract Art Quilt was published it is by far the most read of all of my posts. Just wondering if you found this info helpful or not so much.
Read More.
You may find out more about how I create texture and movement in my abstract art quilts at these links.
My Artful Fabric Business Cards reflect my art quilt business. Business cards generally give basic information about a business; location, phone number and email . Yet, I take my business cards a step further. They are small art quilts. For people who do not know what an art quilt is,the business card gives them an actual example to choose and take with them.
Reducing Waste
Reducing waste is a major motivation for me. My cards are made of fabric that most people would throw away. I use a fabric pen to write on a plain piece of fabric. The batting inside has no other use either. I also found that as my business grew my info changed. Because I hadn’t printed out my cards, I was able to adjust easily without wasting paper.
I started with this info on one side.Later I needed to add more information as my business changed.
Each card is unique. Most people enjoy choosing their favorite colors or patterns. My cards are a committment statement about my work.
Making the Cards
People often say ,”Doesn’t it take a lot of time to make the cards?” I use the assembly line approach to production. First, I write the info about 20 times on white or plain fabric. Then, maybe at a different time, I sew small pieces of left over fabric together. At another time, I baste the three layers together with a glue stick. Followed by sewing two curvy lines, horizontally across the pieces. Zigzagging the edges comes last. I generally find that there are times when I don’t feel top notch or I need a break from creating. Those times are when I turn to making my fabric cards. So it is not as if I am taking productive time away from actual work.
My First Fabric Cards
I made my first cards when I was still working full time. I tried different things and learned from people’s responses. When I shared my card with a coworker, she actually shrieked. That was a surprising response. But I took it as a yes, I was on the right path! My first attempts were to make each card extremely special, like a real art quilt. I soon learned that that was not really necessary. People were thrilled with a simpler more random piece. So I simplified my process.
Starting Out
I admit that these cards to require more effort than a paper printed card. It was my decision to give them away. Yet, another early experience made me make adjustments. At a gallery show I was in, a woman proudly came up to me and shared that she had taken four of my cards and used them as coasters. I was such a newbie I didn’t know how to respond.
Now I would say, the first one is free. The others are $10. Because of that experience,I found a finer tip fabric pen that would let me write smaller. I reduced the size of my cards also so that they were closer to 3 or 4 inches rather than 5 inches.
Another benefit was that I could easily change the information on my cards. When I moved my studio downtown,I made new cards with the address on it. Later I decided to add my phone number. These changes would have been costly and wasteful if I had used paper business cards.
In conclusion, fabric business cards do take longer to make. However, I make them with fabric and batting that many would throw way. They allow me to reuse and reduce while making a memorable art quilt.
More than ever Etsy shops list an incredible number of unique handmade and vintage items. If you shop Etsy you will find joy. Art quilts are listed on my site. Currently, I have also listed vintage items from my family. I have kept some of my own pieces for so long they are now vintage. http://annbmayartquilts.etsy.com/
A Funny Story
Back in the 1970’s, the Bob Newhart Show was a popular sitcom. I remember a funny setup. His receptionist dates an older man. She goes to his apartment for the first time. She says, “I love what you have done with these antiques.” Her date answers,”Thank you. They weren’t antiques when I bought them.” Similarly,I am there now.
Sadly the Shop Etsy Find Joy videos are no longer available.
Vintage Clothing
Vintage clothing is at least twenty years old. Similarly,recent listings include vintage clothing and vintage jewelry. Many of these are one owner items. They come from the closets of my grandmother, mother and mother in law or myself. Many items from the 1940 to the 1980s.
I made this jacket for myself. First I sewedthe fabrics together. Then I cut out the pattern. I wore the jacket several times. Then I realised that I am not a jacket person. I much prefer sweaters or a warm hooded coat. May someone else enjoy wearing this piece!
Assemblage – 3D Collages
During the pandemic shut downs, I created some assemblage pieces. They are 3D collages. Some are art in a box. Similarly, due to the smaller size they are minimalist. I inherited several antique keys that I added to my pieces.
Follow these step by step instructions using Sunset Through the Forest,an abstract art quilt as an example to create an abstract art quilt.
Getting Started
Choose Your Colors
First, I prefer to choose a few contrasting colors. Then I search through my materials for fabrics, decorative yarns and threads in those colors. Sometimes I also choose lighter and darker hues of the same colors.
