Georgia O’Keeffe and Textiles
OCTOBER 13, 2017 BY MARCIA YOUNG (edited for space)
Georgia O’Keeffe and Textiles
First of all,the Peabody Essex Museum presents one of America’s artists in a new light. Georgia O’Keeffe: Art, Image, Style is the first exhibition to place artwork along side of her wardrobe. For example,these textile pieces have never before been shown. Similarly,there will also be photographs of the artist. This unique show is organized by the Brooklyn Museum and guest curator Wanda M. Corn. She is Professor Emerita in Art History at Stanford University. This exhibition is on view at Peabody Essex Museum from December 16, 2017 through April 1, 2018. Then it continues on its national tour.
the show
For more than 70 years, Georgia O’Keeffe shaped her public persona. Above all, she defied labels and carved out a truly progressive, independent life. This was necessary for her to create her art says Austen Barron Bailly. Bailly is the organizing curator. Above all,O’Keeffe dressed as a way to unite her attire, her art, and her home. Fo example,her aesthetic legacy of organic silhouettes, few decorations and restrained color palettes continues to capture the popular imagination. Above all, it inspires leading designers and tastemakers of today.
Georgia O’Keeffe Style
Above all,Georgia O’Keeffe: Art, Image, Style includes 125 works. Furthermore,it examines how the famous artist carefully formed her public image. For example,O’Keeffe considered her clothed body as another canvas for her work,says Bailly. Similarly,the exhibition of O’Keeffe explores how she expressed her identity and artistic values. That is to say,O’Keeffe’s androgynous persona, feminist outlook, stark fashion sense and skill as a seamstress combine to create a new understanding of her role as an artist and an individual.
A Life Long Style
Throughout her life, O’Keeffe had strong opinions about how she wanted to look. It didn’t matter what the dress codes of the era were. O’Keeffe’s distinct aesthetic sensibility started young rebellion against feminine strict roles. In the 1920s and 1930s in New York, her black and white palette dominated much of her art and dress. Later years in New Mexico, her art and clothing changed in response to the Southwestern landscape. O’Keeffe sewed some of the clothes herself. Some clothes were custom made or bought off the rack. Always she consistently favored the simple lines and abstract forms that followed through her artwork and home design.
https://annbaldwinmayartquilts.com/2018/07/a-world-of-fiber-art/
