How to Create Movement in Art Quilts

greys,pinks and purple fabric in this astract
Winter Sunset greys,pinks and purple fabric in this abstract art quilt.

Creating Movement in Art

Above all as an artist I am interesting in creating movement in art.That is how I answered this question.“What are the essential elements you want your audience to know about your work? What do you want them to take away from seeing your art? “ asked a fiber artist friend.

She is well versed in the deep discussions generated by involvement with the Artist Conference Network.  The ideas  I had been thinking about  came together. The question brought my ideas into focus; color, texture, movement. At this time I would like to address creating movement in my abstract art quilt pieces.

Subtle Wavy Lines

How does one make movement on something that is inherently static and flat? At first, I attempted to make every seam a curved line. That turned out to be  a poor choice that affected the over all shape of the piece. I learned  some straight lines are important for shape and balance. Another true life lesson learned, the importance of balance.  Choose seams carefully for the visual impact. They may be wildly or gently shaped curves.

Activity on the Material

To begin, I choose  the fabrics with movement in mind. I look for interestingly curved shapesthat are part of the fabric’s design. When I cut them up, they add interest and drama. They catch the eye and draw it in.

When I first selected this fabric of elongated greyhound dogs, I  didn’t even notice the dogs just the colors and the shapes. I couched threads, rotated the fabric and then sliced the fabric into usable  pieces. The shape of the animals disappeared yet the movement of their bodies remained. Other fabrics provide a pop of action to the piece. Creating the illusion of movement is an essential part of my abstract art quilts.

grey and black dogs
Greyhounds with some couching of yarn
black and white branches on an indigo died background
Skyward, the finished art quilt

Couching Decorative Threads

Couching decorative threads is another technique that is  an essential part of my tool box. I sew multiple colored threads or yarns on to a strip of fabric. Then I cut them up into random lengths and use them as fabric. At first,the main purpose was to add texture to my pieces. Yet, sewing the threads in undulating parallel lines creates the slightest of distortion and movement.

An abstract art quilt with lavander,pink, and grey colors
Long strips of cotton with the threads couched on them.
An abstract art quilt with lavander,pink, and grey colors
Winter Sunset, the finished piece

Adding Tucks

Adding tucks is another technique that started out as a way to add texture to a piece.  However, movement was created at the same time.  Tucks are small seams that run along the folded edge of fabric. When quilting over a series of parallel tucks they are folded up or down. This creates an illusion of movement.

green and teal art quilt with a pop of magenta
Upwelling , Tucks run the width of several pieces to create movement.

Using the Design Wall

I create my abstracts on a design wall. I take time to balance the colors, fabrics, and quiet spaces for eyes to rest. Looking at the piece with fresh eyes may take several days or longer before sewing all the pieces together. Abstract artists have the added benefit of being able to rotate the completed piece. They check to see if viewing the piece from another direction it may actually improves it. It just might happen. Just because it was conceived and executed in one direction doesn’t mean that it cannot look better “upside down.”

Creating Movement While Quilting

In addition,  the quilting process adds movement. I begin quilting in the middle of the piece making basically a large grid about 5” apart. Then the fun begins. I start quilting from corner to corner gently turning the fabric slightly side to side as I quilt. The thread line creates the movement.  If the thread color contrasts with the fabric color, then the threads stand out. When the thread color matches the fabric, the thread may seem to disappear, yet the movement remains on a more subtle level. Many viewers look closer to try and understand how that affect can be.

an abstract art quilt using African fabrics
Mossy Rocks, an art quilt

“It Dances.”

A former colleague of mine made an unsolicited comment about my work, “It dances.” Her remark touched me on several levels. Years earlier she admitted that she had no interest in attending an art quilt show. So when I heard her comment, I felt that I had truly opened her eyes to a new art form.

The Importance of Movement in Art Quilts

As you can tell movement in an art quilt is important to me. Yet not all art quilters share my view. A trend in quilting art quilts seems to be creating as many stitching lines on a piece as possible. These lines tend to be straight lines with about ¼” spacing . They may turn at sharp corners.

Does your quilting squash your fabric?

While attending a recent national art quilt shows, I noticed that almost 75% of the quilts had such quilting. I admit that such narrow line quilting may be effective for some pieces. The skill level is high for the artists that work that way. However, this style makes me cringe. Squashing and smashing the fabric into flat controlled pieces actually saddens me.Such tight stitching suffocates the fabric preventing it from moving or breathing.

In Conclusion

I create movement  in several ways in my abstract art pieces. Some pieces of fabric are chosen based on their design element of movement. Couching decorative threads and tucks into gently waving lines adds subtle movement. Pieces are sewn together in a curve line piecing technique. Finally the artist generates wavy lines all over the piece quilting the three layers of fabric together.

Other resources that you may be interested in.

You may be interested in finding out more about the Artist Conference Network. It is an artist driven organization supporting artists as their more towards their artistic goals. Groups meet periodically to share and review each artist’s goals.

https://annbaldwinmayartquilts.com/2017/04/scribble-quiltin…rt-2-the-process/

https://annbaldwinmayartquilts.com/2017/04/scribble-quilting/

https://annbaldwinmayartquilts.com/2017/06/couching-threads…d-creating-fabri/

https://annbaldwinmayartquilts.com/2019/01/couching-zigzag-…-to-art-quilts-2/

https://www.etsy.com/shop/annbmayartquilts/

By Ann

Ann Baldwin May was born and raised in Palo Alto, California. She received her education from University of California, Irvine (History, BA Elementary Teaching Credential, Masters in Teaching Spanish) Her first quilting class was in 1975. She retired in 2012 after working 30 years as a bilingual teacher and Bilingual Resource Teacher in Watsonville. After making over 300 bed quilts, she turned her attention to art quilts. Ann is passionate about using repurposed materials often from the San Francisco Design Center. She has won several awards for her work. Kaiser Permanente has purchased five pieces for their Santa Cruz County facilities. Her work has been juried into shows all over the country including San Francisco and Chicago. She participates in the juried Santa Cruz County Open Studios Art Tour. She is married and has two daughters. Ann Baldwin May Santa Cruz Art Center, 1001 Center St.#4 Santa Cruz, CA 95060 baldwinmay49@yahoo.com 831.345.1466 annbaldwinmayartquilts.com Facebook- AnnBaldwinMayArtQuilts@annbaldwinmay Instagram-annbaldwinmay

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