Make Details with Decorative Threads.
Next, it is fun to make shapes with the decorative threads. For this piece I used the decorative threads to make several parallel lines on the fabric. I cut long strips and sewed the decorative threads in long lines.Then I randomly cut the long strips into 3 or other odd number of pieces. Creating texture- done!
Several different examples of decorative details
On the Design Wall
Next, I display the potential finalist fabrics on my design wall. My favorite choices are fabrics with movement and interest. Then, I also make sure that they are places for eyes to rest by including solid colors.
Trying out green and yellow bits of fabric randomly placed on the design wall
Balancing Colors
Next, balance out the colors and textured pieces so that they are not all on one side of the piece. Don’t be afraid to take a break to come back to view the work with fresh eyes. A fresh look is always helpful in looking for ways to improve a piece. How will one’s eyes move around the art work? Eliminate fabrics if necessary.
Balancing the fabrics and colors
Sewing Smaller Pieces Together
Begin to sew small pieces of fabrics together. Then remember to balance colors and fabrics so that they are equally spaced about the piece. Use this advantage of a design wall to view your whole piece.
Small pieces are sewn together
Sewing More Pieces Together
Continue sewing pieces together. Keep checking for balance of fabrics, colors, and textured pieces.
finished top, Sunset Through the Forest
Finishing
Lastly,I scribble quilt the three layers together to create an added level of movement. Scribble quilting is a technique I named. I use a walking foot to create a flowing quilting line by moving the quilt side to side while quilting. Make sure that the quilting is also balanced and equally fills the space. Then add a facing. Turn to the back and handsew the facing to the back. Name and sign your art!
Sunset Through The Forest, finished art quilt,32″h x 34″w
In Conclusion
These are the steps that I generally follow to create my abstract art quilt pieces. They represent my process at this time. It will probably change over time. Your process is probably unique to you.
Not too long ago,I participated in an art and physics collaboration. As a result I created this green, yellow and black art quilt,ATLAS at CERN based on the colors from CERN. Inspired by this abstract piece I wanted to attempt something similar in a different color wave. So I choose to use the colors of black, white and rose for my next scientifically inspired art quilt.
A Scientifically Inspired Art Quilt
ATLAS at CERN, scientifically inspired art quilt
Creating Details
First, I go through my materials to find the appropriate colors of fabrics and items for the color wave I have chosen for my scientifically inspired art quilt.
Next, I think what I want to make to add texture or interest. This is when I begin to think about the whole quilting process and the order that I need to follow. I knew that I wanted to use a beaded necklace with a bit of pink. But I would have to wait until the quilt top was completed to actually sew it in place. Otherwise quilting the top would be a problem; the beads wouldn’t go through my machine. Moreover, I didn’t want to wreck the beads in the process. Hand sewing of the necklace would have to wait until the whole piece was sewn together. Yet, I would still have to keep the location of the necklace in mind as I worked.
Other Details
Continuing with other details,I found a repurposed zipper in just the right color. I created a starburst mirroring the actual scientific view after the splitting of atoms. Then, I chose rose colored embroidery threads to couch (zigzagg) with matching colored thread. I also couched several different decorative threads and a piece of stretchy webbing onto black pieces of fabric to create a pleasant contrast. A running stitch of rose colored embroidery threads through black fabric was also made. Lastly, I created a black 3D fabric flower to adorn a rose colored piece of fabric.
ATLAS in Rose selecting fabrics
A Scientifically Inspired Art Quilt On the Design Wall
I like to choose fabrics with movement. It was serenditious to find so many black and white fabrics with circles and dots that lent themselves well to ascientifically inspired art quilt. These would go well with the oval placement in the center of the beaded necklace. The black and white stripes contrasted geometrically. I created further stripes by couching black decorative threads and black ribbon on white fabric. I used black sewing thread for low or no contrast.
ATLAS in Rose, work on design wall
The Finished Top
ATLAS in Rose , finished art quilt
Here is the completed scientifically inspired art quilt. Handsewn repurposed white buttons added interest to the beaded necklace, front and center upon completion.
You may find out more about how I create my abstract art quilts at these links.
Above all, I like using discontinued designer fabrics in my art quilts. These materials add texture and movement to my work. Most importantly as a fiber artist, I look for unique materials. Using discontinued fabrics from designers fits the bill.
