How to Choose Between Hard or Soft Art Materials

Paddling Along, 10" x 3.5"
Art Materials: Hard or Soft, art in a box with cement tiles and green glass tiles
Green Sphere 9″ x 7″

               Art   Materials:  Hard or Soft

An acquaintance  who follows my work on Instagram recently commented on the progress of my work into hard materials. The comment stopped me in my tracks. What? It made me think. For me, moving into assemblage was something that I had been doing for a while at a very slow pace. Assemblage is a 3D collage generally of diverse found objects.Yes, fabric art quilts are soft and generaly 3D materials are hard. Yet, I hadn’t thought about it that way.

3D Found Materials

As an art quilter I had often added 3D found objects to my work. Whimsical toy soldiers, artificial flowers, pieces of jewelry are just a few examples. Seeing it from another’s view made me take a second look at what I was doing. Larger tile pieces would be too heavy to work with.As a result, I had chosen quarter inch tiles and other objects mainly due to their size and color.

Inspiration

I draw inspiration from the materials and how they play together. I gather materials without thinking about how I will use them. This process applies to  the hard or soft art materials that I work with.  My sources are redirected sample designer materials. If the small slate-like samples had not been available, I wouldn’t have searched for them. On the other hand, I wouldn’t have even known that they existed.

Materials Front and Center

In the past, I  have spent time looking for the perfect piece of fabric for a project. It was frustrating and time consuming. Moreover, the results were often disappointing. I discovered that my imagined perfect fabric didn’t always perform as perfectly as I had expected. Working with what is in front of me proved more creative, artistic and satisfying.

On the other hand, a shopping situation with distractions galore overwhelms me.  With the materials front and center, I can quickly see that the scale or color either did or didn’t work. This proves more fun anyway even allowing serendippity to happen. Materials,however, fabulous don’t always work for  every project. Save them for another  project.

Tower in City 9″ x 7″

Color! Texture! Movement!

My mantra is Color! Texture! Movement! That is what I want the viewer to take away from my art quilts. Changing to hard materials didn’t fundamentally change that for me.  I do admit it might look differently from the outside or to a viewer on a tiny screen.

The whole concept of choosing hard or soft art materials did not cross my mind. Even though some materials are obviously heavier and harder than others. I selected the background wallpaper to build action and  color into the piece. Slight variations of colors in the pieces of concrete flow.  Variations of  width of the materials add depth.

Scale

The size of the project and time involved encouraged me to widen my artistic scope. Scale followed quickly. One cannot make smaller items without being aware of scale. True confessions time- I wanted some projects with a lower price point. Even small quilts involve time consuming hand work. Yet,smaller doesn’t always mean less time involved in the creation. Depending on the materials at hand,working with a smaller scale can negatively affect the time spend on designing.

People see Things Differently

I appreciate getting insight into how others view my work. The hard and soft comment opened my mind. Some comments from people I take more seriously than others.A comment from an experienced quilt artist would catch my atttention. However, I generally ignore some  comments.  A gentleman once commented that a piece reminded him of a particular place. I listened and even googled that location.Yet, that place had  not been  my inspiration. While  I was willing to listen,  I was not too concerned.  People see things differently. They bring their own experiences to how they view a piece.

Start at the End, Sometimes

Some of my fiber artist friends are extremely  talented. One in particular would use unusual found objects to create incredibly engaging art pieces. Yet when she was finished she didn’t know how to hang or best display her large 3D work. So I decided that I would consider how to display the work before I got started.  With these assemblage pieces I attached a hook first.Then I continued designing the piece. Working backwards is new process for me.

Art Materials: Hard or Soft
Cityscape, 9″ x 7″

A Unifying Look

Early in my creative process I acquired twelve identical wooden boxes of varying pale colors. That was a good start for me. Usually I never consider how a piece will look next to another piece. This gave me a chance to unify my look. Some assemblage pieces can be hung and some can sit on a shelf or table.

So I start with a frame or wooden box. Then I add a hook to hang it on. Next,I search for wall paper that complements the box color . With luck it adds texture. Because I am new to this process, I want to know where I will end  before I permanently attaching the paper. This may change as I gain more experience. The viewer doesn’t know what the artist began with and how they might have added or subtracted from what was there.

Art Materials: Hard or Soft
What Do You See? 12″ x 7″

Metal or Wood

Assemblage artists generally  choose materials from wood and metal. Personally my preference is wood. Metal just doesn’t speak to me in the same way. In the class I took I learned how to use an electric drill to make holes in metal or other objects. I still have  my childhood skates that attached to my saddle shoes.  I would love to use them in a piece.  Several times I have tried to see what might work with the skates with no success. As much as I love them, I will save them for a later date.

In Conclusion

In conclusion, it is not about the   materials  being hard or soft. It is the color, texture and movement of the surface that inspires this artist to create something new and hopefully exciting. How will you push yourself to try something new? Do your materials inspire you to move to your next level?https://annbaldwinmayartquilts.com/2021/03/beginning-steps-to-creating/

These pieces of assemblage are available at my etsy shop.

https://www.etsy.com/shop/annbmayartquilts/

You may be interested in reading more about assemblage.

https://annbaldwinmayartquilts.com/2021/05/paper-as-art-material/

https://annbaldwinmayartquilts.com/2021/02/recent-attempts-at-assemblage/

https://annbaldwinmayartquilts.com/2021/01/first-steps-towards-assemblage/

https://annbaldwinmayartquilts.com/videos-of-art-quilts/art-quilt-video-2-continues/

https://annbaldwinmayartquilts.com/2021/09/art-in-a-box-assemblage/

By Ann

Ann Baldwin May was born and raised in Palo Alto, California. She received her education from University of California, Irvine (History, BA Elementary Teaching Credential, Masters in Teaching Spanish) Her first quilting class was in 1975. She retired in 2012 after working 30 years as a bilingual teacher and Bilingual Resource Teacher in Watsonville. After making over 300 bed quilts, she turned her attention to art quilts. Ann is passionate about using repurposed materials often from the San Francisco Design Center. She has won several awards for her work. Kaiser Permanente has purchased five pieces for their Santa Cruz County facilities. Her work has been juried into shows all over the country including San Francisco and Chicago. She participates in the juried Santa Cruz County Open Studios Art Tour. She is married and has two daughters. Ann Baldwin May Santa Cruz Art Center, 1001 Center St.#4 Santa Cruz, CA 95060 baldwinmay49@yahoo.com 831.345.1466 annbaldwinmayartquilts.com Facebook- AnnBaldwinMayArtQuilts@annbaldwinmay Instagram-annbaldwinmay

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