Just as important is keeping these beautiful materials out of the landfill. Certainly,giving them a new life is important. First,I gather my materials first with no idea in mind as to how I will use them. Then I see which materials play well together.
Finding Discontinued Materials
About ten years ago I started volunteering at Fabmo,(Fabric and more). About the same time,I became more serious about making my fabric art. FABMO is a nonprofit center for redirecting fabrics. For example,dedicated volunteers make weekly trips to the San Francisco Design Center, a decorator hub. These materials are new and ready to be recycled. Furthermore,the public can buy these materials for a donation.http://fabmo.org
Inspiration from Discontinued Fabrics
The nonprofit recently moved to a warehouse in a Sunnyvale, California. After that,it was ready to offer selection days for the public. For example, items to choose from include discontinued items, fabric samples and details. The fabric is like none available in local quilt shops and fabric stores. It inspires me to see how the fabrics play with one another. At the same time,the volunteers are dedicated to reduce, reuse, and recycle fabrics. They search for new ideas to use the materials. Then they share these ideas on their newsletter. Check with your local decorators for similar opportunities.
Unique fabrics make Unique Art.
Autumn Comes to the Farm,an art quilt made from redirected fabrics, 20″ x 20″Desert Sands,21″ x 16″
Inspiration from Unusual Fabrics
The next step is to choose from the wide variety of materials that are available. Needlesstosay, the amount of possibilities is a bit overwhelming. Furthermore,the use of silk, linen and synthetics allows me to add texture to my art pieces. These fabrics can be a bit more difficult to work with than cotton. Unlike bed quilts, art quilts as wall art do not have to be washed. In other words, easy care materials like cotton are not mandatory.
Rusty Cans in the Wash,16″ x 15″Visions of New Mexico,3rd place award, 31″ x 26″
A Win Win Situation
Finally,I am very inspired by how these redirected materials play together. I really hope that you will search out sources for redirected materials in your area. It will add a spark to your art. It will create a decline in entries to the local landfill. What could be more of a win-win situation?https://annbaldwinmayartquilts.com/2019/08/adding-color-to-your-art-quilts/
First of all,I love creating movement in my abstract art quilt pieces. A fiber artist friend asked me,“What are the essential elements you want your audience to know about your work? What do you want them to take away from seeing your art?” This friend versed in the deep discussions generated by involvement with the Artist Conference Network. I am grateful for those thought provoking questions. They helped me coalesce the ideas I had been mulling over.
Beach Umbrellas,an abstract art quilt, 37 ” x 37″ 94cm x 94cm curved line piecing creates moveSpring Break,an abstract art quilt, 32″ x 32″ 81cm x 81cm curved line piecing creates movement
Creating Movement in Abstract Art Quilts
How does one infuse movement into something that is inherently flat and static? Curved line piecing rather than just straight line sewing is one way to add movement in abstract art quilt pieces. At first, I attempted to make every seam a curved line. Then I realised that it proved too much of a good thing. The wobbly surface wasn’t the effect I wanted. Some straight lines are important for shape and balance. Another true life lesson learned: balance is important. Now I choose lines more carefully for visual impact to sew via curved line piecing. They may be wildly or more subtly shaped curves. https://annbaldwinmayartquilts.com/2019/07/creating-movement-in-art/
Activity on the Material
I choose the fabrics I use with movement in mind. I look for interesting curved lines that can create movement in my abstract art quilts. When I cut them up, they add interest and drama. They catch the eye and draw it in. One fabric of elongated greyhound dogs was rotated and sliced into the pieces. The shape of the animals disappeared yet the movement of the line remained. Other fabrics provide a pop of action to the piece. Creating the illusion of movement is an essential part in my abstract art quilts.
Beginning to zigzag yarns on grey, black, white linen background
In addition, movement is added through the quilting process. I begin by quilting straight lines in the middle of the piece making basically a large grid about 5” apart. Then the fun begins. I start quilting from corner to corner gently turning the fabric slightly side to side as I quilt. The thread line creates the movement. If the thread color contrasts with the fabric color, then the threads stand out. When the thread color matches the fabric, the thread may seem to disappear, yet the movement remains on a more subtle level. Many viewers look closer to try and understand how that can be.
Skyward, 25″ x 25″ 63cm x 63cm finished piece
Couching Decorative Threads
One technique I now consider quintessential part of my tool box is couching decorative threads. I sew multiple colored threads or yarns on to a strip of fabric. Then I cut them up into random lengths and use them as fabric. At first, the main purpose was to add texture to my pieces. Yet, the threads are often sewn in undulating parallel lines creating the slightest of distortion and movement. In Copper Cliffs both examples given can be seen, the fabric with irregular dots and the lines of decorative threads I cut apart.
Copper Cliffs, an art quilt,21 ” x 19″ 53 cm x 48 cm curvy lines of yarn create movement
I create my abstracts on a design wall. I take time to balance the colors and fabrics. Quiet spaces let one’s eyes rest. Looking at the piece with fresh eyes may take several days or longer before sewing the pieces together.
Gridlock II, an abstract art quilt, 36″ x 42″ 91 cm x 107 cm curved line piecing creates movementGridlock I ,an abstract art quilt black and white 33″ x 31″ 84cm x 79 cm
A Final Look
Abstract artists have the added benefit of being able to rotate the completed piece. They look to see if the art may be better from a different direction. It just might happen. Just because it was conceived and executed in one direction doesn’t mean that it cannot look better “upside down.”
Sandy Shore, an abstract art quilt 29″h x 25″w 74 cm x 64cm wacky, scribble quilting creates movement
A former colleague of mine made an unsolicited comment about my work, “It dances.” Her remark touched me on several levels. Years earlier she admitted that she had no interest in attending an art quilt show. So when I heard her comment, I felt that I had truly opened her eyes to a new art form.
Do you Squash your Art Quilts?
As you can tell, movement in an art quilt is important to me. Yet not all art quilters share my view. A trend in quilting art quilts seems to be creating as many stitching lines on a piece as possible. These lines tend to be straight lines with about ¼” spacing. They may turn at sharp corners. While attending a recent national art quilt shows, I noticed that almost 75% of the quilts had such quilting. I admit that such narrow line quilting may be effective for some pieces. The skill level is high for the artists that quilt that way. However, this style makes me cringe. Squashing and smashing the fabric into flat controlled pieces actually saddens me. Such tight stitching suffocates the fabric, preventing it from moving or breathing.
Best Parts about Making Abstract Quilts
I love making abstract art quilts. There are several reasons why. While placing pieces on the design wall, there is flexibility to easily add fabrics or change their locations. Furthermore, I can turn the fabric piece upside down or even side ways to choose the best spot. This also works if the fabric pieces have decorative threads on them. Do I want the lines to go vertically or horizontally? In addition, if I sew two fabrics together incorrectly, I just cut the fabric off easily and resew. No seam ripping is necessary. I welcome these hacks after experiences making traditional blocks where more accuracy is demanded.
Conclusion
In conclusion, I create movement in my abstract art pieces in several ways. I choose some pieces of fabric because they show movement as part of the design element. Couching decorative threads in not quite straight lines adds subtle movement. Pieces are sewn together with a curved line piecing technique. Finally the artist generates wavy lines all over the piece while quilting the three layers of fabric together. A basically flat piece of art is brought to life by these techniques.
Read about Other Resources
Read more about the Artist Conference Network. This artist driven organization supports artists as they move towards their artistic goals. Groups meet periodically to share and review each artist’s goals.
The wisdom of the art world says that an artist should develop one identifiable portfolio of work. The audience should be able to recognize the work as work from the artist. At a later date, the artist may move in a different direction.Yet, isn’t following your heart why artists make art?
Following your Heart
My soul directs me to do something different. I must listen. So I have three portfolios that I take turns making; Mexican Inspired Fabric Collages, Nature Art Quilts and Abstract Art Quilts. Usually I make five or more pieces before moving on to another portfolio. The work remains fresh and new to me in this way.
Mexican Inspired Fabric Collages
De La Sierra, fabric collage
Mexican inspired fabric collages drew me to begin my art career. I gather fabric, details and found objects that I identify with the Mexican experience to use. The art pieces are mostly machine pieced together. Some embellishments require hand sewing. Whimsical, unusual effects are fun to include. To not make them would prevent me from following my heart. I draw on my knowledge of Spanish. I learned so much from my experiences dancing with Los Méxicas, the University of California at Santa Cruz’s Mexican folk dance group. Other influences include my travels to Mexico and my thirty six year elementary school teaching career working mainly with children of immigrants from Mexico. Following your heart takes many forms.
Abstract Art Quilts
Sandy Shore, an abstract art quilt
“Ann Baldwin May’s quilts are like abstract paintings.” Dave de Give “Oh, I didn’t realize that the art was a quilt.” I thought it was a painting. A visitor commented during Open Studios art tour. She had only seen a small photo of the abstract work in a catalogue.
No fabric squares or blocks. No patterns. I create color, texture and movement using tucks, decorative threads and fibers with undulating quilting stitches. I use pieces of mostly redirected fabric to create my abstract art quilts. Art quilts free me to use a wide range of colors. Art quilts free me to experiment with unusual fabrics.
Nature Quilts
Tree Along Creek,art quilt,32″ x 27″ 2019
My third portfolio is my nature quilts. I make trees, landscapes, seascapes and underwater fantasies. These fabric landscape and seascape collage art quilts use the fabric layering technique. I cover them with tulle and free motion quilted together. The tulle remains to hold the pieces in place but it is often invisible. Sheer fabrics and synthetics add a watery effect to the scenes. The art quilts are often colorful and whimsical. Some pieces I call underwater fantasies .
You may be interested in reading more about the techniques I use to create these art quilts.
Myself, the Artist.I am an artist. The tools I use are fabric, threads, batting and a sewing machine. If you look in my studio, you would see a sewing machine, cutting boards, rotary cutter, scissors and tools generally found in a sewing room or fabric studio. However, the items on the walls are quite foreign to a sewing room. Underwater fantasies, abstract art and maybe a Mexican inspired collage adorn the walls of my studio.
Myself, the Artist
Art Quilt Studio in the Santa Cruz Art Center, This is where I work.
How do you do that?
Sometimes it is hard for people to understand what they are seeing. Perhaps they recognize a fish swimming though kelp. “How did you get it to look like the light is reflecting off of the water? What? It is covered with what? I don’t see it. ” Myself, the artist explains the fabric layering technique. I lay the backing down on a table.Then I lay down the batting (soft center of a quilt). Next, create the scene. Finally, I cover the whole piece with tulle netting. After free motion quilting the layers together the tulle netting disappears. The tulle netting remains on top but it can’t readily be seen. Some nettings have extra sparkles on it that reflects the light like water.This answers the question,what do I do?
Traditional Blocks
Quilt blocks (squares) sewn together to create tradional bed quilts. Those blocks are made from patterns. The patterns may be new or a hundred years old. Myself, the artist comes from that world. I love the charming bed quilts that I have made. I just don’t do that anymore.
No more Patterns
I no longer use commercial patterns. When I buy a pattern, my expectation is that it will be correct. If if is a pattern for clothing, I pay attention to the measurements on the back. I expect the pattern to fit. Since I have been sewing clothes since high school, I have used many patterns for myself and my children. Sadly, more often than not, the clothing made from following these patterns carefully did not always fit.
The last straw for me was when my daughters were 3 and 4 years old. I was working full time. Yet, I wanted to make them each a dress with a pinafore. The pinafores were the same size as the dresses. The pattern had not adjusted them to be bigger to allow them to fit over the dresses. I was so disappointed. The dresses and pinafores were wore separately and loved to death by my daughters. I never bought another pattern after that.
Who created the Fabric Layering Technique?
Laura Fogg created the fabric layering technique. Meri Vahl learned it from her. I learned it from Meri Vahl. We are all art quilters located in Northern California. I create my own landscapes and underwater fantasy scenes from fabric. While the techniques are similar, each art quilt is unique.
Swimming With Sea Dragons, an art quilt,This is what I make.
Abstract Art Quilts
Abstract art quilts are also visible in my studio. The abstract pieces I make are designed on a design wall. My design wall is a large wall covered with white flannel. The fabric pieces stick to the flannel. I can move the pieces around until they find their spot. High end redirected fabrics from interior designers add a unique quality to my art. I choose solid colors but also fabrics with texture and movement that appeals to me. This answers the question,what do I do?
Gridlock II, art quilt This answers the question,what do I make?
Mexican inspired Fabric Collages
Mexican inspired fabric collages add whimsy to my studio. They reflect my love and respect for the Mexican culture. I love playing with the bright colors. Three dimensional found objects may also be hand sewn to the finished top.
